Music History Exam 2
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each of the black spaces below before clicking
on it to display the answer.
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| Toccata No. 3 (Artist) | Frescobaldi
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| Ricecare after the Credo from Mass for the Madonna in Fiori musicali (Artist) | Frescobaldi
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| Sonata IV per violino per sona con due corde (Artist) | Marini
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| Armide (excerpts) a. Overture b. Act II, Scene 5: Enfin il est en ma puissance- At last he is in my power (Artist) | Lully
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| Excerpts from La Rhetorique des dieux (The Rhetoric of the Gods) a. Prelude b. Andromede (Artist) | Gaultier
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| Suite No. 3 in A minor (Artist) | Jacquet de la Guerre
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| Conclusion of Dido and Aeneas a. Recitative: Thy Hand, Belinda b. Aria: When I Am Laid in Earth c. Chorus: With Drooping Wings (Artist) | Purcell
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| “In voler cio che tu brami” from La Griselda (Artist) | Scarlatti
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| Sonata XI in E-flat major, op. 2 (Artist) (Artist) | Corelli
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| Sonata II in D major, op. 3 (Artist) | Corelli
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| Concerto grosso in D major, op. 6, No. 4 (Artist) | Corelli
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| Praeludium in E major, BuxWV 141 (Artist) | Buxtehude
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| Chorale Prelude on Nun komm der Heiden Heiland (artist) | Buxtehude
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| Ricercare means | "to seek out"
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| fugue means | "flight"
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| Sonata means | any piece for instruments
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| Schein's suite (PGCAT) | Pavane
Galliard
Courante
Allemande
Tripla (triple meter variation of the allemande)
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| Froberger was a student of | Frescobadi
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| Frobergers's ordering of the baroque dance suite (ACSOG) | Allemande (fr for German)
Courante (fr. For running)
Sarabende
(optional)
Gigue (JIG)
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| Louis XIV (r. 1643-1715) (King of, important for) | France, large patron of the arts
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| Important elements of the french baroque performance practice (NOA) | Notes inegales
Overdotting
Agrements
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| Jean-Baptiste Lully (1632-1687) (Where, what) | France, Opera
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| Tragedie en Musique (Who, what) | Lully, 5 acts of opera
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| divertissments | unrelated episodes of dancing or choral singing
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| ouverture | began Tragedie en Musique
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| Armide(1686) (Ouverture and Act II, Scene 5: Enfin il est en ma puissance- At last he is in my power) (example of what) | Example of french baroque style
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| Style luthe (lute style) or style brise (broken stlye) (characterized by what) | Arpeggiation
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| Denis Gaultier (1603-1672) (important why and where?) | Important lutenist in mid-17th century france
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| La Rhethorique des dieux (ca. 1650) (Prelude and Andromede- allemande) (for what instrument? (Clue- artist) | collection of dance suites for lute
Sous dorien [prelude]-unmeasured
Andromede [allemande]-use of agrements
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| Elisabeth-Claude Jacquet de la Guerre (1665-1729) (important why, where) | At 5, sang and played harpsichord in the court of Louis XIV
First french woman to compose an opera (Suite #3 in A Major)
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| Suite #3 in A Major (instrument and style) | Clavecin, style brise
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| Masque (where and what) | England, scenes that are meant to be entertaining, like french opera divertissments
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| Da Capo Aria (form) | ABA
extended aria, ABACA, etc.
Start, depart, go back, depart to something different, go back, etc.
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| Da Capo Aria begins with: | Instrumental Ritornello
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| Da Capo Aria Performance style: | The B section would contrast in style and key from A section
Second A section is expected to be embellished upon
Improvised Cadenza in expected
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| Aria from La Griselda- In voler cio che tu brami (In wanting that which you desire) (what type of aria?) | DA CAPO ARIA
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| Arcangelo Correli played the: | Violin
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| trio texture means: | usually 2 treble instruments or groups vs a basso continuo. (NOT 3 INSTRUMENTS OR PLAYERS, 2 Instruments and a group of basso continuo instruments!!!)
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| sonata de camera (primary use) | chamber sonata, just for fun, entertainment
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| sonata da chiesa (primary use) | church sonata, for religious purposes, played in church DUH
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| Orchestral concerto (form) | emphasized 1st violin and bass participatingless contrapuntal than other 2 types
least favored of all concerto types (composers wrote fewer of these)
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| Concerto grosso (form) | small group (concertino) against larger group (ripieno)
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| Solo Concerto (form) | solo player (any instrument) against larger group
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| Sonata XI in Eb Major, op 2 (1685) (type of sonata) | Sonata da Camera
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| Praeludium in E Major, BuxWV 141 (what and where) | Organ, Germany
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| Chorale prelude (what and who) | Lutheran church, used to introduce chorale to everyone so they would know what to sing
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| Chorale Prelude on Nun komm der Heiden Heiland (instrument) | Organ
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