Question | Answer |
Toccata No. 3
(Artist) | Frescobaldi |
Ricecare after the Credo from Mass for the Madonna in Fiori musicali
(Artist) | Frescobaldi |
Sonata IV per violino per sona con due corde
(Artist) | Marini |
Armide (excerpts)
a. Overture
b. Act II, Scene 5: Enfin il est en ma puissance- At last he is in my power
(Artist) | Lully |
Excerpts from La Rhetorique des dieux (The Rhetoric of the Gods)
a. Prelude
b. Andromede
(Artist) | Gaultier |
Suite No. 3 in A minor
(Artist) | Jacquet de la Guerre |
Conclusion of Dido and Aeneas
a. Recitative: Thy Hand, Belinda
b. Aria: When I Am Laid in Earth
c. Chorus: With Drooping Wings
(Artist) | Purcell |
“In voler cio che tu brami” from La Griselda
(Artist) | Scarlatti |
Sonata XI in E-flat major, op. 2
(Artist)
(Artist) | Corelli |
Sonata II in D major, op. 3
(Artist) | Corelli |
Concerto grosso in D major, op. 6, No. 4
(Artist) | Corelli |
Praeludium in E major, BuxWV 141
(Artist) | Buxtehude |
Chorale Prelude on Nun komm der Heiden Heiland
(artist) | Buxtehude |
Ricercare means | "to seek out" |
fugue means | "flight" |
Sonata means | any piece for instruments |
Schein's suite
(PGCAT) | Pavane
Galliard
Courante
Allemande
Tripla (triple meter variation of the allemande) |
Froberger was a student of | Frescobadi |
Frobergers's ordering of the baroque dance suite
(ACSOG) | Allemande (fr for German)
Courante (fr. For running)
Sarabende
(optional)
Gigue (JIG) |
Louis XIV (r. 1643-1715)
(King of, important for) | France, large patron of the arts |
Important elements of the french baroque performance practice
(NOA) | Notes inegales
Overdotting
Agrements |
Jean-Baptiste Lully (1632-1687)
(Where, what) | France, Opera |
Tragedie en Musique
(Who, what) | Lully, 5 acts of opera |
divertissments | unrelated episodes of dancing or choral singing |
ouverture | began Tragedie en Musique |
Armide(1686)
(Ouverture and Act II, Scene 5: Enfin il est en ma puissance- At last he is in my power)
(example of what) | Example of french baroque style |
Style luthe (lute style) or style brise (broken stlye)
(characterized by what) | Arpeggiation |
Denis Gaultier (1603-1672)
(important why and where?) | Important lutenist in mid-17th century france |
La Rhethorique des dieux (ca. 1650)
(Prelude and Andromede- allemande)
(for what instrument? (Clue- artist) | collection of dance suites for lute
Sous dorien [prelude]-unmeasured
Andromede [allemande]-use of agrements |
Elisabeth-Claude Jacquet de la Guerre (1665-1729)
(important why, where) | At 5, sang and played harpsichord in the court of Louis XIV
First french woman to compose an opera (Suite #3 in A Major) |
Suite #3 in A Major
(instrument and style) | Clavecin, style brise |
Masque
(where and what) | England, scenes that are meant to be entertaining, like french opera divertissments |
Da Capo Aria
(form) | ABA
extended aria, ABACA, etc.
Start, depart, go back, depart to something different, go back, etc. |
Da Capo Aria begins with: | Instrumental Ritornello |
Da Capo Aria Performance style: | The B section would contrast in style and key from A section
Second A section is expected to be embellished upon
Improvised Cadenza in expected |
Aria from La Griselda- In voler cio che tu brami (In wanting that which you desire)
(what type of aria?) | DA CAPO ARIA |
Arcangelo Correli played the: | Violin |
trio texture means: | usually 2 treble instruments or groups vs a basso continuo. (NOT 3 INSTRUMENTS OR PLAYERS, 2 Instruments and a group of basso continuo instruments!!!) |
sonata de camera
(primary use) | chamber sonata, just for fun, entertainment |
sonata da chiesa
(primary use) | church sonata, for religious purposes, played in church DUH |
Orchestral concerto
(form) | emphasized 1st violin and bass participatingless contrapuntal than other 2 types
least favored of all concerto types (composers wrote fewer of these) |
Concerto grosso
(form) | small group (concertino) against larger group (ripieno) |
Solo Concerto
(form) | solo player (any instrument) against larger group |
Sonata XI in Eb Major, op 2 (1685)
(type of sonata) | Sonata da Camera |
Praeludium in E Major, BuxWV 141
(what and where) | Organ, Germany |
Chorale prelude
(what and who) | Lutheran church, used to introduce chorale to everyone so they would know what to sing |
Chorale Prelude on Nun komm der Heiden Heiland
(instrument) | Organ |