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Unit 4
Technology and Film Production
Term | Definition |
---|---|
Assembly Edit | Constructing a video program by transferring clips in sequence on the timeline |
Bin | In digital audio and video terms, a directory from which stored shots or sound segments are selected for use. It originally was a reference to a storage container lined with a cloth bag, into which cut film or sound stock could be arranged and hung |
Capture | The process of transferring digital video or audio to the computer for editing |
Check List | An organizational list made when planning, for example, a checklist for a video shoot would include making sure you have everything you're going to need |
Cut | A visual transition in editing in which one shot is replaced on screen with another |
Cutaway | A shot other than, but related to, the main action |
Drop Out | A momentary loss of a picture signal during tape playback |
Dub | To duplicate an audio tape or videotape also, to re-record dialogue with lip synchronization after a production is finished dubbing rights legal rights-generally obtained after a copyright fee is paid-making it possible to use copyrighted works for produc |
Effects | Tools in the switcher or editing system that can be used for fades, wipes or special effects |
Frame Rate | The frequency at which film or video frames run |
Genre/Style | The classification of literature, movies, plays, etc according to form and structure and the manipulation and interpretation of reality |
Indexing | The method of using the computer to time-code to log the location of audio and/or video on a tape |
Inputs | Connections on equipment used to transfer data from another piece of equipment |
Insert Edit | replacing part of a previously edited video and/or audio segment with new material the opposite of assembly edit |
Insert Shot | A shot that provides close-up detail on the action |
Master | Video industry term for the tape containing the finished (edited) program |
Monitor | A TV set, normally without an RF tuner or audio circuitry, used for the checking of color, composition, etc, during a production |
Natural Sound (NAT) | Any naturally occurring sound recorded in the field, other than interviews |
Non-Profit | An organization that reinvests all profits back into the organization |
Outputs | Connections from the equipment to transfer data to another piece of equipment |
Package | A television story filed by a reporter which typically includes narration, a stand-up, bites, and accompanying video and natural sound |
Point of View | A shot from an angle that approximates what a designed actor is seeing at a particular moment |
Post-Production | The period in a project's development that takes place after the picture is delivered, or "after the production" |
Pre-Production | The planning stage of a production |
Production | The taping of the project |
PSA(Public Service Announcement) | A message produced and broadcast at no charge for qualifying non-profit organizations |
Render | Computer process of performing the calculations to create detail in a three-dimensional computer-generated scene or special effect |
Royalty | Money paid to the copyright owner for permission to use/ reproduce copyrighted material |
Royalty-Free | Material that can be used/ reproduced freely without paying royalties |
Script | The written blueprint for a production |
Shot List | A list made in the pre-production phase that lists all shots needed to create the project during the production phase |
Sound Effect | Recordings of special or natural sounds such as footsteps, coughing, door closing, etc |
Sound on Tape (SOT) | Sound on tape, a standard reference to a sound bite |
Sources | A person or reference used to substantiate claims made in a story |
Storyboard | Pictures that illustrates the proposed sequence of shots in a production |
Synchronization | Sound an audio recorded with images so the words sync with the mouth |
Talking Head | Slang for the typical head-and-shoulders shot of actors seen on talk shows and newscasts |
Tally Light | The red light on a video camera |
Timeline | A visual line stretching across a computer screen representing intervals of time on which video clips can be placed during non-linear editing |
Track | The path of a reorder signal on a videotape or disc |
Transitions | Video effects placed between scenes or edits to achieve a smooth transition |
Wipes | An optical transition effect in which one image is replaced by another with a boundary edge that moves in a selected pattern across the frame |