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Art Appreciation
Baine- EMCC Midterm
| Term | Definition |
|---|---|
| Under the Wave off Kanagawa | Katsushika Hokusa c. 1830-32. Metropolitan Museum of Art |
| Vietnam Veterans Memorial | Maya Lin. c. 1982. |
| Jahangir Receives a Cup from Khusrau. | Manohar. c. 1605-1606 |
| The Starry Night | Vincent van Gogh 1889. |
| Vanitas. | Juan de Valdés Leal. c. 1660 |
| Every Touch. | Jim Hodges. c. 1997 |
| Thirty Are Better than One | Andy Warhol. c. 1963 |
| Mona Lisa | Leonardo da Vinci. c. 1503-05. |
| Fisherman's Cottage on the Cliffs at Varengeville | Claude Monet c. 1882. |
| David | Andrea del Verrocchio. . c. 1465. |
| Isenheim Altarpiece (exterior). | Matthias Grünewald. c. 1515. |
| Pietà. | Giovanni Bellini. c. 1500-1505 |
| Saturn Devouring One of His Children | Francisco de Goya. . c. 1820-22. |
| Pietà | Michelangelo. c. 1499. |
| First Communion | Pablo Picasso c. 1895–96. |
| Seated Woman Holding a Fan | Pablo Picasso c. 1908 |
| Woman with Packages | Louise Bourgeois. c. 1949. |
| Housepainter III | Duane Hanson. c. 1984/1988. |
| Composition IX | Vasily Kandinsky. c. 1936. |
| Electric Prisms | Sonia Delaunay c. 1913 |
| One: Number 31, 1950 | Jackson Pollock. c. 1950. |
| Arnolfini Double Portrait | Jan van Eyck. c. 1434. |
| Assumption | Titian. c. 1518. |
| mantle. | Ann Hamilton. c. 1998.. |
| A Subtlety, or the Marvelous Sugar Baby, an Homage..... | Kara Walker May 10-July 6, 2014 |
| Madonna Enthroned | Cimabue. c. 1280-90 |
| Liberty Leading the People, 1830 | Eugène Delacroix. c. 1830. |
| Guernica | Pablo Picasso. c. 193 |
| St. Francis Giving His Mantle to a Poor Man and the Vision of the Heavenly City | Sassetta. . c. 1437-44. |
| Nighthawks | Edward Hopper. c. 1942 |
| Self-Portrait with Monkeys | Frida Kahlo c.1943. |
| Woman Holding a Balance | Johannes Vermeer c. 1664 |
| The Garden of Earthly Delights, center section | Hieronymus Bosch c. 1505-10. |
| The Dream | Henri Rousseau c. 1910. |
| The Oxbow (View from Mount Holyoke, Northampton, Massachusetts, After a Thunderstorm). | Thomas Cole c.1836 |
| Spiral Jetty, Great Salt Lake, Utah, | Robert Smithson c. 1970 |
| Aquila, Abruzzi, Italy, 1951. | Henri Cartier-Bresson. c.1951 [implied lines, linear analysis, direction and movement] |
| The Biglin Brothers Racing | Thomas Eakins. c. 1873-74 [implied lines, linear analysis, direction and movement] |
| The Raft of the Medusa | Théodore Géricault. c. 1818-19. [implied lines, linear analysis] |
| The Madonna of the Meadows | Raphael c. 1505. [Italian Renaissance, implied triangle, his death in 1520 ends the Italian Renaissance] |
| The Virgin and Saint Anne with the Christ Child and John the Baptist | Leonardo da Vinci. Italian Renaissance, sketch] |
| Madonna and Child with Saint Anne | Leonardo da Vinci. c. 1503-06 [original sin, Italian Renaissance, sfumato] |
| A Sunday on La Grande Jatte | George Seurat c.1884-86 [Pointillism, optical color mixing, open color palette] |
| Hendrix | Devorah Sperber c. 2009. |
| Arrangement in Grey and Black No. 1, also called Portrait of the Artist’s Mother | James Abbott McNeill Whistler c. 1871. [restricted palette, asymmetrical/informal balance, Japanese influence] |
| The Scream | Edvard Munch c. 1893 .[visual texture] |
| Bird in Space. | Constantin Brancusi c. 1925. [actual texture, nonobjective/nonrepresentational] |
| Place de l'Europe on a Rainy Day, Paris Street | Gustave Caillebotte. c. 1877. [two-point perspective] |
| Entombment of Christ | Caravaggio c. 1604 [two-point perspective, chiaroscuro, Italian Baroque] |
| Draftsman Drawing a Reclining Nude, from The Art of Measurement | Albrecht Dürer. c. 1527. Woodcut [woodcut, foreshortening] |
| The Dead Christ | Andrea Mantegn . c. 1480 [foreshortening, procession] |
| The Rocky Mountains, Lander’s Peak | Albert Bierstadt c. 1863. [atmospheric perspective] |
| Southern Cross | Alexander Calder c. 1963. [kinetic, assemblage] |
| Deer’s Skull with Pedernal | Georgia O’Keeffe c. 1936. [symmetrical/formal balance, oil on canvas, New Mexico] |
| Two Fridas (Las dos Fridas | Frida Kahlo. c). 1939. [symmetrical/formal balance] |
| American Gothic | Grant Wood. c. 1930. [symmetrical/formal balance |
| Death and Life | Gustav Klimt. c. Before 1911, finished 1915. [asymmetrical/informal balance] |
| The Burning of the Houses of Parliament | Joseph Mallord William Turner. c. 1835. [asymmetrical/informal balance, oil on canvas] |
| A Bar at the Folies-Bergère | Edouard Manet c. 1881-82 |
| The Banjo Lesson | Henry Ossawa Tanner c.1893. [Emphasis and Subordination] |
| Still Life with Compotier, Pitcher, and Fruit | Paul Cézanne c. 1892-94 [Emphasis and Subordination] |
| Executions of the Third of May, 1808 | Francisco de Goya. c. 1814–15. [Emphasis and Subordination] |
| Plantoir | Claes Oldenburg and Coosje van Bruggen. c. 2001. [Scale and Proportion] |
| Delusions of Grandeur II | René Magritte c. 1948. [Scale and Proportion] |
| Study of Human Proportions according to Vitruvius | Leonardo da \ c. 1485-90. [Scale and Proportion, mirror writing] |
| Storm King Wavefield | Maya Lin c. 2007–08. . [Rhythm, earthwork] |
| Girl Before a Mirror | Pablo Picasso c. 1932. |
| Venus with a Mirror | Titian c. 1555 |