Ch 21-22
Quiz yourself by thinking what should be in
each of the black spaces below before clicking
on it to display the answer.
Help!
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| show | Studio in LA after studying with Weingart and Hofmann in Basel. She went a new direction with color and photography. Plays with space and depth. red b/w china poster with circle. Work is tactile but moved to photo illustration. (crazy white room w/ women)
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| Charles Spencer Anderson | show 🗑
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| show | Book jacket designer. Designed the blue and yellow turn of the century book jacket. Engaged the viewer to "finish" the design by tightening the title so much.
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| show | Launched a studio with Alan Fletcher and Bob Gill. Gill left and Theo Crosby joined to which they finally named the studio PENTAGRAM.
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| show | American who was influenced by Weingart. Ulm institute. Rethought typographic elements and how they interacted in space. TYPOGRAFISCHE MONATSBLATTER mag cover. Taught at YALE. taught aesthetic and functionality in type.rejected postmodernism. Dans assgnmt
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| Early Swiss Postmodern Design | show 🗑
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| show | Dutch studio in Amsterdam founded by Mrieke Stolk, Brinkers, and Dungen. They were inspired by Wim Crouwel and Wissing and consider modernism their "mother tongue". They try to blend modern with internation post-punk tendencies. B/W CRCLE CRPPED LTTRS.
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| Gert Dunbar | show 🗑
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| Memphis and San Francisco Schools | show 🗑
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| Michael Vanderbyl | show 🗑
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| Neville Brody | show 🗑
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| New Wave Typography | show 🗑
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| Pentagram | show 🗑
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| Postmodern Design | show 🗑
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| show | Movement based on historical revival that started in NY. Based on European design. Artistic expression and contrary to the usual while reflecting historical design principles. Paula Scher. Retro thrived in book jacket design.
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| show | Lutz and Co. Did that b/w piece that had randomly placed (papers) incomplete squares. Her style was playful, had impact, and was an unexpected manipulation of space to solve design problems. Designed the falling blue/yellow text for the cover of GRAPHISmg
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| Stefan Sagmeister | show 🗑
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| Studio Dumbar | show 🗑
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| show | or supermannerism. Bold, geometric shapes of bright color, giant helvetica, warping walls, bending corners. Livened dismal architecture. Founded by Gert Dumbar.
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| show | black outlines around photomechanical color. used collage to create ads. Work was busy to simple and mystical.
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| Takenobu Igarashi | show 🗑
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| Tibor Kalman | show 🗑
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| Wim Crouwel | show 🗑
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| show | Studied at Basel with Emil Ruder. Part of new-wave typography. Questioned the rules of formal, clean type and pushed the boundaries. Moved from type to collage. Used film. Made poster for DAS SCHWEIZAR PLAKAT. Taught in USA and influenced many designers.
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| show | "BOSS" in design circles. Was an architect then an art director of many Japanese mags. Founded Japan Advertising Arts Club. (brown book cover with white ripped ppr and red text.
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