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TSTC
| twin revolutions | industrial , political |
|---|---|
| philoshopers | john locke, isaac newton |
| practical experience versus abstract thought | empiricism |
| actions and deeds of ancient greek and romans | neoclassicism |
| center of the art world | rome |
| durable porcelain | jasperware |
| enlightenment | logical, real |
| the french artist | jacques-louis david |
| karl marx and friedrich engels | comminist manifesto |
| atitude and license to abondon logic | romanticism |
| the romantic era | cult of the individual |
| of all visual arts | painting |
| goyas enormus dramatic painting | the third of may |
| william blake invented a process | monotype |
| turners late sytle | abstract |
| turners painting was influenced by the seasons | the slave ship |
| emerson and thoreaus works | nature and walden |
| western fascination | orientalism |
| auguste comte coined the word | positivism |
| positivism was the rise of | photography |
| self proclaimed banner carrier | gustave coubet |
| realism championed | laborors and country folk |
| impeccably dressed man | flaneur |
| painting outdoors | plein air |
| primary and secondary colors become stronger | simultaneous contrast |
| 19th century builders used | cast iron |
| cultural dihotomy | belle epoque and finde siecle |
| pointillism | divisionism |
| greasy crayon | tusche |
| jean-jacques two paintings | noble savage and primitive |