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Music History TEST ~
Music History Exam 2
| Question | Answer |
|---|---|
| Toccata No. 3 (Artist) | Frescobaldi |
| Ricecare after the Credo from Mass for the Madonna in Fiori musicali (Artist) | Frescobaldi |
| Sonata IV per violino per sona con due corde (Artist) | Marini |
| Armide (excerpts) a. Overture b. Act II, Scene 5: Enfin il est en ma puissance- At last he is in my power (Artist) | Lully |
| Excerpts from La Rhetorique des dieux (The Rhetoric of the Gods) a. Prelude b. Andromede (Artist) | Gaultier |
| Suite No. 3 in A minor (Artist) | Jacquet de la Guerre |
| Conclusion of Dido and Aeneas a. Recitative: Thy Hand, Belinda b. Aria: When I Am Laid in Earth c. Chorus: With Drooping Wings (Artist) | Purcell |
| “In voler cio che tu brami” from La Griselda (Artist) | Scarlatti |
| Sonata XI in E-flat major, op. 2 (Artist) (Artist) | Corelli |
| Sonata II in D major, op. 3 (Artist) | Corelli |
| Concerto grosso in D major, op. 6, No. 4 (Artist) | Corelli |
| Praeludium in E major, BuxWV 141 (Artist) | Buxtehude |
| Chorale Prelude on Nun komm der Heiden Heiland (artist) | Buxtehude |
| Ricercare means | "to seek out" |
| fugue means | "flight" |
| Sonata means | any piece for instruments |
| Schein's suite (PGCAT) | Pavane Galliard Courante Allemande Tripla (triple meter variation of the allemande) |
| Froberger was a student of | Frescobadi |
| Frobergers's ordering of the baroque dance suite (ACSOG) | Allemande (fr for German) Courante (fr. For running) Sarabende (optional) Gigue (JIG) |
| Louis XIV (r. 1643-1715) (King of, important for) | France, large patron of the arts |
| Important elements of the french baroque performance practice (NOA) | Notes inegales Overdotting Agrements |
| Jean-Baptiste Lully (1632-1687) (Where, what) | France, Opera |
| Tragedie en Musique (Who, what) | Lully, 5 acts of opera |
| divertissments | unrelated episodes of dancing or choral singing |
| ouverture | began Tragedie en Musique |
| Armide(1686) (Ouverture and Act II, Scene 5: Enfin il est en ma puissance- At last he is in my power) (example of what) | Example of french baroque style |
| Style luthe (lute style) or style brise (broken stlye) (characterized by what) | Arpeggiation |
| Denis Gaultier (1603-1672) (important why and where?) | Important lutenist in mid-17th century france |
| La Rhethorique des dieux (ca. 1650) (Prelude and Andromede- allemande) (for what instrument? (Clue- artist) | collection of dance suites for lute Sous dorien [prelude]-unmeasured Andromede [allemande]-use of agrements |
| Elisabeth-Claude Jacquet de la Guerre (1665-1729) (important why, where) | At 5, sang and played harpsichord in the court of Louis XIV First french woman to compose an opera (Suite #3 in A Major) |
| Suite #3 in A Major (instrument and style) | Clavecin, style brise |
| Masque (where and what) | England, scenes that are meant to be entertaining, like french opera divertissments |
| Da Capo Aria (form) | ABA extended aria, ABACA, etc. Start, depart, go back, depart to something different, go back, etc. |
| Da Capo Aria begins with: | Instrumental Ritornello |
| Da Capo Aria Performance style: | The B section would contrast in style and key from A section Second A section is expected to be embellished upon Improvised Cadenza in expected |
| Aria from La Griselda- In voler cio che tu brami (In wanting that which you desire) (what type of aria?) | DA CAPO ARIA |
| Arcangelo Correli played the: | Violin |
| trio texture means: | usually 2 treble instruments or groups vs a basso continuo. (NOT 3 INSTRUMENTS OR PLAYERS, 2 Instruments and a group of basso continuo instruments!!!) |
| sonata de camera (primary use) | chamber sonata, just for fun, entertainment |
| sonata da chiesa (primary use) | church sonata, for religious purposes, played in church DUH |
| Orchestral concerto (form) | emphasized 1st violin and bass participatingless contrapuntal than other 2 types least favored of all concerto types (composers wrote fewer of these) |
| Concerto grosso (form) | small group (concertino) against larger group (ripieno) |
| Solo Concerto (form) | solo player (any instrument) against larger group |
| Sonata XI in Eb Major, op 2 (1685) (type of sonata) | Sonata da Camera |
| Praeludium in E Major, BuxWV 141 (what and where) | Organ, Germany |
| Chorale prelude (what and who) | Lutheran church, used to introduce chorale to everyone so they would know what to sing |
| Chorale Prelude on Nun komm der Heiden Heiland (instrument) | Organ |
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got2lovethatfire
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