multiple choice questions
Quiz yourself by thinking what should be in
each of the black spaces below before clicking
on it to display the answer.
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| The dominant figure in music in seventeenth-century France was _____. | show 🗑
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| show | ballet
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| show | two
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| _____ developed a thoroughly rationalistic set of conventions for Italian opera seria around 1700. | show 🗑
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| show | accompagnato
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| A recurring orchestral passage called _____ might be used to unify the structures of both the large-scale Italian opera aria and the concerto movement. | show 🗑
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| show | chorale prelude
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| show | France
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| _____ means a passage of rapidly overlapping imitative entries of the subject, often used to increase the climactic effect at the end of a fugue. | show 🗑
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| show | suite of dances
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| show | Marco Scacchi
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| show | stylus cubicularis
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| The first opeera was composed primarily by _____. | show 🗑
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| The first public opera house opened in _____ in 1637. | show 🗑
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| show | strophic variation
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| The German composer _____ traveled to Venice to become acquainted with the music of Giovanni Gabrieli an dMonteverdi. | show 🗑
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| Giacomo Carissimi is regarded as the composer most responsible for the development of the _____. | show 🗑
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| The instrumental genre known as the _____ arose when the canzona became fragmented into separate sections or movements. | show 🗑
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| In the seventeenth century a partita was a(n) _____. | show 🗑
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| The first dance movement in a seventeenth-century suite was most commonly a(n) _____. | show 🗑
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| show | Rationalism
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| The word _____ generally means overly ornamented, distorted, bizarre, or eccentric. | show 🗑
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| show | passion
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| show | Florence
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| show | the theater
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| show | monody
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| show | aria
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| For his collection of songs published in 1602 as Le nuove musiche, _____ wrote a preface that explained vocal ornamentation and the use of figured bass. | show 🗑
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| show | concertato
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| show | harmony
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| show | Italy
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| show | opera seria
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| show | ballad opera
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| show | opera librettist
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| show | commedia dell'arte
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| show | oratorio
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| Handel's oratorios are structured in _____ parts or acts. | show 🗑
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| show | Kantor
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| show | Italian sonatas and concertos
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| show | sacred concertos
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