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Desgin Decisions
Pivot point design decisions
| Question | Answer |
|---|---|
| Design | arrangement of shapes, lines and ornamental effects to create an artistic whole |
| proportion | The relation of the part to it whole |
| Three levels of observation | basic, detatial, abstract |
| Basic | The level of observation seen in its outside shape or silhouette |
| Detail | The level of observation seen in textures, color, etc |
| Abstract | The level of observation that is leteral, concrete. Ex: Clothihng patten to make a dress |
| design elements | Form, texture and color |
| Form | the design element that is the foundation for every service. 3-d |
| Shape | 2-d representaion of form: flat |
| Point | a mark, before it is set in motion |
| line | series of connecterd points |
| celestial axis | a symbol that will idenetify straight and curved lines, angles and direction. |
| Texture | the visual appearnce or feel of a surface |
| Color | visual perception of the reflection of light |
| Design principles | repetition, alternation, progression, and contrast |
| Repetition | all untits are identical except position |
| Alternation | sequention repetition of two or more units in a repeating pattern |
| Progression | All units gradually change from increasing to decreasing or vice/verse. |
| Contrast | relatinship of opposites |
| Balance | The state of equilibrium existing between contrasting, opposite or interacting elements |
| Symmetrical balance | harmonious arrangement of equal weight on both sides of the celestial axis |
| Asymmeetrical balance | off centered arrangement of unequal weight on the celestial axis |
| Three sectioning | way to measure the proportins of the face. |
| Oval | the face shape that is the idea face shape |
| Round | the face shape that looks circular: Short and wide rather than long and narrow |
| Square | the face shape that is short and wide. angular with straight lines |
| Oblong | the face shape that is long, narrow and angular. jaw line is wide and almost horizontal |
| pear | the face shape that has a narrow forehead and a jaw that is the widest area of the face |
| Diamond | the face shape that is widest ata the cheekbones and narrow at the forehead and chin |
| heart | the face shape that has an elongated chins, while the forehead is wide |
| Profile | outline of an object from the side, especial of the face |
| Straight profile | This profile is the slight outward curvature form the front hairline to the tip of the nose and from the tip of the chin |
| Convex profile | This profile is a strong outward curvature from a protruding nose or sloping forehead |
| Concave profile | This profile is the inward curve by a protruding forehead and chin, and a small nose |
| Natural | this client prefers to wear colors and materials found in nature |
| Romantic | this client prefers to wear silk, lace, flower prints and pastel shades of color. Soft and feminine |
| Dramatic | this client prefers to wear things out of the ordinary |
| gamine | this client prefers to wear things that are playful and very feminine. hair is usually short |
| Classic | this client prefers to wear coordinating clothes. Prefer hair colors that are more natural, such as blonde, red, or brunette. |
| Casual | this client prefers to wear comfortable clothes and are low maintenance. |
| Introvert | this personality gets energized internally from thoughts and ideas |
| Extravert | This personality gets energized form other people and environment |
| Sensing | This personality gets information from concrete facts |
| Intuitive | This personality gets information from abstract ideas and original solutions |
| Thinking | This personality is logical, objective and impersonal. |
| Feeling | This personality uses the heart more than the head and relies strongly on values |
| Structured | This personality plans routines and schedules. |
| flexible | This personality adapt to the way work is done and adjust schedules based on changing circumstances |