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multiple choice questions

Quiz yourself by thinking what should be in each of the black spaces below before clicking on it to display the answer.
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Question
Answer
The dominant figure in music in seventeenth-century France was _____.   Jean-Baptiste Lully  
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The leading musical entertainment at the French court in the first half of the seventeenth century was the _____.   ballet  
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The French opera overture had _____ main contrasting sections.   two  
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_____ developed a thoroughly rationalistic set of conventions for Italian opera seria around 1700.   Apostolo Zeno  
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Recitative supported by the entire ensemble of strings rather than only basso continuo is called _____.   accompagnato  
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A recurring orchestral passage called _____ might be used to unify the structures of both the large-scale Italian opera aria and the concerto movement.   ritornello  
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A(n) _____ was an organ work in which a chorale melody was employed in a single statement as a cantus firmus.   chorale prelude  
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Keyboard composers in _____ often included in their suites movements with characteristic titles rather than merely the names of dances.   France  
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_____ means a passage of rapidly overlapping imitative entries of the subject, often used to increase the climactic effect at the end of a fugue.   stretto  
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A sonata da chiesa was actually a _____.   suite of dances  
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In the middle of the seventeenth century the musical scholar _____ grouped the musical styles of the time into three classifications.   Marco Scacchi  
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_____ included all types of seventeenth-century vocal music except sacred music and opera.   stylus cubicularis  
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The first opeera was composed primarily by _____.   Jacopo Peri  
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The first public opera house opened in _____ in 1637.   Venice  
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The musical structure in which free material unfolds over a repeating bass formula is called _____.   strophic variation  
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The German composer _____ traveled to Venice to become acquainted with the music of Giovanni Gabrieli an dMonteverdi.   Schutz  
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Giacomo Carissimi is regarded as the composer most responsible for the development of the _____.   oratorio  
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The instrumental genre known as the _____ arose when the canzona became fragmented into separate sections or movements.   sonata  
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In the seventeenth century a partita was a(n) _____.   set of variations  
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The first dance movement in a seventeenth-century suite was most commonly a(n) _____.   allemande  
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The philosophical movement that corresponds to the so-called "Baroque" period in art and music was _____.   Rationalism  
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The word _____ generally means overly ornamented, distorted, bizarre, or eccentric.   baroque  
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A _____ is a mood or state of mind; the six basic ones were love, hate, joy, sorrow, wonder, and desire.   passion  
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New aesthetic principles for music were articulated in the late sixteenth century by a group of intellectuals who met in the city of _____.   Florence  
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Vincenzo Galilei recommended that, in order to understand how musical expression should function, composers ought to attend _____.   the theater  
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The musical texture of solo voice with accompaniment by a lute or keyboard instrument is called _____.   monody  
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An Italian strophic song in the early seventeent century was identified as a(n) _____.   aria  
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For his collection of songs published in 1602 as Le nuove musiche, _____ wrote a preface that explained vocal ornamentation and the use of figured bass.   Giulio Caccini  
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Since the beginning of the seventeenth century, the term _____ has implied any use of contrasting voices and/or instruments with separate functions.   concertato  
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The concept of second pratica has to do with the musical style element _____.   harmony  
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Handel spent most of his early twenties in _____, where he mastered the musical style of that country.   Italy  
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In his early years in London, Handel wrote many popular works in the genre of _____, which had not been explored to any great extent by English Baroque composers.   opera seria  
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The Beggar's Opera was the first work in a newly created genre, _____.   ballad opera  
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Pietro Metastasio made his greatest contribution music as a(n) _____.   opera librettist  
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The intermezzo took its plots from the _____, which had been popular for a long time in Italy.   commedia dell'arte  
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When Handel gave up composing operas he turned instead to the _____.   oratorio  
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Handel's oratorios are structured in _____ parts or acts.   three  
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Georg Philipp Telemann worked in the city of Hamburg as a(n) _____.   Kantor  
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As concert master at the court in Weimar, Bach became familiar with the style of _____.   Italian sonatas and concertos  
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One of Bach's greatest achievements was his composition of _____ for performance in Leipzig church services.   sacred concertos  
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