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19th Century Theater
Theater History Exam III
| Question | Answer |
|---|---|
| Rene Charles Guilbert de Pixerecourt | France - Wrote melodramas |
| Society of Dramatic Authors | France - Theater Union established in 1829 for writers, required % of profits from each performance, opportunities for re-writes |
| Louis-Jacques-Mandé Daguerre | France - First photographer, created daguerreotype, leading to dioramas and panoramas moving across back of stage. |
| St. Petersburg | Russia - Theater capital until 1825, subsidized theaters |
| Nikolai Gogol | Russia - Wrote 'The Inspector General' |
| Theater Regulation Act of 1843 | England - Did away with patents, not censorship |
| Kotzebue | Germany - wrote melodramas |
| John Philip Kemble | England - Big theater family, actor-manager of Drury Lane and Covent Garden |
| William Capon | England - Scene designer, liked historical accuracy |
| J.R. Planche | England - Wrote 'A History of British Costume' and plays |
| Mrs. Sarah Kemble Siddons | England - Actress, established 'classical' acting style; controlled and beautiful acting |
| Edmund Keane | England - Romantic Acting style, ate furniture |
| William Charles Macready | England - Actor-manager, early director, ran rehearsals at full speed |
| Madame Vestris | England - Manager of Olympic Theater, introduced Box set to England in 1823 |
| Chestnut Street Theater | USA - 1st theater to use gas lighting |
| Welsbach Burner | USA - Electric spark burner allowing for full black-outs |
| Astor Place Riot | USA - Forrest and Macready perform Macbeth on opposite sides of street |
| Thomas D. Rice | USA - "Jim Crow" performing in black face |
| African Grove Theater | USA - 1st group of black actors |
| Ira Aldridge | USA - Black Actor, started at African Grove, left to act in Europe |
| Bousecoup | England - "The Octaroon," melodrama about slavery, demanded % of tickets |
| Charles Kean | England - Son of Edmund Kean, serious drama, managed Princess's Theater, sold out and made money |
| Bancrofts | England - Early English Domestic Realism, brought box set and matinees, put seats in pit, smaller theaters |
| Henry Irving | England - Lyceum Theater, no raked stage, 'free plantation system' tricks and realistic melodrama, experimented with lighting, black masking |
| Thomas William Robertson | England - Playwright, worked with Bancrofts |
| Ellen Terry | England - Leading lady for Henry Irving |
| Alexander Ostravski | The Thunderstorm, proto-realism |
| Eugene Scribe | France - Well-made play formula, exposition, Inciting Incident, Obstacles, Climax, Resolution. Wrote "The Glass of Water" |
| Alexander Dumas | France - "Camille," Added a 'Rausonneur' who spoke for playwright |
| Victorien Sardou | France - Well-made play II, "The Scrap of Paper" |
| Adolph Montigne | France - Put chairs and table Down Center, props onstage - made actors talk to each other |
| Georg Buchner | Wrote "Woyczek" |
| George Aiken | Wrote "Uncle Tom's Cabin" |