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Art APP
| Question | Answer |
|---|---|
| Representational Art | Easily recognized by people |
| No real Subject? | non representational art |
| 4 Main Fxns of Art | Aesthetic, Cultural, Utilitarian Socia |
| Beauty of Nature | Aethetic |
| Fxn of Art: Improvement of state of life in art | Utilitarian |
| Preserves skills from one generation to another | Cultural |
| Man learns to love and help each other | Social |
| what are major arts? | painting archi,sculpture, literature, dance |
| minor arts | pop, graphic, plastic, indus |
| practical arts? | w/ purpose: liberal, fine, pure, mixed |
| arts that promote intellectual growth | liberal |
| creative activity for the mind and the spirit | fine arts |
| Major arts are concerned with | actual and potential expressiveness |
| minor arts are concerned with | practical arts and purposes |
| describe: kinetic, phonetic and pure arts | kinetic: element of rhythm, phonetic: sounds and words, pure arts: one type of medium of expression |
| How does the artist select his medium? | 1.Manipulate with ease, best for the idea, artistic inspiration |
| What is the distinction bet. art and craft? | art: not end but the means, the technique is considers it the end |
| What are the propeties of watercolor | -simple and clear, blends well |
| what is gouache | adding zinc white to watercolor to tone down the color |
| Fresco? | painting on a wet plaster surface, becomes part of the wall, "The Creation of Adam" |
| Paints with egg yolk used as a binder, more deliberate technique, colors are luminous, used for religious proj | tempera |
| Used by Egyptians on mummy cases, wax colors painted with heat. | Encaustio |
| Expensive, heaviest media, admits working over, flexible, dries slowly, can be changed, glossy, lasts long | Oil |
| Transparent, Quick drying, mixed with acrylic emulsion, noy break easily, turns dark with time | Acrylic |
| Done on paper with pencil, pen, ink, charcoal. use of line and shading, | Drawing |
| brown pigment from soot of wood. pen and wash drawings | Bistre |
| cutting away block of wood that the artists wants to be seen, leaving the portion to te 3rd domension | Relief |
| Design/Text is engraved on a surface, leaves a sharp impression on the surface using ink | Intaglio |
| Sculpture medium that is: green, used for carving and jewelry, chinese | Jade |
| Sculpture Medium: oldest alloys (copper and tin), strong durable, weather proof, polishable | bronze |
| Sculpture Medium: alloy of copper and zinc, rust-proof, polishable | brass |
| Sculpture medium: easy to carve, softer, lighter, color and character taken note of, treated to preserve its quality. | Wood |
| Sculpture Medium: Tenderest of Sculpting Material, oriental sculpture | Terra Cotta |
| what are the classification of architectural material? | materials of nature, made by man, indigenous |
| Oldest, most permanent material in the world | Stone |
| limestone that can be polished, may be breciated (angular) or serpentine (variegated, for flat surface) | Marble |
| Various colors, informal structure, textured | Sandstone |
| Indigenous Material: outercovering of bamboo, woven | Sawali |
| Indigenous Material: byproduct of coconut, cement | coco coir |
| Drama set to music with action and scenery, overtures, recitative, ensemble and chorus | opera |
| Phil Drama set to music like opera | Zarzuela |
| Long composition for one instrument | Sonata |
| Musical Pieces that tells a story | Suite |
| Sonata for the orchestra | symphony |
| sonata for solo and orchestra to show off virtuosity of soloist | concerto |
| 3 Main types of instrument | Percussion, string, winf |
| Trumpet, Trombone, French Horn, tuba | long, half oblong, circle, half closed oblong |
| Pitch | Highness and Lowness of tone |
| Volume | resulting from force (forte = loud, piano = soft) |
| Timbre | Tone color |
| do re mi fa so la ti do | c d e f g a b |
| Realist with broken paints, Monet | Impressionism |
| portray the subject as it is | Realism |
| Abstraction: Subject is in misshapen condition | distortion |
| Abstraction: subject is lengthened | Extension |
| Abstraction: cut, lacerated, mutilated | Mangling |
| Abstraction: use of cone, cylinder, sphere (Pablo Picasso) | Cubism |
| Lack of refinement and application | Abstract expression |
| Something visible to portray the idea or a quality | Symbolism |
| Henry Matisse, Extreme Bright Colors | Fauvism |
| Zurich,GMNY, Shock and provoke, experimental, hobby horse, Marcel Duchamp | Dadaism |
| Speed and force of modern society | Futurism |
| Andre Breton, Higher reality of life, super reality | surrealism |
| Spiritual rebirth of man, emotional expression | Expressionism |
| represent figures and forms, have direction, always moving,straight or curved | line |
| Represent repose and serenity | horizontal line |
| Poised for action and balance, | Vertical Line |
| Suggest action and movement | Diagonal Line |
| Grace and instability | Curved line |
| Violence, conflict, | Crooked and Jagged Line |
| Opposition, forms a contrast | Repetition |
| modify sharpness of a vertical and gives horizontal line a harmonizing effect | transtional |
| Also called chiaroscuro, lightness and darkness of a color, | Value |
| Values above normal | Tint |
| Values below normal | Shade |
| 3rd dimension of color, brightness and darkness of color, addl of black and white modifies it | Intensity |
| Several tones of one hue, easiest to use | Monochromatic |
| 2-3 neighboring hues used together | Adjacent |
| Colors that lie directly opposite each other | Contracted color harmonies |
| adds sense of touch to the color element, add richness and vitality to paintings | texture |
| effect of distance, has 2 kinds, linear and aerial | Perspective |
| Appearance of distance by means of converging lines, near are big, far are small | Linear Perspective |
| Distance by gradations of tone and color | Aerial Perspective |
| Parts that are related to each other, stable, symmetrical and in an orderly manner, | Regular Forms |
| Parts that are dissimilar and unrelated, assimilar and dynamic | Irregular forms |
| secondary forms clustered to form a dominant form | Centralized form |
| Sequentially arranged row of series of forms | Linear forms |
| extend outward in a radial form | Radial Form |
| modular forms that are regulated by 3d forms | Grid forms |
| Variation of length and accentuation of a series of sounds, most fundamental concept is the beat; recurring pulse in music | Rhythm |
| 2nd most imp. element in music, concerned with mental melody | Melody |
| Highness and Lowness of sound | Pitch |
| Manner of combination of sounds | Harmony |
| speed of certain piece | Tempo |
| At Walking Pace | Andante |
| Allegro | Fast |
| Largo | very slow |
| allegreto | Moderately fast |
| Amount, Volume and Strength of the sound | Dynamics |
| Tone Quality | Timbre |
| conveys msg of the dance | Theme |
| pattern of movement of time and space | Design |
| bodily actions of the dancer | Movement |
| skill of movement | TECHNIQUE |
| auditory background | music |
| worn by dancer | costume and body ornaments |
| figures and steps in dancing | choreography |
| background or scenery | scenery |
| Sequential arrangement of related events and actionswhich the story is composed | Plot |
| animals/people take part in the action | Character |
| how the author allows us to see | POV |
| Where event took place | Setting |
| When the short story tells you ho the character is | Direct Characterization |
| when the writer lets u draw ur own conclusions | Indirect characterization |
| message communicated byt eh short story | setting |
| subordinate themes | Motifs |
| Irony: what the character say and the audience know | Dramatic irony |
| Irony: expectation and result | Situational irony |
| Irony: what is said and meant | Verbal |
| control of the use of literary and figurative language | Style |
| In verse form | Poetry |
| actual meaning? implied meaning? poetic language? figurative language? | Denonative, Connotative, poetic, figurative language |
| atmosphere in which the poet presents the world | Tone |
| representation of the sense experience | iMAGERY |
| Regular and irregular patterns, syllables, rhetorical stress | Rhythm and meter |
| Metered language | Verse |
| value, worth and experience a poem communicates | prose meaning |
| idea of the poem, | total meaning |
| the voice talking | Speaker |
| pattern and arrangement of words | Shape of the Poem |
| literary composition of the subject. May be formal or informal | Essay |
| A long work of prose fiction with a form of plot. with subplots | Novel |
| Presentation of words, actions sounds and characters, may be as a script (dialogue) or as a play (acted). may be COMEDY or TRAGEDY | Drama |
| what is # in music for? | raise the note by a step |
| what is a bequadro | go back to the natural position |
| work of fiction that can be read in one sitting | Short Story |
| poetic style not particular with rhyme and meter | Free Verse |
Created by:
stolendazzle
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