Aristotle's poetics
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| what are the 4 elements of a good character? | show 🗑
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| why did poetry develop? | show 🗑
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| show | a convincing impossibility
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| show | plot, thought, melodoy, spectacle, character, and diction
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| show | "the imitation of an actor that is serious and complete in itself, with incidents arousing pity and fear, wherewith to accomplish its catharsis."
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| show | tragedy and comedy
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| what are the 3 forms of characters to be avoided? | show 🗑
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| definition of peripety | show 🗑
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| what 2 emotions is tragedy supposed to create? | show 🗑
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| show | it is undeserved
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| show | it could happen to us
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| show | -peripity and discovery
-complicated twists and turns (change in fortune w/ reversal or recognition)
—preferred type of plot
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| definition of discovery | show 🗑
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| show | actions
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| show | a purging of emotion; in a tragedy: tying up of loose ends, feeling of relief
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| show | history-deals w/ something that has been
tragedy-deals w/something that might be
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| why do we pity the character? | show 🗑
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| show | straightforward (change in fortune without reversal or recognition)
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| show | include it outside of the play (reported by messengers, or have it previously occurred chronologically)
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| show | reasonable (it has to make sense)
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| show | people like imitation
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| why do people like imitation | show 🗑
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| show | by means of language, rhythm and harmony
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| comedy | show 🗑
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| Tragedy | show 🗑
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| show | definate
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| show | concise
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| show | unified
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| show | complete in itself
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| show | Start with something simple and improve upon it later
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| show | -surprise
-probable discovery by accident
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| worst type of discovery | show 🗑
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| plot must include suffering | show 🗑
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| Tragedy should arouse ____ and ____, and the incidents should be __________ and __________ | show 🗑
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| show | historically accurate & recognizable
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| names used in comedy | show 🗑
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| show | may
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