| Question | Answer |
| Toccata No. 3
(Artist) | Frescobaldi |
| Ricecare after the Credo from Mass for the Madonna in Fiori musicali
(Artist) | Frescobaldi |
| Sonata IV per violino per sona con due corde
(Artist) | Marini |
| Armide (excerpts)
a. Overture
b. Act II, Scene 5: Enfin il est en ma puissance- At last he is in my power
(Artist) | Lully |
| Excerpts from La Rhetorique des dieux (The Rhetoric of the Gods)
a. Prelude
b. Andromede
(Artist) | Gaultier |
| Suite No. 3 in A minor
(Artist) | Jacquet de la Guerre |
| Conclusion of Dido and Aeneas
a. Recitative: Thy Hand, Belinda
b. Aria: When I Am Laid in Earth
c. Chorus: With Drooping Wings
(Artist) | Purcell |
| “In voler cio che tu brami” from La Griselda
(Artist) | Scarlatti |
| Sonata XI in E-flat major, op. 2
(Artist)
(Artist) | Corelli |
| Sonata II in D major, op. 3
(Artist) | Corelli |
| Concerto grosso in D major, op. 6, No. 4
(Artist) | Corelli |
| Praeludium in E major, BuxWV 141
(Artist) | Buxtehude |
| Chorale Prelude on Nun komm der Heiden Heiland
(artist) | Buxtehude |
| Ricercare means | "to seek out" |
| fugue means | "flight" |
| Sonata means | any piece for instruments |
| Schein's suite
(PGCAT) | Pavane
Galliard
Courante
Allemande
Tripla (triple meter variation of the allemande) |
| Froberger was a student of | Frescobadi |
| Frobergers's ordering of the baroque dance suite
(ACSOG) | Allemande (fr for German)
Courante (fr. For running)
Sarabende
(optional)
Gigue (JIG) |
| Louis XIV (r. 1643-1715)
(King of, important for) | France, large patron of the arts |
| Important elements of the french baroque performance practice
(NOA) | Notes inegales
Overdotting
Agrements |
| Jean-Baptiste Lully (1632-1687)
(Where, what) | France, Opera |
| Tragedie en Musique
(Who, what) | Lully, 5 acts of opera |
| divertissments | unrelated episodes of dancing or choral singing |
| ouverture | began Tragedie en Musique |
| Armide(1686)
(Ouverture and Act II, Scene 5: Enfin il est en ma puissance- At last he is in my power)
(example of what) | Example of french baroque style |
| Style luthe (lute style) or style brise (broken stlye)
(characterized by what) | Arpeggiation |
| Denis Gaultier (1603-1672)
(important why and where?) | Important lutenist in mid-17th century france |
| La Rhethorique des dieux (ca. 1650)
(Prelude and Andromede- allemande)
(for what instrument? (Clue- artist) | collection of dance suites for lute
Sous dorien [prelude]-unmeasured
Andromede [allemande]-use of agrements |
| Elisabeth-Claude Jacquet de la Guerre (1665-1729)
(important why, where) | At 5, sang and played harpsichord in the court of Louis XIV
First french woman to compose an opera (Suite #3 in A Major) |
| Suite #3 in A Major
(instrument and style) | Clavecin, style brise |
| Masque
(where and what) | England, scenes that are meant to be entertaining, like french opera divertissments |
| Da Capo Aria
(form) | ABA
extended aria, ABACA, etc.
Start, depart, go back, depart to something different, go back, etc. |
| Da Capo Aria begins with: | Instrumental Ritornello |
| Da Capo Aria Performance style: | The B section would contrast in style and key from A section
Second A section is expected to be embellished upon
Improvised Cadenza in expected |
| Aria from La Griselda- In voler cio che tu brami (In wanting that which you desire)
(what type of aria?) | DA CAPO ARIA |
| Arcangelo Correli played the: | Violin |
| trio texture means: | usually 2 treble instruments or groups vs a basso continuo. (NOT 3 INSTRUMENTS OR PLAYERS, 2 Instruments and a group of basso continuo instruments!!!) |
| sonata de camera
(primary use) | chamber sonata, just for fun, entertainment |
| sonata da chiesa
(primary use) | church sonata, for religious purposes, played in church DUH |
| Orchestral concerto
(form) | emphasized 1st violin and bass participatingless contrapuntal than other 2 types
least favored of all concerto types (composers wrote fewer of these) |
| Concerto grosso
(form) | small group (concertino) against larger group (ripieno) |
| Solo Concerto
(form) | solo player (any instrument) against larger group |
| Sonata XI in Eb Major, op 2 (1685)
(type of sonata) | Sonata da Camera |
| Praeludium in E Major, BuxWV 141
(what and where) | Organ, Germany |
| Chorale prelude
(what and who) | Lutheran church, used to introduce chorale to everyone so they would know what to sing |
| Chorale Prelude on Nun komm der Heiden Heiland
(instrument) | Organ |
