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Theater History 1968
TD 226 Spring 2011 - 1968 Study Sheets
| Question | Answer |
|---|---|
| Nigeria | - Independence from Great Britain - Yoruba gives Egungun Festival - Large population - Highly contested |
| South Africa | - 1910 Independent nation - Apartheid until 1990 - 1962 Nelson Mendella |
| Egungun Festival | - Planting season - Fertility rebirthing - Annual performance - Collective spirits of the ancestral dead – bone/skeleton - Spiritual cleansing - Improve, rhythmic movement, outdoors, music, engaged community |
| Alarinjo Theatre | - Roots form Egungun Masquerades - Secret guild system for training performers - Court Performances - Showed $ and power |
| Yoruba Opera | - Brought from England by missionaries - Adapted form Alarinjo and music hall traditions - Opened with a glee - Satire on topical issues - Song and dance - Closing glee - Nigerian |
| Oral Traditions | - Passed down generationally - Not written, noted, documented - Languages – Africa has 100s - Difficulty for Historians - Colonization of the African Mind |
| Hubert Ogunde | - Wrote plays - Established professional company - Nigerian - Strike and Hunger - The Garden of Eden and the Throne of God - Yoruba Opera |
| Glee | - Group singing effort - Musical tradition |
| Wole Soyinka | - Death and the King’s Horseman - Nigerian - 1986 Nobel Laureate - Educated in London, studied theater - 1960Masks - Political company - Retrieval and reappropriation of Nigerian culture |
| John Osborne | - Angry Young Men school of playwriting - Playwrights from the working class - British - Questioning the class system |
| Joan Littlewood | - The Theater Workshop - Class structure being challenged - 1945 - offset commercial theater in London - East Stratford – many languages and ethnicities - Devised Theater |
| The Theater Workshop | - Class structure being challenged - 1945 - offset commercial theater in London - East Stratford – many languages and ethnicities - Devised Theater - Joan Little wood |
| Devised Theater | - Developed by an ensemble - Not text based - Start with an image or idea with a group of artists creating together - Came out of the WWs - Questioning why and what happened |
| Harold Pinter | - Realistic qualities with unsettling twists - Old Times - Dramaturgical strategies: pause, silence, subtext |
| Off – Broadway Movement | - Coined by Village Voice - 1960 - Ubu Roi in a coffee house - 1959 Ford Foundation grants - Not-for-profit theater being produced - Performance happening outside the commercial theater - Artists exploring outside the mainstream |
| Regional Theatre Movement | - Decentralization of performance and theater out of NY - Encouraged by the Ford Foundation Grants |
| The Living Theatre | - 1947 Judith Malina and Julian Beck - Alternative to commercial theater - Coming out of Erwin Piscator (German - Epic Theater) - Political, Release from Social inhibitions, Revolution anarchy, Social problem plays Artaudian: images and behaviors that |
| Judson Dance Theater | - Judson Church 30-60s NY Progressive politics - Intersection of visual artists and dance artists - Post-modern dance - Formalist: form over content - Disruption of choreographic/authorial power - Away from personal style - Other media |
| Yvonne Rainer | - Trio A - Pedestrian movement - Rethink the way the body was allowed to be beautiful - Challenge beauty onstage |
| Angry Young Men | school of playwriting - Playwrights from the working class - British - Questioning the class system - John Osborne |
| Judith Malina | The Living Theater 1947 and Julian Beck - Alternative to commercial theater - Coming out of Erwin Piscator (German - Epic Theater) - Political, Release from Social inhibitions, Revolution anarchy, Social problem plays Artaudian: images and behaviors t |
| Old Times | Harold Pinter 2 women, 1 man Love Triangle |