click below
click below
Normal Size Small Size show me how
Music Theory Terms
YGK These Music Theory Terms
| Question | Answer |
|---|---|
| The Italian tempo marking for a "walking speed" | Andante |
| The three common variants of the minor scale | Natural, harmonic, and melodic |
| The numeric indication given to individual notes within a scale | Scale degrees |
| The names for the first and fifth degrees of a scale | Tonic and dominant |
| The two intervals that are exceptions to the use of ordinal numbers | Unisons and octaves |
| The classification of unisons, fourths, fifths, and octaves as opposed to seconds or thirds | Perfect |
| A chord consisting of three notes: the root, the third, and the fifth | Triad |
| The most common type of seventh chord, also known as a major-minor seventh | Dominant seventh |
| Keys that begin on the same pitch, such as C major and C minor | Parallel keys |
| Keys that share the same key signature, such as C major and A minor | Relative keys |
| Instruments whose music is written at the same pitch in which they sound | Concert pitch (or "in C") |
| The sounding pitch of a French horn (in F) when it plays a written G natural | C natural |
| The Italian word used to modify dynamics to mean "medium," such as in mf | Mezzo |
| The suffix added to a dynamic marking to mean "very" | -issimo |
| The articulation marking that indicates a note should be played light or short | Staccato |
| The overall structure of a piece where a single theme is repeated endlessly, often found in hymns | Strophic form |
| The musical form consisting of an exposition, a development, and a recapitulation | Sonata-allegro form |
| A series of all twelve pitches of the chromatic scale used in a specific order without repetition | Tone row |
| The process of presenting a tone row backwards | Retrograde |
| The rigid structuring of musical elements like pitch, dynamics, and articulation | Serialism |