Music History Test 2
Quiz yourself by thinking what should be in
each of the black spaces below before clicking
on it to display the answer.
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| City-state | city that governed itself and the territory immediately around it
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| Squarcialupi Codex | music manuscript containing 354 compositions
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| Trecento | century of the 1300s in which arts flourished in Florence
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| Caccia | piece involving a musical canon in upper 2 voices supported by a slower moving tenor; means “hunt”
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| Landini cadence | sixth in outer voices expand to an octave; added lower neighbor-tone to upper part as it moved up to octave
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| Giovanni Boccaccio | wrote Decameron after surviving the Black Death through help of some women friends
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| Decameron | written by Giovanni Boccaccio; set of stories centered around women
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| Magister cappellae | leader of the chapel
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| Filippo Brunelleschi | Florentine architect who built a dome for the Florentines
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| Number symbolism | numbers possessed rich theological associations
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| Rondellus | distinctly English musical practice; 2 or 3 voices engage in voice exchange or phrase exchange
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| Faburden | singers improvised around a given chant
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| Fauxbourdon | singers of sacred music improvised at pitches a fourth and sixth below a given plainsong
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| Carol | strophic song for one to three voices, all of which were newly composed
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| Pan-isorhythmic | isorhythm applied to all voices, not just tenor
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| Contenance angloise | English manner (no dissonance)
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| Pan-consonance | almost every note is a member of a triad or a triadic inversion and not a dissonance
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| Burgundian lands | Dukes inherited, purchased, and conquered large portions of present-day northern France and the Low Countries
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| Chanson | French word for song
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| L’Homme arme’ tune | means Armed Man; written after fall of Constantinople – many polyphonic masses built upon it
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| Cantus firmus Mass | cyclic Mass in which 5 movements of the Ordinary are unified by means of a single cantus firmus
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| Cantus firmus | Latin meaning “firm” or “well-established”; a well-established, previously existing melody
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| Joan of Arc | miraculous Maid of Orleans who rescued France from the English in the last stages of the Hundred Years’ War
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| Mensuration canon | two voices perform the same music at different rates of speed; start at the same time, but one moves faster
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| Paraphrase technique | composer takes a pre-existing plainsong and embellishes it, imparting to it a rhythmic profile…elaborated chant serves as a basic melodic material for a polyphonic composition
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| Paraphrase Mass | all movements are united by a single paraphrased chant
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| Quodlibet | several secular tunes brought together; Latin for “whatever you like”
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| Multiple cantus firmus Mass | two or more cantus firmi sound simultaneously or successively in a Mass
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| hauts instruments | loud – trumpets, shawms, bagpipes, drums, and tambourine
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| Sackbut | slide trumpet; means “push-pull”…related to trombone
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| Bas instruments | soft – recorder, vielle, lute, harp, psaltery, portative organ, and harpsichord
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| Basse danse | principal aristocratic dance of court and city during the early Renaissance
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| Quattrocento | fifteenth century in Italy…Italian word for “the 1400’s”; period of enormous creativity in the visual arts
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| Contrafactum | transforming a secular piece into a sacred one
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| Frottola | used as a catch-all word to describe a polyphonic setting of a wide variety of strophic Italian poetry
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| Madrigal | catch-all term to describe settings of Italian verse; through-composed in 16th C. instead of strophic like before
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| Text painting (word painting) | music sounds out the meaning of the text, almost word for word
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| Madrigalism | musical clichés as sighs and dissonances for “harsh” words
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| Soggetto cavato | a “cut-out subject”…subject cut-out from the vowels
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| Penitential Psalms | seven Psalms among the 150 of the Psalter that are especially remorseful in tone and sung in the rites of the Catholic Church surrounding death and burial
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| Recitation tone | a constantly repeating pitch followed by a meditation; at the heart of the psalm tone
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| Clavichord | medieval instrument that produces sound when a tiny metal tangent in the shape of a “T” is pushed into the string from beneath
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| Lute | pear-shaped instrument with six sets of strings called courses, then made of animal gut, now made of wire
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| Consort | an ensemble of instruments all of one family
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| Broken consort | mixed ensemble; when instruments of different types play together
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| Canzona | freely composed instrumental piece, usually for organ or instrumental ensemble, which imitated the lively rhythms and lightly imitative style of the Parisian chanson
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Created by:
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