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Art Smart 10
| Question | Answer |
|---|---|
| Masaccio | The Madonna of Humility |
| The Master of the Saint Lucy Legend | Mary, Queen of Heaven |
| Lippi | Saint Jerome in his Study |
| Durer | Portrait of a Clergyman |
| Sabastiano | Anton Francesco delgi Albizzi |
| Veronese | The Annunciation |
| El Greco | Saint Martin and the Beggar |
| Something that stands for or suggests an idea. | Symbol |
| Red, yellow, and blue, colors that cannot be made by putting two colors together | Primary colors |
| A period of art history, approximately 1750 to 1900. | Modern |
| D. A style of painting developed early in the 20th Century. Artists took familiar objects and broke them up into geometric shapes. | Cubism |
| The part of the painting that is furthest away from the viewer. | Background |
| F. A style developed during the 20th Century, characterized by subjects that are not realistic | Abstract |
| A painting of ordinary people engaged in common activities. | Genre |
| A painting of an outdoor view | Landscape |
| Something that repeats, and creates a kind of pattern | Rhythm |
| Colors such as red, yellow orange | Warm colors |
| A painting of objects that do not move | Still life |
| A work that uses symbols often human forms to stand for ideals or convey messages. | Allegory |
| M. A style of painting developed in France late in the Modern period. Artists wanted to create impressions of light and color that would form pictures in viewers minds. | Impressionism |
| The lightness or darkness of different areas of a painting. | Light |
| A painting of a person. | Portrait |
| Paintings that express emotions about man in the modern world. | Romanticism |
| Colors such as blue, green, lavender, and purple | Cool Colors |
| D. A fancy “frilly” style of painting developed in France near the end of the Baroque period. | Rococo |
| An outdoor view itself | Landscape |
| A painting that features expanses of water | Sea Scape |
| A comparison that draws attention to the differences between things | Contrast |
| A period of art history, approximately 1600-1750 | Baroque |
| ____ are drawn by an artist to mark the edges of something | Lines |
| How individual art elements, like light, color, lines, and shapes, work with each other to form a complete painting | Compisition |
| A period of art history, approximately 1400-1600 | Renassaince |
| Colors such as black, white, tan, beige, which have neither a warm nor a cool effect in the painting. | Neutral |
| The way an object feels on the surface when we touch it | Texture |
| A style that developed late in the Modern period, in which the picture is composed of tiny dots or points | Pointillism |
| A painting that features scenes of streets, buildings, and other city features | Cityscape |
| The artistic elements painters use to create a painting | Art Elements |
| A painting that tells a story about important people or events | History and Legend |
| A painting | Canvas |
| A style of painting practiced briefly at the beginning of the 20th century period, with shockingly bright colors and twisted human figures or other objects. | Fauvism |
| Treated fabric stretched over a frame, to which paint is applied | Canvas |
| The feelings and emotions an artist wants viewers to experience | Mood |
| A style of painting, developed during the Modern period, which imitated the style of ancient Greek and Roman sculpture and architecture | Neoclassicism |
| The illusion of depth or distance | Perspective |
| A period of art history, approximately 1900-2000 | 20th Century |
| The three dimensional shape of an object | Form |
| ____ are formed where objects touch or overlap so that different colors or shapes come together | Lines |
| colors like green, purple, and orange, made by combining primary colors | Secondary Colors |
| The source of light in a painting like the sun | Light |
| The position from which the viewer sees objects in a painting | Point of View |
| Pairs of colors that are farthest away from each other on the color wheel | Complementary |
| Paintings whose subjects are individual art elements | Abstract |
| The part of the painting that seems closest to the viewer | Foreground |
| The Madonna of Humility | Masaccio |
| Mary, Queen of Heaven | Master of the Saint Lucy Legend |
| Saint Jerome in his Study | Lippi |
| Portrait of a Clergyman | Durer |
| Anton Francesco delgi Albizzi | Sebastiano |
| The Annunciation | Veronese |
| Saint Martin and the Beggar | El Greco |
| Portrait of a Young Woman | Rembrandt |
| A Roemer with Grapes, a Pewter plate and a Roll | van Beyeren |
| Personification of Astrology | Guercino |
| River Landscape with a Church in the Distance | van Ruysdael |
| Saint John the Baptist in the Wilderness | Giordano |
| The Immaculate Conception | Zurbaran |
| A French Magistrate of Requests | Rigaud |
| A Pastoral Concert | Pater |
| Still Life with Leg of Lamb | Chardin |
| Fantasy View with the Pantheon and other Monuments of Ancient Rome | Panini |
| The Game of the Cooking Pot | Longhi |
| Ariadne Abandoned by Theseus | Kauffman |
| Portrait of Mrs. Jelf Powis and her Daughter | Reynolds |
| Girl with a Pearl Necklace: Portrait of Rosalie Fragonard | Fragonard |
| Sheerness as seen from the Nore | Turner |
| Haystack Mountain | Durand |
| Brioche with Pears | Manet |
| Bottom of the Ravine | Cezanne |
| Still Life | Porter |
| Deer in the Forest | Bonheur |
| Peasant Woman Carrying Tow Bundles of Hay | Pissarro |
| Casting in the Falls | Homer |
| Jeanne Pissarro | van Rysselberghe |
| Edge of the Emerald Pool, Yellowstone | Twachtman |
| Rembrandt | Portrait of a Young Woman |
| van Beyeren | A Roemer with Grapes, A Pewter Plate and a Roll |
| Guercino | Personification of Astrology |
| van Ruysdael | River Landscape with a Church in the Distance |
| Giordano | Saint John the Baptist in the Wilderness |
| Zurbaran | The Immaculate Conception |
| Riguad | A French Magistrate of Requests |
| Pater | A Pastoral Concert |
| Chardin | Still Life with Leg of Lamb |
| Panini | Fantasy View with the Pantheion and other Monuments of Ancient Rome |
| Longhi | The Game of the Cooking Pot |
| Bougival | Vlaminck |
| Flowers in a Black Vase | Redon |
| The Purple Shaw | Couse |
| The White Tablecloth | Gris |
| Manhattan II | Feininger |
| Idlers | Hennings |
| Dalet Kaf | Louis |
| Untitled #31 | Hood |
| The Ark | Miller |
| Kauffman | Ariadne Abandoned by Theseus |
| Reynolds | Portrait of Mrs. Jelf Powis and Her Daughter |
| Fragonard | Girl With a Pearl Necklace: Portrait of Rosalie Fragonard |
| Turner | Sheerness as seen from the Nore |
| Durand | Haystack Mountain |
| Manet | Brioche with Pears |
| Cezanne | Bottom of the Ravine |
| Porter | Still Life |
| Bonheur | Deer in the Forest |
| Pissarro | Peasant Woman Carrying Two Bundles of Hay |
| Homer | Casting in the Falls |
| van Rysselberghe | Jeanne Pissarro |
| Twachtman | Edge of the Emerald Pool, Yellowstone |
| Vlaminck | Bougival |
| Redon | Flowers in a Black Vase |
| Couse | The Purple Shaw |
| Gris | The White Tablecloth |
| Feininger | Manhattan II |
| Hennings | Idlers |
| Louis | Dalet Kaf |
| Hood | Untitled #31 |
| Miller | The Ark |
Created by:
ashleybrown
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