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Washington Crossing
Washington Crossing the Delaware Notes
| Question | Answer |
|---|---|
| Emanuel Leutze | The German-American artist who painted the famous 1851 version of Washington Crossing the Delaware. |
| James Monroe | The future U.S. President depicted in the painting holding the American flag behind Washington. |
| Prince Whipple | The Black man depicted in the boat, traditionally identified as an enslaved man and bodyguard to General Whipple. |
| Worthington Whittredge | The American landscape painter and friend of Leutze who modeled for the figure of George Washington. |
| Historically Inaccurate Flag | The "Stars and Stripes" shown in the painting, which did not exist until 1777, after the 1776 crossing. |
| Battle of Trenton | The surprise attack on Hessian forces that followed the crossing of the Delaware River on Christmas night. |
| Allied Bombing Raid | The 1942 event that destroyed the original version of the painting while it was in Bremen, Germany. |
| Rhine River | The European river Leutze used as a geographic model for the Delaware River's ice and background. |
| Daughters of Revolution | The Grant Wood painting that satirically shows three elderly women standing in front of Leutze's work. |
| Robert Colescott | The artist who created a 1975 parody titled "George Washington Carver Crossing the Delaware." |
| Westward the Course of Empire Takes Its Way | The massive mural in the U.S. Capitol painted by Emanuel Leutze after the success of his Washington painting. |
| Icy River | The treacherous condition of the Delaware depicted using large, jagged chunks of ice based on the artist's observations in Germany. |
| Lansdowne Portrait | The famous full-length portrait of Washington by Gilbert Stuart, often mentioned alongside Leutze's work in fine arts questions. |
| Parson Weems' Fable | A Grant Wood painting depicting the myth of Washington and the cherry tree, often used as a related art clue. |
| Metropolitan Museum of Art | The New York City museum that houses the most famous surviving 1851 version of the painting. |