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Raphael
Raphael Notes
| Question | Answer |
|---|---|
| The School of Athens | A 1511 fresco in the Vatican depicting a gathering of ancient philosophers, featuring Plato and Aristotle at the center. |
| Stanza della Segnatura | The room in the Apostolic Palace containing Raphael’s frescoes on Theology, Philosophy, Poetry, and Law. |
| Plato | The central figure in "The School of Athens" who points upward and was modeled after Leonardo da Vinci. |
| Aristotle | The central figure in "The School of Athens" who gestures toward the ground and holds a copy of his "Ethics." |
| Sistine Madonna | A 1512 painting of the Virgin and Child, famous for the two bored-looking cherubs (putti) at the bottom of the frame. |
| The Transfiguration | Raphael’s final painting, which depicts Christ in glory and the healing of a possessed boy. |
| Perugino | The Italian Renaissance painter who served as Raphael's teacher and influenced his early style. |
| Giulio Romano | The primary student of Raphael who helped finish his commissions after his sudden death at age 37. |
| Pre-Raphaelite Brotherhood | A 19th-century British art movement that rejected the academic style of Raphael in favor of medieval detail. |
| Elizabeth Siddal | The primary model for the PRB who famously caught pneumonia while posing in a cold bathtub for Millais’s "Ophelia." |
| John Everett Millais | A founder of the PRB who painted "Ophelia" and "Christ in the House of His Parents." |
| Dante Gabriel Rossetti | A founder of the PRB and poet who painted "Beata Beatrix" and "Proserpine." |
| The Germ | The short-lived periodical used by the Pre-Raphaelite Brotherhood to publish their aesthetic theories and poetry. |
| Sprezzatura | A term for "studied nonchalance" or effortless grace often associated with the figures in Raphael’s portraits. |
| Baldassare Castiglione | The author of "The Book of the Courtier" who was famously depicted by Raphael wearing a fur-lined robe. |