Technology and Film Production
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| Assembly Edit | Constructing a video program by transferring clips in sequence on the timeline
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| Bin | In digital audio and video terms, a directory from which stored shots or sound segments are selected for use. It originally was a reference to a storage container lined with a cloth bag, into which cut film or sound stock could be arranged and hung
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| Capture | The process of transferring digital video or audio to the computer for editing
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| Check List | An organizational list made when planning, for example, a checklist for a video shoot would include making sure you have everything you're going to need
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| Cut | A visual transition in editing in which one shot is replaced on screen with another
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| Cutaway | A shot other than, but related to, the main action
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| Drop Out | A momentary loss of a picture signal during tape playback
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| Dub | To duplicate an audio tape or videotape also, to re-record dialogue with lip synchronization after a production is finished dubbing rights legal rights-generally obtained after a copyright fee is paid-making it possible to use copyrighted works for produc
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| Effects | Tools in the switcher or editing system that can be used for fades, wipes or special effects
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| Frame Rate | The frequency at which film or video frames run
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| Genre/Style | The classification of literature, movies, plays, etc according to form and structure and the manipulation and interpretation of reality
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| Indexing | The method of using the computer to time-code to log the location of audio and/or video on a tape
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| Inputs | Connections on equipment used to transfer data from another piece of equipment
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| Insert Edit | replacing part of a previously edited video and/or audio segment with new material the opposite of assembly edit
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| Insert Shot | A shot that provides close-up detail on the action
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| Master | Video industry term for the tape containing the finished (edited) program
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| Monitor | A TV set, normally without an RF tuner or audio circuitry, used for the checking of color, composition, etc, during a production
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| Natural Sound (NAT) | Any naturally occurring sound recorded in the field, other than interviews
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| Non-Profit | An organization that reinvests all profits back into the organization
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| Outputs | Connections from the equipment to transfer data to another piece of equipment
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| Package | A television story filed by a reporter which typically includes narration, a stand-up, bites, and accompanying video and natural sound
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| Point of View | A shot from an angle that approximates what a designed actor is seeing at a particular moment
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| Post-Production | The period in a project's development that takes place after the picture is delivered, or "after the production"
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| Pre-Production | The planning stage of a production
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| Production | The taping of the project
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| PSA(Public Service Announcement) | A message produced and broadcast at no charge for qualifying non-profit organizations
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| Render | Computer process of performing the calculations to create detail in a three-dimensional computer-generated scene or special effect
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| Royalty | Money paid to the copyright owner for permission to use/ reproduce copyrighted material
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| Royalty-Free | Material that can be used/ reproduced freely without paying royalties
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| Script | The written blueprint for a production
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| Shot List | A list made in the pre-production phase that lists all shots needed to create the project during the production phase
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| Sound Effect | Recordings of special or natural sounds such as footsteps, coughing, door closing, etc
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| Sound on Tape (SOT) | Sound on tape, a standard reference to a sound bite
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| Sources | A person or reference used to substantiate claims made in a story
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| Storyboard | Pictures that illustrates the proposed sequence of shots in a production
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| Synchronization | Sound an audio recorded with images so the words sync with the mouth
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| Talking Head | Slang for the typical head-and-shoulders shot of actors seen on talk shows and newscasts
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| Tally Light | The red light on a video camera
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| Timeline | A visual line stretching across a computer screen representing intervals of time on which video clips can be placed during non-linear editing
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| Track | The path of a reorder signal on a videotape or disc
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| Transitions | Video effects placed between scenes or edits to achieve a smooth transition
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| Wipes | An optical transition effect in which one image is replaced by another with a boundary edge that moves in a selected pattern across the frame
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