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Dramatism
Comm Theories Chap 5
| Term | Definition |
|---|---|
| Kenneth Burke | emphasized the role of identification, guilt and the dramatistic pentad in communication theory |
| Identification | The combined concepts of substance and consubstantiality |
| Substance | the idea that we have a unifying factor, or essence, that brings us together |
| Consubstantiality | even though we have the same essence, we all have different ways of expressing it; what makes communication possible |
| Guilt | any tension, discomfort, sense of shame, or other unpleasant feeling that humans experience; fueled by hierarchy, perfection, and the negative |
| Hierarchy | the social status divisions between ourselves and others that often leads to war and conquest |
| Perfection | the ideal image that we can never achieve due to the gap between what is the case and this image |
| The Negative | the quality of every concept pushed to its limits and judging ourselves from it |
| Mortification | method of purging guilt through self-blame |
| Victimage | method of purging guilt through blaming others or scapegoating |
| The Dramatistic Pentad (Hexad) | Various aspects that may be emphasized during communication when viewed through a dramatist analogy:act, scene,agent, agency, purpose attitude |
| Act | what is done by a person |
| Scene | context in which the interaction occurs |
| Agent | individual or group that performs an act |
| Agency | the means an agent uses to accomplish an act |
| Purpose | the goal of the act or the end sought by the agent |
| Attitude | how an actor positions his/herself relative to others and the context in which he/she operates; more or less inferred by the other concepts |