click below
click below
Normal Size Small Size show me how
Drawing and Painting
Vocabulary for Drawing and Painting I
Term | Definition |
---|---|
Organic Shape | A shape that is free-form or irregular; opposite of geometric shape. |
Implied Texture | The perceived surface quality in an artwork. |
Scale | The relative size of a figure or object when compared to others of its kind, its environment, or to humans. |
Principles of Design | Guidelines that artists follow when they combine the various elements of design; Unity, variety, balance, contrast, emphasis, pattern, proportion, movement, and rhythm. |
Center of Interest | The area of an artwork toward which the eye is directed; the visual focal point of the work. |
Linear Perspective | A system in which parallel lines recede toward a common vanishing point, creating the illusion of three-dimensional space on a two-dimensional surface. |
Elements of Design | The building blocks of art; line, shape, form, space, color, value, and texture. |
Asymmetrical Balance | the organization of parts of a composition so that each side of a vertical axis contains similar, but not identical, shapes or forms. |
Impressionism | A style of painting that began in France around 1875; these works give a quick, true glimpse of the subject and often show the momentary effects of light on color. |
Shape | An element of design that is two-dimensional and encloses an area. |
Communication | A way of telling others about thoughts, opinions, reactions, and feelings; In art, a way of using visual images to send messages. |
Form | An element of design that appears three-dimensional and encloses volume. |
Style | This refers to the distinctive and consistent similarities in a group of artworks. |
Vehicle | The collective name for the binder and solvent. |
Pigment | A dry, powdered coloring agent used in the manufacture of paints. |
Value | An element of design that relates to the lightness and darkness of a color or tone. |
Binder | An adhesive used to hold particles of pigment together in paint, and to hold color to the ground. |
Extender | A substance added to pigment in order to increase its bulk or reduce its color intensity. |
Solvent | A liquid used to thin paint to a spreadable consistency. |
Portfolio | A collection of an artist's work. |
Art Criticism | Systematic discussion of the characteristics of an artwork; usually involving four stages: description, analysis, interpretation, and evaluation. |
Medium | The name for the materials (e.g. oils, watercolor, etc.) used to create an artwork; the category of art (e.g. drawing, painting, sculpture). |
Framing | The space and point of view for a picture, as determined by the horizontal and vertical borders. |
Sighting | This is used to determine an object's size in a drawing or to determine its size relative to another object; word for the act of measuring angles. |
Attribution | A written credit to the artist of work under study. |
Gesture Drawing | A quick drawing that captures movements of the body. |
Analysis | The examination of the relationships among the facts (e.g. objects, people, shapes, colors) in an artwork. |
Description | A listing of the facts in an artwork (e.g. objects, people, shapes, colors). |
Evaluation | The process used to determine the quality or lasting importance of a work. |
Still Life | An arrangement of non-moving objects that are the subject matter for a work of art. |
Line | An element of art used to define space, contours, and outlines, or suggest mass and volume. |
Stroke | A heavy line that gives weight, structure, and strength to the drawing. |
Tone | In art, this is the lightness and darkness of a color. |
Modeling | Using shading to make objects look three-dimensional. |
Negative Space | The space around the objects. |
Value | An element of art concerned with the degree of lightness of colors. |
Massing | The technique of connecting the darks in a drawing into larger shapes. |
Foreshortening | A method of applying perspective to an object or figure so that it seems to recede in space by shortening the depth dimension, making the form appear three-dimensional. |
Trompe L'Oeil | An illusionary technique in which nature is copied so realistically that the subject can be mistaken for a natural form. |
Built Environment | The human-made landscape; this includes a huge array of objects such as buildings, monuments, and consumer goods. |
Vanishing Point | In linear perspective, the point on the horizon line at which all the receding parallel lines converge. |
Environmental Art | An artwork that is part of the environment surrounding it or provides an enclosed environment viewers can enter; or an arrangement that the viewers can walk through or around. |
Pop Art | An art style also known as neo-Dada, that developed in the 1950s. The artists of this depicted and satirized the objects of popular culture. |
Linear Perspective | A technique of creating the illusion of depth on a flat surface. |
Horizon Line | Where sky and earth meet. |
One-point Perspective | A way to show three-dimensional objects on a two-dimensional surface using one vanishing point. |
Two-point Perspective | A way to show three-dimensional objects on a two-dimensional surface using two vanishing points and two sets of converging lines to represent form. |
Portrait | A picture that features a person or group. |
Sitter | The model for a portrait. |
Frontal Pose | One of the three basic portrait poses; when the model looks straight at the viewer. |
Profile Pose | When the subject is looking to the side with only one eye and half of the mouth and nose visible. |
Three-quarters Pose | When the subject is looking away from the viewer, but both eyes are still visible. |
Camera Obscura | A small, darkened room with a tiny window on one side. |
Hatching | Shading using closely spaced, parallel lines to suggest light and shadow. |
Cartoon | In drawing and painting, a full-size preliminary drawing from which the final work is made. |
Canon | The rule that a culture uses for the proportions and structure of a figure considered to be ideal. |
Humanism | Devotion to human concerns; the study of humanity. |
Mannequin | A model with movable joints that can be posed. |
Figure | The human form or any recognizable object or non-representational shape. |
Gouache | A form of water-soluble paint used to create opacity. |