click below
click below
Normal Size Small Size show me how
Euro Composers
YGK These Early 20th-Century European Composers
| Question | Answer |
|---|---|
| The Hungarian composer who was a pioneer in ethnomusicology and used a phonograph to record folk music | Béla Bartók |
| The title of Bartók’s 1944 work named for its virtuosic treatment of every orchestral family rather than a single soloist | Concerto for Orchestra |
| The term for Bartók’s music intended to evoke quiet, moonlit natural scenes | Night music |
| The French composer who developed a modernist style as a reaction against Richard Wagner | Claude Debussy |
| The orchestral work by Debussy that begins with a solo flute playing a partial chromatic scale | Prelude to the Afternoon of a Faun |
| The musical technique used in "The Engulfed Cathedral" featuring chords moving in parallel instead of traditional progression | Planing |
| The German composer who moved to the U.S. and developed the ideal of Gebrauchsmusik, or "music for use" | Paul Hindemith |
| The Hindemith opera based on the life of artist Matthias Grünewald and the Isenheim Altarpiece | Mathis der Maler |
| The Hindemith viola concerto in which the composer himself premiered the solo part | Der Schwanendreher |
| The late 19th-century symphonist who was also a renowned conductor for the Vienna State Opera and the New York Philharmonic | Gustav Mahler |
| The nickname for Mahler’s Eighth Symphony due to the massive number of performers required | Symphony of a Thousand |
| The vocal symphony by Mahler that sets translated Chinese poetry as an expression of his despair | Das Lied von der Erde (The Song of the Earth) |
| The Russian virtuoso pianist known for his massive hands and his Rhapsody on a Theme of Paganini | Sergei Rachmaninoff |
| The composer whose First Symphony was cruelly described by Cesar Cui as a product of a “conservatory in Hell” | Sergei Rachmaninoff |
| The Ravel work consisting of one very long, gradual crescendo over a repeating snare drum ostinato | Bolero |
| The 1917 piano suite by Ravel in which each movement memorializes a friend killed in World War I | Le tombeau de Couperin |
| The modernist French composer of Gymnopédies whose work is cited as an early form of minimalism | Erik Satie |
| The Satie keyboard fragment that is commonly performed 840 times in succession | Vexations |
| The group of young modernist French composers, including Poulenc and Milhaud, who were influenced by Satie | Les Six |
| The Austrian composer who developed the twelve-tone method of composition in the early 1920s | Arnold Schoenberg |
| The collective name for Arnold Schoenberg and his students Alban Berg and Anton Webern | Second Viennese School |
| The 1912 Schoenberg work that utilized the half-sung, half-spoken technique of sprechstimme | Pierrot lunaire |
| The Finnish composer who was inspired by his homeland and stopped composing for the last three decades of his life | Jean Sibelius |
| The intensely patriotic Sibelius work written during Finland’s occupation by Russia which had to be presented under alternate titles | Finlandia |
| The Sibelius suite based on the Finnish folk epic the Kalevala | Lemminkäinen Suite |
| The Sibelius symphony, innovatively written in only a single movement, in C major | Seventh Symphony |
| The Russian composer whose output is divided into Russian, neoclassical, and serial periods | Igor Stravinsky |
| The head of the Ballets Russe who commissioned Stravinsky’s early ballets | Serge Diaghilev |
| The Stravinsky ballet whose 1913 premiere caused a riot due to its shocking modernistic elements | The Rite of Spring |
| The Stravinsky ballet that sparked his neoclassical period, based on older music attributed to Pergolesi | Pulcinella |
| The major neoclassical work by Stravinsky written for chorus and orchestra, featuring biblical text | Symphony of Psalms |
| The plotless 1957 ballet by Stravinsky that marked his shift into serialism | Agon |