19th and 20th exam 1
Quiz yourself by thinking what should be in
each of the black spaces below before clicking
on it to display the answer.
Help!
|
|
||||
|---|---|---|---|---|---|
| Beethoven; Schubert; Rossini; Weber – Classical genres fade | 1790-1830: overlaps with Classic Era
🗑
|
||||
| – Pianists: Chopin, Liszt, Mendelssohn, Schumann – Berlioz, Meyerbeer, Bellini | • 1830-1850: heart of Romanticism
🗑
|
||||
| – Wagner, Verdi, Puccini – Classic Revival: Brahms, Dvorak, Tchaikovsky | 1850-1890
🗑
|
||||
| : Mahler, R. Strauss, Debussy | 1890-1910:
🗑
|
||||
| Gesamtkunstwerk | Total Art Work
🗑
|
||||
| Leitmotiv | musical motives in drama
🗑
|
||||
| Ewigemelodie | endless melody, seamless flow
🗑
|
||||
| Orchestration | develops low brass sound, tuba
🗑
|
||||
| Harmony | pushes functional tonality to limits;
points the direction for the next generation
🗑
|
||||
| Richard Wagner | Built great opera house: Bayreuth in 1876 (next slide)
– Wrote extended essays: Opera and Drama 1852
– Wrote own librettos
– Major influence on opera and music in general
– Revolutionary thinker: stature of Marx, Darwin
🗑
|
||||
| Wagner Major Works | Rienzi 1835, grand opera, first success
• Romantic operas
– Flying Dutchman 1841
– Tannhäuser 1845
– Lohengrin 1848
• Music Dramas
– Tristan und Isolde 1859
– Ring Cycle 1854-74
– Parsifal 1882
🗑
|
||||
| Tristan und Isolde | • One of great achievements in music history
• Culmination of Wagner’s philosophies
– Total Art Work
– Endless melody
– Leitmotifs
– Prominent orchestra
• Most influential: harmony
– Avoids resolution nearly 4 hours
🗑
|
||||
| Four operas lasting over 16 hours – Das Rheingold – Die Walküre – Siegfried – Götterdammerung • Huge orchestra leitmotifs | Ring Cycle
🗑
|
||||
| Lords of the Ring and Others | Gods
– Wotan: King of Gods, has Valhalla built
– Fricka: Wife of Wotan
– Freia: Goddess of eternal youth
• Humans: Siegmund, Sieglinde, Siegfried
• Others
– Giants: Fasolt and Fafner
– Nibilungs: Alberecht and Mime
– Erde: mother earth
Valküre: B
🗑
|
||||
| La Traviata NAWM 142 | dumasbook realism
• Sempre libre: 2part Italian aria, cantabile
and cabaletta
Finale also follows Rossini structure
Opening: recitative with orchestra
Tempo d’attaco: crescendo, exchange
Cantabile: AABB
Tempo di mezzo: mood changes
Cabalett
🗑
|
||||
| Verdi 1813-1901 | • Unlike Wagner, beloved for music and
politics
– Verdi melody became hymn of liberation
– Viva V.E.R.D.I. Vittorio Emmanuele, Re D’Italia
– Elected to first Italian parliament
🗑
|
||||
| Verismo | Italian operatic movement at end of century
– Literally: “truthism” or “realism”
– Reflects most sordid aspects of
🗑
|
||||
| • Early: Nabucco 1842 • Middle period – Rigoletto 1851 – Il Trovatore 1853 – La Traviata 1853 • Late period – Aida 1871 - grand opera – Otello 1887 - Italian serious opera – Falstaff 1893 - buffa | Major Verdi Operas
🗑
|
||||
| Puccini 1858-1924 | Assimilates some verismo qualities
– Plots often deal with death, but not nec.
murder
– Intense melodic line
– High tension sustained for extended lengths
• Wagnerian influences
– Large role for orchestra; often doubles voice
– Few breaks in music
🗑
|
||||
| • Manon Lescaut 1893: first success • La Boheme 1896 • Tosca 1900 • Madama Butterfly 1904 | Puccini
major works
🗑
|
||||
| Madama Butterfly | • Exotic
– Japanese setting; reflected in music
– Inclusion of American character
🗑
|
||||
| Carmen | • Exotic setting in Spain
• Strong Spanish character in music
• Carmen seduces soldier Don Jose
– Deserts army; joins smugglers
– He is dumped for a toreador
– He kills her at the end of the opera
• Provoked moral outrage
🗑
|
||||
| France | Grand Opera beings to fade
– Merges with Italian opera
– Aida (1871) Verdi
• Grand Opera in 5 Acts
• Grand spectacle; in Italian
• Ballet
– Popular as part of Grand
Opera and independent
– Delibes
• Coppélia (1870)
• Sylvia (1876)
🗑
|
||||
| Seguidilla NAWM 144 | • Seguidilla is fast Spanish song in
triple meter
• Refrain frames the song
• Accompaniment imitates guitar
• Melody with grace notes and
melismas
• Harmony suggests phrygian mode
🗑
|
||||
| Lyric Opera | – Like Opera comique, main appeal is melody
– Subject usually romantic drama or fantasy
– Between Grand Opera and comique in scale
– Used sung recitative
• Important works
– Faust, Gounod: most popular opera of time
– Carmen, Bizet
🗑
|
||||
| Opéra bouffe | Emerged in 1850s
• Characteristics
– Emphasized witty, satirical style
– Satirized French society
• Jacques Offenbach founder
– Orpheus in the Underworld 1858 has can-can for
the gods
– Music influenced Vienna, England, US
🗑
|
||||
| Other French Music Entertainment | • Cabarets
– Nightclubs offer variety of entertainment: Chat
noir
– Promoted innovation
• Café-concerts: food and entertainment
• Music Halls
– Offered revues: various acts, often with unifying
theme
– Folies-Bergère and Moulin Rouge leaders
🗑
|
||||
| US Music Theater | cities
• Minstrel shows continued, now with
some all-black troupes
• Operettas
– Imported: Gilbert and Sullivan popular
– New: Sousa El Capitan
• Variety shows
🗑
|
||||
| Operetta | Modeled after opéra bouffe
– Light arias, spoken dialogue
– Could be both funny (sarcastic) and romantic
• Die Fledermaus (1874) J. Strauss, Vienna
• In England, Gilbert and Sullivan
– HMS Pinafore 1848
– Pirates of Penzance 1879
– Mikado 1885
🗑
|
||||
| When the foreman bares his steel NAWM 146 | Police with dotted rhythms; play as if boys
– Singing mocks serious opera
🗑
|
Review the information in the table. When you are ready to quiz yourself you can hide individual columns or the entire table. Then you can click on the empty cells to reveal the answer. Try to recall what will be displayed before clicking the empty cell.
To hide a column, click on the column name.
To hide the entire table, click on the "Hide All" button.
You may also shuffle the rows of the table by clicking on the "Shuffle" button.
Or sort by any of the columns using the down arrow next to any column heading.
If you know all the data on any row, you can temporarily remove it by tapping the trash can to the right of the row.
To hide a column, click on the column name.
To hide the entire table, click on the "Hide All" button.
You may also shuffle the rows of the table by clicking on the "Shuffle" button.
Or sort by any of the columns using the down arrow next to any column heading.
If you know all the data on any row, you can temporarily remove it by tapping the trash can to the right of the row.
Embed Code - If you would like this activity on your web page, copy the script below and paste it into your web page.
Normal Size Small Size show me how
Normal Size Small Size show me how
Created by:
emiallen
Popular History sets