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Art Smart 10
Question | Answer |
---|---|
Masaccio | The Madonna of Humility |
The Master of the Saint Lucy Legend | Mary, Queen of Heaven |
Lippi | Saint Jerome in his Study |
Durer | Portrait of a Clergyman |
Sabastiano | Anton Francesco delgi Albizzi |
Veronese | The Annunciation |
El Greco | Saint Martin and the Beggar |
Something that stands for or suggests an idea. | Symbol |
Red, yellow, and blue, colors that cannot be made by putting two colors together | Primary colors |
A period of art history, approximately 1750 to 1900. | Modern |
D. A style of painting developed early in the 20th Century. Artists took familiar objects and broke them up into geometric shapes. | Cubism |
The part of the painting that is furthest away from the viewer. | Background |
F. A style developed during the 20th Century, characterized by subjects that are not realistic | Abstract |
A painting of ordinary people engaged in common activities. | Genre |
A painting of an outdoor view | Landscape |
Something that repeats, and creates a kind of pattern | Rhythm |
Colors such as red, yellow orange | Warm colors |
A painting of objects that do not move | Still life |
A work that uses symbols often human forms to stand for ideals or convey messages. | Allegory |
M. A style of painting developed in France late in the Modern period. Artists wanted to create impressions of light and color that would form pictures in viewers minds. | Impressionism |
The lightness or darkness of different areas of a painting. | Light |
A painting of a person. | Portrait |
Paintings that express emotions about man in the modern world. | Romanticism |
Colors such as blue, green, lavender, and purple | Cool Colors |
D. A fancy “frilly” style of painting developed in France near the end of the Baroque period. | Rococo |
An outdoor view itself | Landscape |
A painting that features expanses of water | Sea Scape |
A comparison that draws attention to the differences between things | Contrast |
A period of art history, approximately 1600-1750 | Baroque |
____ are drawn by an artist to mark the edges of something | Lines |
How individual art elements, like light, color, lines, and shapes, work with each other to form a complete painting | Compisition |
A period of art history, approximately 1400-1600 | Renassaince |
Colors such as black, white, tan, beige, which have neither a warm nor a cool effect in the painting. | Neutral |
The way an object feels on the surface when we touch it | Texture |
A style that developed late in the Modern period, in which the picture is composed of tiny dots or points | Pointillism |
A painting that features scenes of streets, buildings, and other city features | Cityscape |
The artistic elements painters use to create a painting | Art Elements |
A painting that tells a story about important people or events | History and Legend |
A painting | Canvas |
A style of painting practiced briefly at the beginning of the 20th century period, with shockingly bright colors and twisted human figures or other objects. | Fauvism |
Treated fabric stretched over a frame, to which paint is applied | Canvas |
The feelings and emotions an artist wants viewers to experience | Mood |
A style of painting, developed during the Modern period, which imitated the style of ancient Greek and Roman sculpture and architecture | Neoclassicism |
The illusion of depth or distance | Perspective |
A period of art history, approximately 1900-2000 | 20th Century |
The three dimensional shape of an object | Form |
____ are formed where objects touch or overlap so that different colors or shapes come together | Lines |
colors like green, purple, and orange, made by combining primary colors | Secondary Colors |
The source of light in a painting like the sun | Light |
The position from which the viewer sees objects in a painting | Point of View |
Pairs of colors that are farthest away from each other on the color wheel | Complementary |
Paintings whose subjects are individual art elements | Abstract |
The part of the painting that seems closest to the viewer | Foreground |
The Madonna of Humility | Masaccio |
Mary, Queen of Heaven | Master of the Saint Lucy Legend |
Saint Jerome in his Study | Lippi |
Portrait of a Clergyman | Durer |
Anton Francesco delgi Albizzi | Sebastiano |
The Annunciation | Veronese |
Saint Martin and the Beggar | El Greco |
Portrait of a Young Woman | Rembrandt |
A Roemer with Grapes, a Pewter plate and a Roll | van Beyeren |
Personification of Astrology | Guercino |
River Landscape with a Church in the Distance | van Ruysdael |
Saint John the Baptist in the Wilderness | Giordano |
The Immaculate Conception | Zurbaran |
A French Magistrate of Requests | Rigaud |
A Pastoral Concert | Pater |
Still Life with Leg of Lamb | Chardin |
Fantasy View with the Pantheon and other Monuments of Ancient Rome | Panini |
The Game of the Cooking Pot | Longhi |
Ariadne Abandoned by Theseus | Kauffman |
Portrait of Mrs. Jelf Powis and her Daughter | Reynolds |
Girl with a Pearl Necklace: Portrait of Rosalie Fragonard | Fragonard |
Sheerness as seen from the Nore | Turner |
Haystack Mountain | Durand |
Brioche with Pears | Manet |
Bottom of the Ravine | Cezanne |
Still Life | Porter |
Deer in the Forest | Bonheur |
Peasant Woman Carrying Tow Bundles of Hay | Pissarro |
Casting in the Falls | Homer |
Jeanne Pissarro | van Rysselberghe |
Edge of the Emerald Pool, Yellowstone | Twachtman |
Rembrandt | Portrait of a Young Woman |
van Beyeren | A Roemer with Grapes, A Pewter Plate and a Roll |
Guercino | Personification of Astrology |
van Ruysdael | River Landscape with a Church in the Distance |
Giordano | Saint John the Baptist in the Wilderness |
Zurbaran | The Immaculate Conception |
Riguad | A French Magistrate of Requests |
Pater | A Pastoral Concert |
Chardin | Still Life with Leg of Lamb |
Panini | Fantasy View with the Pantheion and other Monuments of Ancient Rome |
Longhi | The Game of the Cooking Pot |
Bougival | Vlaminck |
Flowers in a Black Vase | Redon |
The Purple Shaw | Couse |
The White Tablecloth | Gris |
Manhattan II | Feininger |
Idlers | Hennings |
Dalet Kaf | Louis |
Untitled #31 | Hood |
The Ark | Miller |
Kauffman | Ariadne Abandoned by Theseus |
Reynolds | Portrait of Mrs. Jelf Powis and Her Daughter |
Fragonard | Girl With a Pearl Necklace: Portrait of Rosalie Fragonard |
Turner | Sheerness as seen from the Nore |
Durand | Haystack Mountain |
Manet | Brioche with Pears |
Cezanne | Bottom of the Ravine |
Porter | Still Life |
Bonheur | Deer in the Forest |
Pissarro | Peasant Woman Carrying Two Bundles of Hay |
Homer | Casting in the Falls |
van Rysselberghe | Jeanne Pissarro |
Twachtman | Edge of the Emerald Pool, Yellowstone |
Vlaminck | Bougival |
Redon | Flowers in a Black Vase |
Couse | The Purple Shaw |
Gris | The White Tablecloth |
Feininger | Manhattan II |
Hennings | Idlers |
Louis | Dalet Kaf |
Hood | Untitled #31 |
Miller | The Ark |