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NEWAMIMAGES

Quiz yourself by thinking what should be in each of the black spaces below before clicking on it to display the answer.
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Question
Answer
<img src="paste4wmm6b.jpg" />   1765   Boy with Squirrel   John Singleton Copley (1738 -1815)   * Genre and portrait * Tour de force within his mature style   18thCenturyPortraits    
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<img src="pastehf13gu.jpg" />   1758 -60   Thaddeus Burr   John Singleton Copley (1738 -1815)   * The Rococo style learns from Blackburn; liberated his innate abilites as a colorist   18thCenturyPortraits    
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<img src="pasteucuz_j.jpg" />   1759 -61   Epes Sargent   John Singleton Copley (1738 -1815)     18thCenturyPortraits    
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<img src="pasteqcexn6.jpg" />   1763   Mrs. Daniel Sargent   John Singleton Copley (1738 -1815)     18thCenturyPortraits    
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<img src="pastes4gfxo.jpg" />   1764   Mrs. Daniel Hubbard   John Singleton Copley (1738 -1815)     18thCenturyPortraits    
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<img src="pastetj8eiz.jpg" />   1766   Mrs. Thomas Boylston   John Singleton Copley (1738 -1815)     18thCenturyPortraits    
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<img src="pastek1yl7r.jpg" />   1767   Young Lady with a Bird and Dog   John Singleton Copley (1738 -1815)     18thCenturyPortraits    
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<img src="pasteiwml8s.jpg" />   1768 c   Paul Revere   John Singleton Copley (1738 -1815)   * Informal/unusual pose; never repeated   18thCenturyPortraits    
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<img src="pasterpdf59.jpg" />   1769   Isaac Smith   John Singleton Copley (1738 -1815)   * Success wasn't only in his ability to depict realistically external appearances etc, butalso his ability to catpure the profound realism of people as human beings   18thCenturyPortraits    
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<img src="pastefs1vdi.jpg" />   1769   Mrs. Isaac Smith   John Singleton Copley (1738 -1815)     18thCenturyPortraits    
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<img src="pastescsqet.jpg" />   1771   Mrs. Goldthwaite   John Singleton Copley (1738 -1815)   * Martin thinks one of his finest character studies * With this portrait Copley was seldom more skillful treatment of light/shade   18thCenturyPortraits    
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<img src="pastemtlqju.jpg" />   1771   Daniel Verplank   John Singleton Copley (1738 -1815)     18thCenturyPortraits    
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<img src="pastersrkug.jpg" />   1771   Mrs. Humphrey Devereux   John Singleton Copley (1738 -1815)   * Translation of what Copley sees onto the canvas itself * Masterpiece of late, dramatic, American style   18thCenturyPortraits    
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<img src="paste24tq22.jpg" />   1773   Mr. and Mrs. Thomas Mifflin   John Singleton Copley (1738 -1815)   * Combo of portrait/genre   18thCenturyPortraits    
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<img src="pasteldebwq.jpg" />   1775 c   Mrs. Seymour Fort   John Singleton Copley (1738 -1815)   - Beginning of English period   18thCenturyPortraits    
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<img src="paste0zpku3.jpg" />   1776 -77   The Copley Family   John Singleton Copley (1738 -1815)   - &"The Grand Manner&"   18thCenturyPortraits    
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<img src="pasteadxx_w.jpg" />   1785   The Three Youngest Daughters of George III   John Singleton Copley (1738 -1815)     18thCenturyPortraits    
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<img src="pasteud9uyc.jpg" />   1778   Watson and the Shark   John Singleton Copley (1738 -1815)   - Qualifies as history painting - Learns how to fuse poetic imagination and fact *1st depiction of a black man by a great American artist in which the black man is ~ a stereotype * Earliest instance of identifiable American contribution to the developmen   18thCenturyPortraits    
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<img src="pastechsfkg.jpg" />   1778 c   Black Man   John Singleton Copley (1738 -1815)   - Realism w/o prejudice   18thCenturyPortraits    
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<img src="pastewsy9r3.jpg" />   1782 -84   Death of Major Peirson   John Singleton Copley (1738 -1815)   - Popular contemporary subject - High minded drama * Marked a zenith in his career   18thCenturyPortraits    
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<img src="pastemjee3j.jpg" />   1777 c   Roger Sherman   Ralph Earl (1751 -1801)   * His masterpiece; before he left for London - Copley influence * One of the + impressive American paintings   18thCenturyPortraits    
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<img src="pastenilpln.jpg" />   1756   The Death of Socrates   Benjamin West (1738 -1820)   - no Euro artists concieved of this approach until Oath of the Horatii = 30 years later   18thCenturyPortraits    
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<img src="pastemej8ca.jpg" />?   1759   Thomas Mifflin   Benjamin West (1738 -1820)   - Wollaston's influence * Last painting before leaving America   18thCenturyPortraits    
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<img src="pastefbirxw.jpg" />   1767 -68   Agrippina Landing at Brundisium with the Ashes of Germanicus   Benjamin West (1738 -1820)   * 1st English commission for history painting * Principles of new Neoc style is evident (prefigures French Neoc) - Moralizing message/classical subject ~ new in 18th; NEW = accuracy to Roman depiction - Based on Ara Pacis - Background = &"ruins of pala   18thCenturyPortraits    
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<img src="pastet5wsyw.jpg" />   1770   Death of General Wolfe   Benjamin West (1738 -1820)   * Anticipates French 19th cent Romanticism - Portrait studies ^ to enhance illusion/actuality - Contemporary military attire; King ~ like; Reynolds concern - Grand scale - American subject; in Quebec - Martyrdom of Xst; acceptable   18thCenturyPortraits    
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<img src="pastee2tyjo.jpg" />   1771   Peace Tready with the Indians   Benjamin West (1738 -1820)   - English interest in Indians   18thCenturyPortraits    
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<img src="pasteoxc9y5.jpg" />   1770 c   Colonel William Johnson   Benjamin West (1738 -1820)   - Proto Romantic   18thCenturyPortraits    
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<img src="pastevsds1p.jpg" />   1777   Saul and the Witch of Endor   Benjamin West (1738 -1820)   * Chief stylistic influence here is Salvator Rossa (Ita) - Least Neoc works   18thCenturyPortraits    
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<img src="pastesg56wa.jpg" />   1817   Death on a Pale Horse   Benjamin West (1738 -1820)   - Romantic - Finds fruition in Jericho and Delacroix   18thCenturyPortraits    
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<img src="pastemqeqfc.jpg" />     Staircase from the Joseph Manigault House, Charleston, SC 1803 - Adamesque houses = utility of free planning   FederalStyleAdamesque Images        
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<img src="pastepklbwq.jpg" />   1782   Peirce -Nicholas House   Samuel McIntire (1757 -1811)   * Earliest effort in Adamesque style   FederalStyleAdamesque    
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<img src="gwp (1).jpg" />   1810   Gardner -White -Pingree House   Samuel McIntire (1757 -1811)   - Adamesque, federal   FederalStyleAdamesque    
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<img src="paste72lwbu.jpg" />   1795 -96   First Harrison Gray Otis House   Charles Bulfinch (1763 -1844)   - Typical   FederalStyleAdamesque    
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<img src="pastesjzyae.jpg" /><img src="pastelqmmp6.jpg" />   1795 -98   Boston State House   Charles Bulfinch (1763 -1844)   ~ Good at monumentality * His most ambitious project   FederalStyleAdamesque    
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<img src="pastek48w6i.jpg" /><img src="paste3q4bui.jpg" />   1816 -17   Fifth Meeting House of the First Church of Christ   Charles Bulfinch (1763 -1844)   * Masterpiece   FederalStyleAdamesque    
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<img src="pasteyxwgjg.jpg" />   1771   Final Elevation for First Version of Monticello   Thomas Jefferson (1743 -1826)   - Originally based on Palladio's Villa Rotunda   FederalStyleAdamesque    
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<img src="pasteknp2gi.jpg" />   1770 -1809   Monticello   Thomas Jefferson (1743 -1826)   * His autobiography - Remodels... to current French/Roman sources * 1st expression of the Federal style   FederalStyleAdamesque    
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<img src="pastentyekv.jpg" /><img src="pastebjrij1.jpg" /><img src="pastes1kf4k.jpg" />   1785 -89   Capitol Building of Virginia   Thomas Jefferson (1743 -1826) and Charles -Louis Clerisseau   - Based after Mason Caree, ca. 16 BC * 1st public bldg in Am to be patterned directly after ancient temple - Symbol of arch respectability; set direction of development of arch in Am   FederalStyleAdamesque    
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<img src="pastexs0v2w.jpg" /><img src="pastey3_dna.jpg" /><img src="pasteamptrn.jpg" />   1822 -26   University of Virginia   Thomas Jefferson (1743 -1826)   * Greatest/+ successful of his arch efforts - State supported education (Roman arch) - Variety of classical sources * Rotunda = his professional achievement as an architect (Pantheon inspiration)   FederalStyleAdamesque    
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<img src="pastejjgfxi.jpg" />   1792   drawing for US Capitol   William Thornton   * One of 1st buildings to form true expression of Mon Class - 1792 competition for Capitol/President's House - Stephen Hallet/William Thorton = only classical designers in competition * Virtruvius Britannicus inspiration * Palladian and Georgian element   FederalStyleAdamesque    
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<img src="pastewaxhxj.jpg" />   1812?   Tobacco and Corncob capitals   Benjamin Latrobe     FederalStyleAdamesque    
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<img src="pastewdo9gj.jpg" /><img src="paste_94zge.jpg" />   1798 -1800   The Bank of Pennsylvania   Benjamin Latrobe   - Torn down for parking - Monum class - Based on Roman podium form (Massion Carie) * Ionic order - 1st precise use of a purely Greek order in US   FederalStyleAdamesque    
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<img src="pastexqjezz.jpg" /><img src="pastebp2mtr.jpg" />   1806 -18   Baltimore Cathedral   Benjamin Latrobe   - Upside down plans.. * 1st Catedral built in US - 2 designs; one Roman, other Gothic * Called &"N. America's + beautiful church&" and &"finest monument of Romantic Classicism&"   FederalStyleAdamesque    
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<img src="paste6inb1h.jpg" /><img src="pastezmlzan.jpg" /><img src="pastezsykvq.jpg" />   1851   Capitol Building (dome)   Thomas Walter   - Commissioned to enlarge building and design dome   FederalStyleAdamesque    
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<img src="pastefxddm7.jpg" /><img src="paste5pnbab.jpg" />   1792   White House   James Hoban   - Designed by Hoban (Irishman) ~ Monum class - Georgian features   FederalStyleAdamesque    
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<img src="pastekyvohz.jpg" /><img src="pastejzc5zv.jpg" />   1803 -4   Custis -Lee Mansion   George Hadfield     GreekRevival    
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<img src="pasteapuiy1.jpg" /><img src="pastedkgsp1.jpg" />   1806   St. Mary’s Chapel   Maximilien Godfroy     GreekRevival    
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<img src="pastepnxe2f.jpg" /><img src="pastez5ame8.jpg" />   1822 -27   Country Records Bldg.   Robert Mills   - Mix of M.C. and G.R. * Mill's style in purest form   GreekRevival    
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<img src="pastetbwgqf.jpg" />   1819 -22   First Baptist Church   Robert Mills   * Mill's style in purest form - Emerges out of spirit of classicism and assembly of classical details   GreekRevival    
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<img src="pastesnjb4u.jpg" /><img src="pasterdtvf3.jpg" />   1822   State Lunatic Asylum   Robert Mills   - G.R. influence * Structure set the style for Federal architecture for over a century   GreekRevival    
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<img src="pasteb8l7ue.jpg" /><img src="pastezuvrwc.jpg" />   1836 -42   Treasury Building   Robert Mills     GreekRevival    
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<img src="pastebwid_h.jpg" />   1818 -24   Second Bank of the United States   William Strickland   * 1st design in the G.R. style - Establishes the Greek portico as symbol of financial stability * 1 of the + distinguished structures in its day   GreekRevival    
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<img src="pasteculzkk.jpg" /><img src="paste3ukzfa.jpg" />   1859   Tennessee State Capital   William Strickland   - Greek Revival   GreekRevival    
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<img src="pastev4mds0.jpg" />   1793   San Carlos Borromeo Mission     - Spanish Franciscans - Admin center for Catholic missions * Finest of these mission churches - Provincal Baroque   SpanishColonial    
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<img src="pastez5gfbv.jpg" />   1824 -34   Casa Amesti (aka the Larkin House), (Montery Style)     - Municipal and resid arch reflects pattern that characterizes mission church structures * &"Montery style&" - long veranda, 2nd story   SpanishColonial    
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<img src="pastesvlpil.jpg" />   1804   The Death of Jane McCrea   John Vanderlyn   - illustration for epic poem - based on classical relief sculpture   19thCenturyPainting    
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<img src="paste19vm0o.jpg" />   1807   Marius on the Ruins of Carthage   John Vanderlyn   - Head from Rmn bust - Brooding/emotional classicism (~ Agrippina) * Set standards for 19th cent class. * Neoc in subject, but no action! therefore emotional, focuses on individual man/feelings * Anticipates Romanticisim   19thCenturyPainting    
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<img src="paste5rhfm2.jpg" />   1820 c   Panorama of Versailles   John Vanderlyn   - opens own museum, brings panorama to US   19thCenturyPainting    
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<img src="pasteaj6nno.jpg" />   1809 -14   Ariadne   John Vanderlyn   * 1st nude in American art ^ shock - Titian and Georgioni - Marius/Ariadne = + $   19thCenturyPainting    
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Mont<img src="pasteijnll4.jpg" /> Warren<img src="pastejena8z.jpg" />   1786   The Death of General Montgomery at Quebec + General Warren   John Trumbull   Death of General West = Montgomery; Death of Major Pearson = Warren - Romantic battle painting   19thCenturyPainting    
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<img src="paste39vvvd.jpg" />   1786 -88 c   The Death of General Mercer at the Battle of Princeton   John Trumbull     19thCenturyPainting    
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<img src="paste2rxh3w.jpg" />   1786   The Declaration of Independence   John Trumbull     19thCenturyPainting    
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<img src="pasteytjq_4.jpg" />   1792 c   Washington Before the Battle of Trenton   John Trumbull   - + emotion than West/Copley; knew Brq vocab better   19thCenturyPainting    
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<img src="pasteridma3.jpg" />   1790 c   Washington at Verplanck’s Point   John Trumbull   - American's ~ want Am His in grand manner   19thCenturyPainting    
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<img src="paste13nfyj.jpg" />   1808 c   Niagara Falls Near Table Rock   John Trumbull   - Failed... within 30 years landscape would emerge though   19thCenturyPainting    
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<img src="pastenstyrx.jpg" />   1782   The Skater (William Grant)   Gilbert Stuart   - Allegory for winter - Lost for 100 years * Masterpiece of his English career; no Am painter of period could match this   19thCenturyPainting    
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<img src="pasteubkd50.jpg" />   1795   George Washington (aka the Vaughan Portrait)   Gilbert Stuart   - new teeth?   19thCenturyPainting    
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<img src="pastepaiqt1.jpg" />   1796   George Washington (aka the Athenaeum Portrait)   Gilbert Stuart   ~ Finished - His most vivid portrait of Washington; $1   19thCenturyPainting    
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<img src="pasteyws4x0.jpg" />   1796   Martha Washington   Gilbert Stuart     19thCenturyPainting    
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<img src="paste5xkk3h.jpg" />   1807 c   Mrs. Perez Morton   Gilbert Stuart   - Impressionistic   19thCenturyPainting    
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<img src="pasterzogbs.jpg" />   1820   Joseph Coolidge   Gilbert Stuart     19thCenturyPainting    
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<img src="pastejkbnoh.jpg" />   1793   Mrs. Richard Yates   Gilbert Stuart   - Eliminated detail to show sitter in + charactertistic attitude; @ end of day what interested him was bone structure of head, glow in eyes, head, and fresness of color * Seen as successor to Mrs. Seymour Fort by Copley   19thCenturyPainting    
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<img src="pastedtbdka.jpg" />   1776   Mrs. Benjamin Rush   Charles Wilson Peale     19thCenturyPainting    
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<img src="paste4bndv1.jpg" />   1795   The Staircase Group   Charles Wilson Peale   - Masterpiece - Realism to illusionism   19thCenturyPainting    
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<img src="pastetjwuma.jpg" />   1806   Exhuming the Mastodon   Charles Wilson Peale   - New kind of informal history painting (in the making) - combines genre, landscape, portraits   19thCenturyPainting    
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<img src="pastesgejoy.jpg" />   1822   The Artist in His Museum   Charles Wilson Peale   * Final work - Dual interests   19thCenturyPainting    
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<img src="pastevcb_5r.jpg" />   1820   The Court of Death   Rembrandt Peale   * Most popular painting of the decade - Moral allegory - Exhibits for 50 years   19thCenturyPainting    
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<img src="paste3brqoo.jpg" />   1801   Rubens Peale with a Geranium   Rembrandt Peale   * One of the most original images in Am art history - About perception AND art   19thCenturyPainting    
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<img src="e9a3cc9f7896b76114c189afda94c401.png" />   1822   Raphaelle PealeAfter the Bath   Raphaelle Peale     19thCenturyPainting    
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<img src="26da2a478edfa8d156244f527a903282.png" />   1818 c   Still Life with Orange Peel   Raphaelle Peale     19thCenturyPainting    
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(Still Life, No. 2)   1821   Still Life, No. 2   Raphaelle Peale     19thCenturyPainting    
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<img src="pastezbjjn8.jpg" />   1820 -2 c   Still Life with Raisins and Apples   Raphaelle Peale     19thCenturyPainting    
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<img src="pastecfmv_u.jpg" />   1804   The Rising of a Thunderstorm   Washington Allston   * 1st great Am seascape * 1st nature drama by an Am - Man is @ nature's mercy   Romanticism    
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<img src="pastehegwnz.jpg" />   1813 -14   The Dead Man Restored to Life by Touching the Bones of the Prophet Elisha   Washington Allston   - In London = recog as Biblical history painter   Romanticism    
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<img src="pasterkzosa.jpg" />   1805   Diana and The Chase   Washington Allston   * Romantic dream of Class world ^ Comment on timless grandeur/beauty of nature   Romanticism Marked    
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<img src="pasteli2bti.jpg" />   1818 c   Belshazzar’s Feast   Washington Allston   - Given advance; ~ finished   Romanticism    
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<img src="paste25nosx.jpg" />   1819   The Flight of Florimell   Washington Allston   - Lyrical - Based on Spencer's Fairy Queen   Romanticism Marked    
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<img src="pasteqte3zp.jpg" />   1819   Moonlit Landscape   Washington Allston   - Belief it should be poetic in light/dark and so deep in emotion, pic becomes point of meditation * Style set new standard of atmospheric richness in Am painting; 1820 -30 b/c concern of most advance minds in Euro/Amer   Romanticism    
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<img src="pasteqfgskf.jpg" />   1822   The Old House of Representatives   Samuel F.B. Morse   - Documentary realism   Romanticism    
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<img src="pastet6le9n.jpg" />   1832 c   Gallery of the Louvre   Samuel F.B. Morse     Romanticism    
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<img src="pastevpaufn.jpg" />   1825 -27   The Muse   Samuel F.B. Morse   - Romantic realist   Romanticism    
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<img src="paste25uw6h.jpg" /> OR<img src="pastefwdvx1.jpg" />   1810 c   Winter Scene in Brooklyn   Francis Guy   - Urban neighborhood   LandscapePainting    
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<img src="pasteu17owl.jpg" />   1800 c   Tontine Coffee House   Francis Guy     LandscapePainting    
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<img src="pastewsgcbo.jpg" />   1835   In Nature’s Wonderland   Thomas Doughty   - Ages -> style b/cs looser; little figures   LandscapePainting    
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<img src="pasteyvbsrh.jpg" />?   1833   Landscape with Stream and Mountains   Thomas Doughty   - Little poetic gems of landscape painting   LandscapePainting    
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<img src="pasteujwqav.jpg" /><img src="pasteeswnj4.jpg" />   1827   Last of the Mohicans   Thomas Cole   *1st major Am. painting to illustrate a scene from Am. novel in landscape considered typically American - Landscape w/ narrative   HudsonRiverSchool    
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<img src="pastecdxhps.jpg" />   1843   Roman Ruins   Thomas Cole   * He often favored more heroic subjects, like here; despite being leader - Mute testimonials of impernamence of human condition   HudsonRiverSchool    
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<img src="paste8efvtz.jpg" />   1833   Titan’s Goblet   Thomas Cole   - Forerunner to surrealism - Time and place   HudsonRiverSchool    
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<img src="paste2imm29.jpg" /> <img src="pasteiiy4rr.jpg" /> <img src="pastehb0ury.jpg" /> <img src="pasteiqqhal.jpg" /> <img src="pasteuyqgap.jpg" />   1836   The Course of Empire (Savage State, Pastoral State/Arcadian State, Consummation of Empire, Destruction of Empire, Desolation of Empire)   Thomas Cole   - Comissioned by Lumen Rhead - Debt to Euro Roma lit - virtues of nature competing w/ evils of civilization - Mountain = permanence of landscape - Lorraine/Turner for theme of lagoon - Achreologically correct * Activities depict the summit of human g   HudsonRiverSchool    
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<img src="pasteiu11kb.jpg" />   1840   The Voyage of Life   Thomas Cole   - Common to make series w/ moral theme - Sources = John Martin - Friedrich? * the most popular series in Am @ time; inspired flood of amateur imitators * Cole's most popular series of paintings; so popular repeats it in 1842 = 2 sets of series - Exampl   HudsonRiverSchool    
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<img src="pastemaxxz0.jpg" />   1827   The Expulsion from the Garden of eden   Thomas Cole     HudsonRiverSchool    
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<img src="paste7fvrur.jpg" />   1827   The Clove, Catskills   Thomas Cole   - What his followers wanted: pure landscape - Foilage/land ~ passive * America's ruins ~ Formula * Brings together two warring attitudes in Am art: 1. the elevated 2. the ordinary   HudsonRiverSchool    
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<img src="pastekz39xa.jpg" />   1838 c   Schroon Mountain, The Adirondacks   Thomas Cole   * For Cole and contemps, a great civilization may have flourished here and may again - Visible world = handiwork of god - Turning point   HudsonRiverSchool Marked    
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<img src="pastec936ng.jpg" />   1836   The Oxbow   Thomas Cole   - This painting typifies his other aims (ID of native stuff), if course of empire is the height of his allegorical/moral painting - Rebirth from nature * One of few works where he shows positive outcomes of progress; pleasant rural habitat   HudsonRiverSchool    
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<img src="pastebsaacq.jpg" />   1837   View on the Catskill, Early Autumn   Thomas Cole   * Entirely rural, not a wild landscape = rare * Also, classically designed landscape = formula   HudsonRiverSchool    
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<img src="paste3pc0qv.jpg" />   1840   The Architect’s Dream   Thomas Cole   - Romantic melodrama, fantasy - Protosurrealist; done for architect   HudsonRiverSchool    
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<img src="pastepbwxct.jpg" />   1849   Kindred Spirits*   A. B. Durand   - Contrived to be uncontrived - Commission from John Sturgess * No painting better reveals sentimental reverence for nature/mystical component than this * Testament to Romantic aspects of landscapes, Cullen Bryans poetry, and Cole's painting   HudsonRiverSchool Marked    
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<img src="paste2loz69.jpg" />   1845   The Beeches*   A. B. Durand   - Structures paintings on gradations of gray (values)   HudsonRiverSchool Marked    
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<img src="paste_wpe4q.jpg" />   1860   Twilight in the Wilderness*   Frederick Church   * + extraordinary landscape of Am every painted - Uncorrupted nature completes daily cycle; contrasts w/ Cole's subjectivity   HudsonRiverSchool Marked    
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<img src="pastecmbufm.jpg" />   1857   Niagara Falls   Frederick Church     HudsonRiverSchool    
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<img src="pasteqe9pdy.jpg" />   1857   View of Cotopaxi   Frederick Church     HudsonRiverSchool    
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<img src="pasteab2gfe.jpg" />   1866   Rainy Season in the Tropics   Frederick Church   - Grandeur, to grasp nature w/ thoroughness of scientist - Public loved it   HudsonRiverSchool Marked    
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<img src="pastechd62h.jpg" />   1871   The Parthenon   Frederick Church   - After S. Am, antiquity - Searches for answer of past like Cole, in ruins   HudsonRiverSchool    
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<img src="paste_05e2y.jpg" />   1866   Merced River   Albert Bierstadt     HudsonRiverSchool    
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<img src="pastezmm4dx.jpg" />   1863   The Rocky Mountains   Albert Bierstadt   - Sketches done 8 years earlier - Gov survey - Romantic reality   HudsonRiverSchool    
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<img src="pastex_2nz6.jpg" /> OR <img src="pasteuavkrg.jpg" />   1869   Sunset on the Marshes   Martin Johnson Heade     Luminism    
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<img src="pastehn5bvd.jpg" /> OR <img src="pasteqlw7iw.jpg" />   1860   Orchid and Humingbirds   Martin Johnson Heade   - Best example   Luminism    
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<img src="pastevp7ije.jpg" />   1863   Twilight, Rock Beach   Martin Johnson Heade   - Pinned to canvas   Luminism Marked    
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<img src="pastep1q0sf.jpg" />   1850s c   New York Harbor   Fitz Hugh Lane     Luminism    
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<img src="pasteychptl.jpg" />   1850s   Boston Harbor   Fitz Hugh Lane   - Worthy of Turner   Luminism    
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<img src="pastemveotl.jpg" />   1860 c   Owl’s Head, Maine   Fitz Hugh Lane   - Nature's transcendental meaning - Light of early dawn (Lorraine)   Luminism Marked    
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<img src="pasteoriv5n.jpg" />   1850   Ship Stuck in Ice Off Ten Pound Island   Fitz Hugh Lane   - Theme: poetry that can be found in both space and light, in a landscape, of mood (Allston)   Luminism Marked    
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<img src="pasteguay7p.jpg" /> 2nd <img src="paste3orjah.jpg" />   1870s c   Beacon Rock, Newport Harbor   Frederick Kensett     Luminism    
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<img src="pastenmyw00.jpg" />   1855   Lackawanna Valley   George Inness   - Early style   Luminism Marked    
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<img src="pastesmv69t.jpg" />   1882   June   George Inness   - Late style   Luminism Marked    
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<img src="pasteq4bdbk.jpg" />   1892   Home at Mountclair   George Inness     Luminism    
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<img src="pastemodbyh.jpg" />   1827 -38   Common American Swan   John James Audubon   - From beginning = intended to be prints   AmericanNaturalists    
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<img src="pasteeivn8q.jpg" />   1827 -38   The Whooping Crane +   John James Audubon     AmericanNaturalists    
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<img src="pasteivt_s2.jpg" />   1841   The Arctic Hares   John James Audubon   - Monumentality   AmericanNaturalists    
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<img src="paste00ieu4.jpg" />   1840   George Washington   Horatio Greenough     AmericanSculpture    
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<img src="pastebemx4a.jpg" />   1843   The Greek Slave   Hiram Powers   * Brought him international fame - Greek classical ideal nude - Xn faith protects her - Brochure * Justification for nudity = Victorian period 1827 -1901 - Lesson of moral strength   AmericanSculpture    
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<img src="pastegcziwr.jpg" />   1843   Orpheus and Cerberus   Thomas Crawford   - Sensation - CF. to Apollo Belvedere - Classical pedigree - Shipped back to Am for exhibition   AmericanSculpture    
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<img src="pastexlvyeo.jpg" />   1858   Equestrian Monument to George Washington +   Thomas Crawford   * Marks the beginning of outdoor commemorative sculpture in America - Complex multi figured monument to Washington   AmericanSculpture    
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<img src="paste9_hudm.jpg" /><img src="paste0mpuw4.jpg" />   1863   Armed Freedom   Thomas Crawford   - Bronze - Top of cupola of dome of Capital   AmericanSculpture    
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<img src="pastehcy8rh.jpg" />   1866   The White Captive   Erastus Dow Palmer   ~ Ideal; any in debtedness to Ital Neoc ends there with the white marble * American realism   AmericanSculpture    
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<img src="paste_qle3w.jpg" />   1869   The Fugitive’s Story   John Rogers     AmericanSculpture    
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<img src="pasteyokeye.jpg" />   1859?   Slave Auction +   John Rogers   - Copyrighted the groups to mass produce for a mass audience - Plaster   AmericanSculpture    
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<img src="pastedf9w1h.jpg" />   1875   Checkers up at the Farm +   John Rogers     AmericanSculpture    
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<img src="paste8cnvig.jpg" />   1874   The Emancipation Group   Thomas Ball     AmericanSculpture    
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<img src="pasterlxzso.jpg" />   1856   Puck   Harriet Hosmer   - So popular comissions for replicas supported her   AmericanSculpture    
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<img src="paste1lklat.jpg" />   1867   Forever Free   Edmonia Lewis   .. Freedom is inherent in our existence   AmericanSculpture    
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<img src="pastesaciid.jpg" />   1853   Nydia   Randolph Rogers   - Based on “Last Days of Pompeii” by Lynton   AmericanSculpture    
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<img src="pasteqqrre8.jpg" />   1867 after   Ruth   Randolph Rogers     AmericanSculpture    
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<img src="pastec_8kst.jpg" />   1858   Leander   William Rinehart     AmericanSculpture    
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<img src="pastexe1uce.jpg" />   1869   Hero   William Rinehart     AmericanSculpture    
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<img src="pastebcwnul.jpg" />   1861   The Falling Gladiator   William Rimmer   * Not only a consummate display of anatom knowl, but also representation of a human being racked in pain   AmericanSculpture    
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<img src="paste1xgybc.jpg" />   1861 c   The Dying Centeur   William Rimmer     AmericanSculpture    
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<img src="pastew1f7l7.jpg" />   1872   Flight and Pursuit   William Rimmer   * One ofthe most haunting and surreal image in 19th - Depths of troubled spirit   AmericanSculpture    
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<img src="pasteur8fzx.jpg" />   1830   Despair +   William Rimmer   - Psycho torment * Possibly 1st nude done in Am   Marked AmericanSculpture    
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<img src="pastet5kclj.jpg" />   1765   &"The American School&"   Matthew Pratt   * 1 of 1st pupils of West - Read Johnathan Richardson and &"du Fresnoy&"? ^ 2 classically oriented scholars; 17th century classicism of Poussin   18thCenturyPortraits    
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<img src="pastexiqxvh.jpg" />   1769   Departure of Regulus   Benjamin West (1738 -1820)   - Sampling of antiquity for modern interpretation, like David   18thCenturyPortraits    
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<img src="pasteexisfm.jpg" />   1767   Mrs. Rebecca Boyleston   John Singleton Copley (1738 -1820)   * The people of this time, clients, lived by formal code of manners; their dress could be stately/beautiful * Some agree this is the consummate Copley portrait; zenith of American portraiture * Grand hymn for the ambitions that guided this society at its   18thCenturyPortraits    
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<img src="pastegy9qeb.jpg" />   1768 c   Self -Portrait   John Singleton Copley (1738 -1815)   * Never before had a NE portrait painter prospered so well from his profession   18thCenturyPortraits    
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<img src="pastecbpyrv.jpg" />   1769 (m.y.) c   Mrs. Copley   John Singleton Copley (1738 -1815)     18thCenturyPortraits    
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<img src="paste4tc_fx.jpg" />   1755 c   The Gore Children   John Singleton Copley (1738 -1815)   * Imitates features - therefore comes to his own form of Georgian Rococo elegance   18thCenturyPortraits    
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<img src="pastesyj7ig.jpg" />   1755   Joshua Winslow   John Singleton Copley (1738 -1815)   * His ability to represent physical reality is superimposed over their styles   18thCenturyPortraits    
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<img src="pasteel2lx4.jpg" />   1758   Mary and Elizabeth Royall   John Singleton Copley (1738 -1815)   * Marks the turning of Cop's career from a groping novice to a mature master painter   18thCenturyPortraits    
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