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French Artists
Scholastic Bowl Most Prominent
| Description | Work | Artist |
|---|---|---|
| Depicted a Frenchman on a horse pointing upwards in the mountains | Napoleon Crossing the Alps | Jacques-Louis David |
| A woman in white has her hands outstretched towards her father and brother in a work exemplifying the artist's "Pure Greekness" | The Intervention of the Sabine Women | Jacques-Louis David |
| Depicted women trying to stop a battle | The Intervention of the Sabine Women | Jacques-Louis David |
| Group of crying women look away from the central red-cloaked figure | The Oath of Horatii | Jacques-Louis David |
| Woman in Orange holds her two horrified daughters | The Lictors Bring Brutus the Bodies of his Sons | Jacques-Louis David |
| Crying woman hides herself with a blue shawl | The Lictors Bring Brutus the Bodies of his Sons | Jacques-Louis David |
| Inscribed the names "Karolus Magnus" and Hannibal into a rock | Napoleon Crossing the Alps (Karolus Magnus is Charlemagne) | Jacques-Louis David |
| Central figure sits next to corpses in the shadows with a stoic impression directed at the viewer | The Lictors Bring Brutus the Bodies of his Sons | Jacques-Louis David |
| Title character lies dead in a bath holding a letter | The Death of Marat | Jacques-Louis David |
| Figure holds a letter by Charlotte Corday | The Death of Marat | Jacques-Louis David |
| Depicted a naked boy dying on the ground in an unfinished work | The Death of Young Bara | Jacques-Louis David |
| Painted a note that reads "Given that I am unhappy, I have a right to your help" | The Death of Marat | Jacques-Louis David |
| Depicted a statue with the words "DEA ROMA" next to the founder of Rome whose holding a paper edict | The Lictors Bring Brutus the Bodies of his Sons | Jacques-Louis David |
| Three brothers swear on their fathers sword to fight to the death | The Oath of Horatii | Jacques-Louis David |
| Depicted a man pointing upwards about to drink hemlock | The Death of Socrates | Jacques-Louis David |
| The "Pieta of the Revolution" | The Death of Marat | Jacques-Louis David |
| Served as Jacobin President of the National Convention for two weeks | N/A | Jacques-Louis David |
| Hersilia throws herself between Tatius and Romulus | The Intervention of the Sabine Women | Jacques-Louis David |
| Old man sits stoicly at the foot of a bed near a crying crowd | The Death of Socrates | Jacques-Louis David |
| Men outstretch their arms at a man standing on a table pointing upwards | The Tennis Court Oath | Jacques-Louis David |
| People celebrate behind a railing in the top right corner | The Tennis Court Oath | Jacques-Louis David |
| The daughter, Louise, of the dead man depicted in this work destroyed this painting | The Last Moments of Michel Lepeletier | Jacques-Louis David |
| Depicted a man crowning his wife | The Coronation of Napoleon | Jacques-Louis David |
| Rich woman leans over her husband who is working with science equipment | Portrait of Antoine and Marie-Anne Lavoisier | Jacques-Louis David |
| This painter was the rival of Pierre Peyron | N/A | Jacques-Louis David |
| Onlookers grab the legs of a philosopher committing suicide on orders of Nero | The Death of Seneca (the Younger) | Jacques-Louis David |
| Depicted a woman with a crown of pink flowers | The Vestal Virgin | Jacques-Louis David |
| Depicted a man with his right hand in his white jacket at his palace | The Emperor Napoleon in his Study at the Tulieres | Jacques-Louis David |
| A man in red covers his eyes as he passes a poisoned goblet | The Death of Socrates | Jacques-Louis David |
| A muse plays a white harp next to a reclining Greek writer | Homer and Calliope | Jacques-Louis David |
| Woman dressed as a vestal virgin reclines on an imperial sofa | Portrait of Madame Recamier | Jacques-Louis David |
| This work's central figure was replaced with a coffin in an inspired work by Rene Magritte | Portrait of Madame Recamier | Jacques-Louis David |
| Soliders push cannons in this work depicting a horse | Napoleon Crossing the Alps | Jacques-Louis David |
| The title character removes the footwear of the other title god | Mars Being Disarmed by Venus | Jacques-Louis David |
| Three men hold wreaths behind the central figure | Leonidas at Thermopylae | Jacques-Louis David |
| Josephine is kneeling at Notredame Cathedral during the titular event | The Coronation of Napoleon | Jacques-Louis David |
| Man tries to inscribe a message into a mountain pass | Leonidas at Thermopylae | Jacques-Louis David |
| Depicted the death of a man with a skin condition that coedited the "Friend of the People" | The Death of Marat | Jacques-Louis David |
| Achilles commemorates the death of his friend | The Funeral of Patroclus | Jacques-Louis David |
| Created a portrait of a Polish Prince on a horse | Equestrian Portrait of Stanislaw Potocki | Jacques-Louis David |
| Byzantine general in orange begs for charity | Belisarius Begging for Alms | Jacques-Louis David |
| Joined a series with Young Bara and Michel Lepeletier | The Death of Marat | Jacques-Louis David |
| Edward Munch made a version of this work with a red haired nude girl, Tulla Larsen, facing the viewer | The Death of Marat (subtitled The Murderess) | Jacques-Louis David |
| The artist's name is inscribed in a prominent wood block in this work | The Death of Marat | Jacques-Louis David |
| Central character is slumped over and half covered by a green rug | The Death of Marat | Jacques-Louis David |
| The arm in this work was inspired by Caravaggio's the Entombment of Christ | The Death of Marat | Jacques-Louis David |
| Omits the disease of the title figure | The Death of Marat | Jacques-Louis David |
| A white hilted bloody knife is depicted | The Death of Marat | Jacques-Louis David |
| Paul Baudry recreated this work and inserted a woman in a blue and white striped dress | The Death of Marat (work is Charlotte Corday) | Jacques-Louis David |
| Depicts a shipwreck of the coast of Africa | The Raft of the Medusa | Theodore Gericault |
| This man (1) commissioned the Portrait of a Kleptomaniac among others from this artist (2) | Etienne-Jean Georget | Theodore Gericault |
| Includes Portrait of a Kleptomaniac and the Woman with a Gambling Mania | Portraits of the Insane Series | Theodore Gericault |
| Portraits of the Insane occurs at this place (1) by this artist (2) | Salpetriere Hospital | Theodore Gericault |
| Depicts a woman known as the "hyena" of the place she inhabitated* | Portrait of a Woman Suffering from Obsessive Envy (*Salpetriere Hospital) | Theodore Gericault (one of his Portraits of the Insane) |
| Depicted 4 horses ALL with their hooves of their ground | The Derby at Epsom | Theodore Gericault |
| A black man* waves his shirt to try to get help | The Raft of the Medusa (*Jean Charles) | Theodore Gericault |
| Man stands atop a pyramid of human bodies | The Raft of the Medusa | Theodore Gericault |
| Real bodies were allegedly used as models for this painting | The Raft of the Medusa | Theodore Gericault |
| Was commissioned by Etienne-Jean Georget | Portraits of the Insane Series | Theodore Gericault |
| Alexandre Correard helped to design this work | The Raft of the Medusa (he was a cartographer on the original ship) | Theodore Gericault |
| Man with a red cloth sits calmly next to the havoc | The Raft of the Medusa | Theodore Gericault |
| This sketchbook showed the artist's progression towards the "Antique Manner" | Zoubaloff Sketchbook | Theodore Gericault |
| Depicted Theodore Gericault with dead-looking eyes before his death | Last Self-Portrait as a Dying Man | Alexandre Correard |
| Demonstrated his "Antique Manner" style in this early work depicting his nephew | Alfred Dedreux as a Child | Theodore Gericault |
| Studied at the Versailles stables | N/A | Theodore Gericault |
| Depicted 4 men trying to hold back a horse | Riderless Races at Rome | Theodore Gericault |
| A mustachioed Napoleonic-era officer looks backwards on a horse | The Charging Chasseur | Theodore Gericault |
| Father sits down while holding his dead son in the foreground | The Raft of the Medusa | Theodore Gericault |
| Followed up the Charging Chasseur | The Wounded Cuirassier (Kweer-ass-eer) | Theodore Gericault |
| Depicted a nude man trying to restrain a white horse | The Race of the Riderless Horses | Theodore Gericault |
| Depicted a delusional man wearing a black hat and red tassel to falsly signify his military rank | Portrait of a Man Suffering from Delusions of Military Rank | Theodore Gericault |
| A white pole appears to the right of the 4 jockeys in the titular event | The Derby at Epsom | Theodore Gericault |
| Man stands on a broken barrel to gain elevation | The Raft of the Medusa | Theodore Gericault |
| Studied at a morgue before making this most famous work | The Raft of the Medusa | Theodore Gericault |
| Man in blue raises his riding crop in a work dedicated to Adam Elmore | The Derby at Epsom | Theodore Gericault |
| A red-eyed woman in a white bonnet creepily stares to the left | Portrait of a Woman Suffering from Obsessive Envy | Theodore Gericault |
| Jean Charles raises a piece of cloth | The Raft of the Medusa | Theodore Gericault |
| Studied under Carle Vernet | N/A | Theodore Gericault |
| Studied under Pierre Guerin | N/A | Theodore Gericault |
| Depicted a black man with upturned eyes who had previously fled from the Hatian Revolution | Portrait Study of the Model Joseph | Theodore Gericault |
| Most famous depiction of the July Revolution | Liberty Leading the People | Eugene Delacroix |
| Depicted a bare-breasted woman carrying a flag and musket | Liberty Leading the People | Eugene Delacroix |
| Depicted a woman in a phrygian hat carrying a tricolor flag | Liberty Leading the People | Eugene Delacroix |
| Depicted a pantless corpse with only one blue sock below the title figure | Liberty Leading the People | Eugene Delacroix |
| Depicted a black slave trying to kill a white horse with red reins | The Death of Sardanapalus | Eugene Delacroix |
| Depicted a king watching the murder of his concubines | The Death of Sardanapalus | Eugene Delacroix |
| Showed a woman next to a golden elephant head looking at the viewer next viewer | The Death of Sardanapalus | Eugene Delacroix |
| Depicts the three title figures and a black woman around a central hookah | Women of Algiers | Eugene Delacroix |
| Inspired 15 Picasso recreation paintings, labeled A-O | Women of Algiers (inspired Les Femmes d'Alger) | Eugene Delacroix |
| Stalked in his studio by Claude Monet while painting this work | The Sea from the Heights of Dieppe | Eugene Delacroix |
| Lithograph used for Vincent Van Gogh's only work of the same name | Pieta | Eugene Delacroix |
| Inspired a Kara Walker painting where a white man is tied down by 4 black men | The Death of Sardanapalus (inspired The Pool Party of Sardanapalus) | Eugene Delacroix |
| Depicted knights in front of the titular burning city | The Entry of Crusaders in Constantinople | Eugene Delacroix |
| Depicted Baldwin I and kneeling citizens in the title city | The Entry of Crusaders in Constantinople | Eugene Delacroix |
| Painted on a trip with Charles Mornay | Women of Algiers | Eugene Delacroix |
| He (artist) was used as a bridge to neo-impressionism in an essay by this man (work) | Paul Signac (From Eugene Delacroix to Neo-Impressionism) | Eugene Delacroix |
| Separated the colors of purple and green for the Saint-Sulpice Chapel of Holy Angels | Jacob Wrestling with the Angel | Eugene Delacroix |
| Inspired by the artist's accompaniment with a diplomat to North Africa | Women of Algiers | Eugene Delacroix |
| Depicted a muslim wiith a turban holding a spear in the top-right | Greece on the Ruins of Missolonghi | Eugene Delacroix |
| Depicted the central figure on a pile of rocks where a hand is sticking out | Greece on the Ruins of Missolonghi | Eugene Delacroix |
| Depicts a small boy carrying a bag and a pistol next to the central figure | Liberty Leading the People | Eugene Delacroix |
| An Ottoman soldier slaughters civilians above a baby grabs a corpse's breast | Massacre at Chios | Eugene Delacroix |
| Depicted a woman tied to an Ottoman's horse before the rider attacks | Massacre at Chios | Eugene Delacroix |
| Showed demented figures climbing onto a boat in front of the burning City of the Dead | The Barque of Dante | Eugene Delacroix |
| Depicted a man trying to eat his hand at the front of the boat | The Barque of Dante | Eugene Delacroix |
| Depicted the title figure being guided on the river Styx by Virgil | The Barque of Dante | Eugene Delacroix |
| Depicted Parisian streets in his "Naif" Style | The Barque of Dante | Michel Delacroix |
| Depicted the title figure finding a horse being milked to be unusual | Ovid Among the Scythians | Eugene Delacroix |
| Heliodorus Banished from the Temple by this artist was housed in this church | Church of Saint-Sulpice | Eugene Delacroix |
| Created a double-portrait of a famous romantic composer and romantic novelist, who were lovers | Portrait of Frederic Chopin and George Sand | Eugene Delacroix |
| This artist was a pallbearer at the funeral of Frederic Chopin | N/A | Eugene Delacroix |
| Depicts the citizens of Tomis surrounding and offering the title poet milk | Ovid Among the Scythians | Eugene Delacroix |
| Peter Paul Rubens's hunt scenes inspired this artist's similar scene | Tiger Hunt | Eugene Delacroix |
| Collection depicting an animal playing with its cub and catching a turtle, among other things | Tiger Collection | Eugene Delacroix |
| A man on horseback plunges his spear into the attacking figure | Tiger Hunt | Eugene Delacroix |
| Inspired by a Byron poem in which Salamenes decries excess greed | The Death of Sardanapalus | Eugene Delacroix |
| Demonstrated two "human pyramids" in one work | The Massacre of Chios | Eugene Delacroix |
| Described by Charles Baudelaire as a "terrifying hymn in honor of doom and irremediable suffering" | The Massacre of Chios | Eugene Delacroix |
| Altered after being inspired by John Constable's the Hay Wain | The Massacre of Chios (sky was altered) | Eugene Delacroix |
| This artist (work) paid homage to this artist by depicting other paintings around a portrait of the homage'd artist | Henri Fantin-Latour (painted Homage to ________) | Eugene Delacroix |
| Manet, Baudelaire, and Whistler surround this artist in an homage by this artist (work) | Henri Fantin-Latour (painted Homage to ________) | Eugene Delacroix |
| Woman in blue stands with her arms extended, unaware of the Turk behind her | Greece on the Ruins of Missolonghi | Eugene Delacroix |
| Originally designed for the ceiling of the Library of Palais Bourbon | Ovid Among the Scythians | Eugene Delacroix |
| Depicted an equine twist its head in reaction to lighting in the top left corner | Horse Frightened by a Storm (or Horse Frightened by Lightning) | Eugene Delacroix |
| Two angels and a man on a horse lash at and beat the title figure | Heliodorus Driven from the Temple | Eugene Delacroix |
| This artist's St. Michael Defeats the Devil is held at this church | Saint-Sulpice Church of Holy Angels | Eugene Delacroix |
| A figure wrapped only in a blue cloak rows a boat while being clawed at by a red-eyed man | The Barque of Dante | Eugene Delacroix |
| People on green balconies and on the floor look at a central man playing a red mandolin | A Jewish Wedding in Morocco | Eugene Delacroix |
| Depicted allegories of Justice, Agriculture, Industry, and War here | Ceiling of the Palais Bourbon | Eugene Delacroix |
| Depicted himself as the hero in Sir Walter Scott's "The Bridge of Lammermoor" | Self-Portrait as Ravenswood | Eugene Delacroix |
| Depicted a Persian Nomand in a red cap milking a horse | Ovid Among the Scythians | Eugene Delacroix |
| Depicted a famous romantic novelist's garden | George Sand's Garden at Nohant | Eugene Delacroix |
| Depicted a red and brown robed man surrounded by damned souls | The Barque of Dante | Eugene Delacroix |
| Depicted a dead horse being eaten by birds, which is surrounded by the title figure | Still-Life with Lobster | Eugene Delacroix |
| Depicts a woman holding a knife to a woman's neck, beside a reclining figure | The Death of Sardanapalus | Eugene Delacroix |
| Depicted an artist next to his unfinished Pieta | Michelangelo in His Studio | Eugene Delacroix |
| Knights on horseback look at pleading residents of the central city | The Entry of the Crusaders into Constantinople | Eugene Delacroix |
| Depicted a peasant woman looking to the right, with crosses and tombstones to either side of her | The Orphan Girl and the Cemetery | Eugene Delacroix |
| Depicted the central long-haired virtuoso playing his violin | Portrait of Niccolo Paganini | Eugene Delacroix |
| Contains a slightly open red door in the back | The Women of Algiers | Eugene Delacroix |
| The Barque of Dante is also called this | Dante and Virgil in Hell | Eugene Delacroix |
| Depicted a corpse with a knife about two fighting men on two bloody horses, one brown and one white, | Combat of Giaour and Hassan | Eugene Delacroix |
| Unfinished work depicting Louis IX on a white horse during the titular victory | The Battle of Tailleburg | Eugene Delacroix |
| A Chicken, Lizard, and Hen accompany the title figure | Still-Life with Lobster | Eugene Delacroix |
| An uplcose depiction of female genatalia and torso | The Origin of the World | Gustave Courbet |
| This artist's The Origin of the World depicted this woman | Joanna Hiffernan (model) | Gustave Courbet |
| A man holds a crucifix with Jesus above a black clergyman | The Burial at Ornans | Gustave Courbet |
| Depicted his great-uncle's funeral | The Burial at Ornans | Gustave Courbet |
| Depicte a white dog turning his head from the central event | The Burial at Ornans | Gustave Courbet |
| Last private owner was Jacques Lacan | The Origin of the World (and The Desparate Man) | Gustave Courbet |
| Many of this artist's works, like Le Sommeil (the Sleepers) and the Origin of the World were commissioned by this man | Khalil Bey (Commissioner) | Gustave Courbet |
| Depicted two nude lesbians embracing each other on silk sheets | The Sleepers (La Sommeil), or Sleep | Gustave Courbet |
| EU panties were put on THIS work, inspired by a work by THIS ARTIST | "After [this artist]" by Tanja Ostojic | Gustave Courbet (inspired by The Origin of the World) |
| Depicted the title bird landing on an outstretched arm | Woman with a Parrot | Gustave Courbet |
| Inspired by a similarly-named painting by Alexandre Cabenel | Venus and Psyche | Gustave Courbet |
| Depicted the first title figure as masculine with a dove above the sleeping other title figure | Venus and Psyche | Gustave Courbet |
| Depicted himself running his hands through his hair wildly | The Desperate Man | Gustave Courbet |
| Depicted a man kneeling below a priest in black robes | The Burial at Ornans | Gustave Courbet |
| Depicted himself with a walking stick as the "Wandering Jew" | The Meeting | Gustave Courbet |
| Depicted himself meeting Alfred Bruyas, his patron | The Meeting | Gustave Courbet |
| Depicted two "veterans of the Revolution of '93" next to a dog | The Burial at Ornans | Gustave Courbet |
| Depicted a nude woman watching an artist paint a landscape | The Artist's Studio | Gustave Courbet |
| A white cat naps beneath an artist painting | The Artist's Studio | Gustave Courbet |
| Depicted his sisters helping a peasant girl | Young Ladies of the Village / The Village Maidens | Gustave Courbet |
| Charles Baudelaire sits to the right of the canvas in this work | The Artist's Studio | Gustave Courbet |
| Subtitled "allegory summing up seven years of my moral and artistic life" | The Artist's Studio | Gustave Courbet |
| Depicted his sisters: Zoe, Zelie, and Juliette | Young Ladies of the Village / The Village Maidens | Gustave Courbet |
| Depicts a man cast in shadows playing his violin in the right of this work | After Dinner at Ornans | Gustave Courbet |
| Painted himself painting the Loue Valley | The Artist's Studio | Gustave Courbet |
| Paints himself with a dog and the slave Calas | The Meeting | Gustave Courbet |
| The Cellist is this type of work by this artist | Self-portrait | Gustave Courbet |
| Man with Leather Belt is this type of work by this artist | Self-portrait | Gustave Courbet |
| The Man with a Pipe is this type of work by this artist | Self-portrait | Gustave Courbet |
| Depicted himself bleeding out with an injury on his chest | The Wounded Man | Gustave Courbet |
| This artist fell out with James Whistler after Whistler discovered his affair with this woman | Joanna Hiffernan | Gustave Courbet |
| This painting was criticized at the 1850 Paris Salon | The Burial at Ornans (for "misappropriating history") | Gustave Courbet |
| This work was recreated onto a sliding door by Andre Masson | The Origin of the World | Gustave Courbet |
| This man recreated The Origin of the World onto a sliding door for Jacques Lacan | Andre Massan (recreator) | Gustave Courbet |
| Parodied by Lalla Essaydi, replacing the bird on the arm | Woman with a Parrot (Esaydi's parody is Woman with a Dove) | Gustave Courbet |
| This artist was analyzed in the context of the 1848 Revolution in this book by T. J. Clark | Image of the People | Gustave Courbet |
| Image of the People, by THIS author, analyzed this author | By T.J. Clark (Analyzes Courbet within the 1848 Revolution) | Gustave Courbet |
| Depicted a towel dropping from a woman in front of a pond | The Bathers | Gustave Courbet |
| This artist was said to "have shown us the moon" satirically by THIS photographer | (Felix) Nadar --> Photographer | Gustave Courbet |
| Depicts two prostitutes, which the author called "demoiselles" | Young Ladies Beside the Seine | Gustave Courbet |
| Depicted a sitting naked woman leaning to kiss a white poodle | Nude Woman with a Dog | Gustave Courbet |
| Painted with fruit brought by his sister while he was in Sainte-Pelage prison | Still Life with Apples and a Pomegranate | Gustave Courbet |
| Depicted a boat behind a woman in a red dress with a bouquet, who herself is behind a woman in white lies lazily | Young Ladies Beside the Seine | Gustave Courbet |
| Also known as "Bonjour, [This Artist]" | The Meeting | Gustave Courbet |
| By being chosen as Delegate of the Fine Arts during the Paris Commune entailed this role | Oversaw museums and allocation of funds | Gustave Courbet |
| Depicted his sister resting besides a textile instrument | The Sleeping Spinner | Gustave Courbet |
| Depicted two red clergymen among a non-religious funeral scene | The Burial at Ornans | Gustave Courbet |
| This work depicting two opposite-aged men was destroyed in the Dresden Firebombing | The Stonebreakers | Gustave Courbet |
| Depicted a man too old and a man too young performing the title job | The Stonebreakers | Gustave Courbet |
| Depicted one man with a basket of rocks and one man with a hammer | The Stonebreakers | Gustave Courbet |
| Depicted two men on horseback leading a train of cows | The Peasants of Flagey Returning from the Fair | Gustave Courbet |
| Purchased by a zealot so it could be destroyed | The Return from the Conference | Gustave Courbet |
| Depicts a group of drunk priests around a donkey | The Return from the Conference | Gustave Courbet |
| This model was a "beautiful irishwoman" in a series of paintings by this artist | Joanna Hiffernan | Gustave Courbet |
| Depicted a woman bathing, leaning on a branch in front of a waterfall | The Source | Gustave Courbet |
| A nude man poses as a crucifix next to a skull on a newspaper | The Artist's Studio | Gustave Courbet |
| Petitioned to remove Napoleon's Vendome Column | N/A | Gustave Courbet |
| The Trout, a painting of a bleeding and hooked trout, was painted while this artist was in THIS country | Switzerland | Gustave Courbet |
| Dogs attack the title animal which is being whipped by a man on a white horse | Killing a Deer | Gustave Courbet |
| Depicted his sisters Juliette and Zoe working in a room with grain | The Wheat Sifters | Gustave Courbet |
| Depicted the title poet at his desk with a quill and pipe | Portrait of Baudelaire | Gustave Courbet |
| Has a debated extension that depicts the top part not included in this work | The Origin of the World | Gustave Courbet |
| Includes a broken pearl necklace and discarded hair pin | The Sleepers (or the Sleep) | Gustave Courbet |
| Depicted a knife, guitar, and black hat on the floor next to a dog | The Artist's Studio | Gustave Courbet |
| Includes several empty cooking contains on a white blanket | The Wheat Sifters | Gustave Courbet |
| Depicted a nude bathing woman with her arms around her head | The Woman of the Waves | Gustave Courbet |
| Shows a man holding a gun in between his legs next to various objects in one part of this work | The Artist's Studio | Gustave Courbet |
| Subtitled "A Real Allegory" | The Artist's Studio | Gustave Courbet |
| This work himself in prison after the failure of a communist revolution | Self Portrait at St. Pelagie | Gustave Courbet |
| A golden hair comb lies below two women | The Sleepers / The Sleep | Gustave Courbet |
| Depicted the title animal during the winter devouring its prey | Fox in the Snow | Gustave Courbet |
| Painted these places while in exile before his death in 1877 | Dents du Midi and Chateau de Chillon before his death | Gustave Courbet |
| A portrait of Countess Karoly was painted by this artist | N/A | Gustave Courbet |
| Depicted himself with Virginie Benet | Lovers in the Countryside | Gustave Courbet |
| A nude woman sits with two fully clothed men | Luncheon on the Grass | Édouard Manet |
| Depicted Victorine Meurent next to a blue dress on the floor | Luncheon on the Grass | Édouard Manet |
| This woman was the nude model in this artist's Luncheon on the Grass | Victorine Meurent | Édouard Manet |
| A black maid with a bouquet lies behind a reclining prostitute | Olympia | Édouard Manet |
| Depicted Victorine Meurent and her servant, Laure | Olympia | Édouard Manet |
| These two figures, the prostitute and maid, were modeled in this artist's Olympia | Victorine Meurent and Laure | Édouard Manet |
| A disproportionately tall woman is in the background of this work | Luncheon on the Grass | Édouard Manet |
| Features a 9-foot tall woman in the back | Luncheon on the Grass | Édouard Manet |
| A woman in blue and a little girl in a white and blue dress appear before an iron fence | The Railway | Édouard Manet |
| Depicted his brother Gustave as a cool young Spaniard known as the title name | Young Man Dressed as a Majo | Édouard Manet |
| Depicted Victorine Meurent as a bullfighter | Mademoiselle V. in the costume of an Espada | Édouard Manet |
| Luncheon on the Grass, Young Man Dressed as a Majo, and Mademoiselle V. in the Costume of an Espada were held at this exhibition | Salon de Refuses (Salon of the Refused) (1863) | Édouard Manet |
| Depicted Alfred Stevens and three others playing the title sport | The Croquet Game | Édouard Manet |
| This forefather of impressionism's last painting | A Bar at the Folies-Bergere | Édouard Manet |
| Depicted a woman standing behind a bar with oranges on it | A Bar at the Folies-Bergere | Édouard Manet |
| Depicts the legs of a trapeze dancer, which has | A Bar at the Folies-Bergere | Édouard Manet |
| A basket of fruit lies on top of a set of blue clothes | A Bar at the Folies-Bergere | Édouard Manet |
| Depicted six horses riding directly at the viewer | The Races at Longchamp | Édouard Manet |
| A woman in a black dress and necklace with a central flower patch stands infront of a mirror | A Bar at the Folies-Bergere | Édouard Manet |
| Depicted a giant chandelier in a mirror | A Bar at the Folies-Bergere | Édouard Manet |
| Parodied Francisco Goya's painting but in Mexico | The Execution of Emperor Maximilian I | Édouard Manet |
| Depicted the death of a Mexican ruler | The Execution of Emperor Maximilian I | Édouard Manet |
| Depicts a large group of people at a concert in a garden | Music in the Tuileries | Édouard Manet |
| A black cat lies next to the central nude figure on the bed | Olympia | Édouard Manet |
| Two women in white dresses, one with a green umbrella and the other with a fan, sit in front of a man at the title location | The Balcony | Édouard Manet |
| Had an affair with this woman that led to the birth of this illegitimate child | Suzanne Leenhoff --> Gave birth to Leon Leenhoff | Édouard Manet |
| This painter was painted next to two white-clad women in the title structure of this work | Antoine Guillemet in "The Balcony" | Édouard Manet |
| Depicted Fanny Claus | The Balcony (Fanny Claus is the violinist) | Édouard Manet |
| Depicted Bertha Morisot | The Balcony (Morisot is the woman with the Green Umbrella, and Manet's brother's wife) | Édouard Manet |
| T.J. Clark wrote a marxist analysis of this work titled "[This Artist]'s Choice" | Olympia | Édouard Manet |
| Painted his brother's wife* in a chair in the title position | Repose (*Bertha Morisot) | Édouard Manet |
| Referenced Titian's Venus of Urbino with a girl who had a pink flower behind her ear | Olympia | Édouard Manet |
| Depicts the viewer as a man with a mustache and tophat | A Bar at the Folies-Bergere | Édouard Manet |
| Most famous work held in the Courtauld Gallery | A Bar at the Folies-Bergere | Édouard Manet |
| Depicted a woman with a dog and book in her lap with a girl beside her | The Railway | Édouard Manet |
| Painted the title author with Japanese prints in the background | Portrait of Emile Zola | Édouard Manet |
| Inspired by figures in the bottom right of the engraving of Raphael's The Judgement of Paris | Luncheon on the Grass | Édouard Manet |
| This artist's* engraving of Raphael's The Judgement of Paris inspired this work | Luncheon on the Grass (Marcantonio Raimondi) | Édouard Manet |
| Depicted the artist's brother's wife in a mourning outfit with a violet bouqet | Berthe Morisot with a Bouquet of Violets | Édouard Manet |
| Originally titled "The Bath" | Luncheon on the Grass | Édouard Manet |
| Inspired by Titian's Pastoral Concert | Luncheon on the Grass | Édouard Manet |
| This work replicated the poses of three gods in this work* by Raphael | Luncheon on the Grass (*The Judgement of Paris) | Édouard Manet |
| Painted after his son's academic teacher Thomas Coutore instructed his son to do the title action | Boy Blowing Bubbles | Édouard Manet |
| Prominently depicted 2 women with yellow dresses and blue bonnets next to several composers | Music in the Tuileries | Édouard Manet |
| A cloaked man with a black hat stands next to a pile of oyster shells | The Philosopher | Édouard Manet |
| Depicted a deadman with a red cloth and his hand on his heart | The Dead Man (or The Dead Toreador) | Édouard Manet |
| Painting separated from The Dead Toreador | The Bullfight (La Corrida) | Édouard Manet |
| Depicted his son* between the two central women in white on the title structure | The Balcony (*Leon Leenhoff) | Édouard Manet |
| This artist reacted negatively to a double portrait by THIS ARTIST (work) of himself and his wife, slicing her part as it was unacceptable. | Edgar Degas | Édouard Manet |
| This artist's wife may have had a child* with his father before marrying this artist | Suzanne (wife) (*Leon Leenhoff --> son) | Édouard Manet |
| Depicted a boy in red pants playing the flute | The Fifer | Édouard Manet |
| Depicted his hopeless love for a woman talking to another man at the title restaurant | At Pere Lathuille's Restaurant | Édouard Manet |
| Depicted a girl in white looking at smoke behind an iron fence | The Railway | Édouard Manet |
| Depicted a woman leaning over, removing her slippers, wearing a choker | Olympia | Édouard Manet |
| Emile Zola claimed "our sons will go into ecstasies over his pictures" | N/A | Édouard Manet |
| Depicted four performers in front of a single bouquet wrapped in white | Spanish Ballet | Édouard Manet |
| A work inspired by the Battle of Cherbourg depicting a man lost at sea and two ships | Battle of the Kearsarge and the Alabama | Édouard Manet |
| Depicted a man on a blue bench with a black hat playing the title instrument | The Guitar Player (or the Spanish Singer) | Édouard Manet |
| Depicted a man with a rifle standing solemnly on the other side of the fire squad committing the title action | The Execution of Maximilian I | Édouard Manet |
| This work depicting the before and after of a famous Spanish event was split in half due to poor reception | The Bullfight (part 1) and the Dead Toreador (part 2) | Édouard Manet |
| Depicted a man with a top hat in the foreground to a waitress drinking alcohol | The Cafe Concert | Édouard Manet |
| Depicted several men in top hats on one side inspired by Velazquez | Music in the Tuileries | Édouard Manet |
| Sculpture using a real human dress | Little Dancer of Fourteen Years | Edgar Degas |
| Most famous work modeling Marie van Goethem | Little Dancer of Fourteen Years | Edgar Degas |
| Painted several ballet dancers across several works | N/A | Edgar Degas |
| Depicted suited men inspecting the titular crop | The New Orleans Cotton Exchange | Edgar Degas |
| Depicted a woman looking sadly at the title drink | L'Absinthe | Edgar Degas |
| Depicted a man smoking and holding an unopened umbrella walking past 2 girls and a dog | Place de la Concorde | Edgar Degas |
| Depicted a mother in black with her two daughters with white pinafores looking stiffly away from the patriach of the family | The Bellelli Family | Edgar Degas |
| Depicted a mother and two daughters standing across from their business-like father at his desk | The Bellelli Family | Edgar Degas |
| Painted his Aunt Laura while staying with her family in Italy | The Bellelli Family | Edgar Degas |
| Depicted a lifelong artist friend in the title pose, although the friend HATED the picture | Mary Cassatt Seated, Holding Cards | Edgar Degas |
| Depicted topless girls, led by one in blue, challenging naked boys in the title place | Young Spartans Exercising | Edgar Degas |
| A pastel work depicting a woman bent over washing herself | The Tub | Edgar Degas |
| Pastel work depicting a woman getting out of the bathtub with a towel | After the Bath | Edgar Degas |
| This artist, across several works, depicted lessons and rehearsals of girls in colorful tutus | Collection of Ballerinas | Edgar Degas |
| Painted a reader of the Picayune Times (newspaper) | The New Orleans Cotton Exchange (reader is his brother Rene) | Edgar Degas |
| Depicted a performer massaging her ankle next to a woman, her superior, in black with an umbrella next to her on the bench | Waiting | Edgar Degas |
| Depicted his uncle Michel Musson in the title place | The New Orleans Cotton Exchange | Edgar Degas |
| Sculpture made of bronze, horse hair, and real clothing | Little Dancer of Fourteen Years | Edgar Degas |
| Depicted his patron and Jewish banker Ernest May in a pince-nez at the title location | Portraits at the Stock Exchange | Edgar Degas |
| Painting including his bassoonist friend Desire Dihau | Musicians in the Orchestra | Edgar Degas |
| Depicted several Pit Orchestras, most notably this one | Orchestra at the Opera | Edgar Degas |
| Depicted four young women with loincloths taunting five nude young men | Young Spartans Exercising | Edgar Degas |
| Depicted his brother Rene reading a newspaper about the collapse of his business at the title location | The New Orleans Cotton Exchange | Edgar Degas |
| Depicted a sad woman at the Cafe de la Nouvelle Athenes | L'Absinthe | Edgar Degas |
| The Daughter of Jephthah and Semiramis Building Babylon were early paintings that failed to make it to the Salon | N/A | Edgar Degas |
| A man on horseback points an arrow at nude women | Scene of War in the Middle Ages (*First work accepted into the Salon) | Edgar Degas |
| Created bronze sculptures of dancing and bathing women, many of which were only casted after his death | N/A | Edgar Degas |
| The only of his bronze sculptures , made also of horsehair, displayed publicly during his life | Little Dancer of Fourteen Years | Edgar Degas |
| Sculpture inspired by Eadward Muybridge's photography | Horse Trotting, the Feet Not Touching Ground | Edgar Degas |
| Sculpture depicting a women with a handbag casted 39 years after the artist's death | The Schoolgirl | Edgar Degas |
| Louisine Havemeyer bought many of the "Edition-A" sculptures by this man for this museum | The Met | Edgar Degas |
| Depicted exhausted dancers in blue backstage | Ballet Dancers in the Wings | Edgar Degas |
| Over 150 of this artist's bronze sculptures were cast after his death by this group | Hebrard Foundry | Edgar Degas |
| Depicted Vicomte Lepic and his children | Place de la Concorde | Edgar Degas |
| Depicted actress Ellen Andree looking board next to her Bohemian husband | L'Absinthe | Edgar Degas |
| Openly disagreed with his colleagues, opposing painting "en plein air" (outdoors) | N/A | Edgar Degas |
| Depicted a family strolling Paris in a scene dominated by a yellow plaza | Place de la Concorde | Edgar Degas |
| Also known as "The Misfortunes of the City of Orleans" | Scene of War in the Middle Ages | Edgar Degas |
| Depicted a femine archer in yellow shooting at nude peasants | Scene of War in the Middle Ages | Edgar Degas |
| Depicted a man leaning against a door looking at a partially dressed woman on the floor | Interior | Edgar Degas |
| Depicted an upside-down tophat in a room with a man forcefully blocking a door | Interior | Edgar Degas |
| Also called The Rape | Interior | Edgar Degas |
| This artist painted the Rehearsal on Stage and the Dance Class, depicting this figures | Ballet Dancers/Ballerinas | Edgar Degas |
| A man in a green-gray coat sits on a black chair facing away from the viewer | The Bellelli Family | Edgar Degas |
| Inspired by Therese Raquin | Interior | Edgar Degas |
| Depicted a woman in beige leaning on a table with the title flowers | Woman with Chrysanthenums | Edgar Degas |
| Called the "driving force behind impressionism" | N/A | Claude Monet |
| This work gave the name to his primary art movement | Impression, Sunrise | Claude Monet |
| This place had a prominent green Japanese bridge | Giverny (home to the gardens where the Water Lilies were painted) | Claude Monet |
| Series depicting certain botanicals in water at Giverny | Waterlilies | Claude Monet |
| Frequently depicted this building on the Thames at different times of day | Houses of Parliament (collection) | Claude Monet |
| Painted his ill wife against with a purple hue | Camille _____ on her Deathbed | Claude Monet |
| Most famous "plein air" (outdoors) painter | N/A | Claude Monet |
| Most famous of this artist's locations for "plein air" painting at different times and seasons | Rouen Cathedral | Claude Monet |
| Most of this artist's paintings on the Rouen cathedral and other "plein air" paintings are held at this museum | Musee d'Orsay | Claude Monet |
| Created specifically for 2 rooms in the Musee de l'Orangerie | Waterlilies | Claude Monet |
| This aritst's Waterlilies make up 2 specially designed rooms in this building | Musee de l'Orangerie | Claude Monet |
| This artist was urged to get cataracts by THIS president of France | George Clemenceau | Claude Monet |
| Depicted his wife in a red Japanese costume | Camille in Japanese Costume | Claude Monet |
| After the death of his first wife, this artist married THIS woman | Alice Hoschede | Claude Monet |
| Depicted his wife in a white dress with the title object next to his son | Woman with a Parasol (Madame ______ and her Son) | Claude Monet |
| Driven by a self described "unconscious action" | Camille _____ on her Deathbed | Claude Monet |
| Swirls of white and grey replace the central womans eyes in this work | Camille _____ on her Deathbed | Claude Monet |
| Depicted his wife with the title object while in Argentueil | Woman with a Parasol (or Madame _____-and her Son) | Claude Monet |
| Dug a trench to get a "low angle view" of this painting | Women in a Garden | Claude Monet |
| Depicted a man based on his son with a bouquet beneath a tree and three women dressed in white based on his wife | Women in a Garden | Claude Monet |
| Depicts a woman designed on a dress unsheathing a sword | Camille in Japanese Costume | Claude Monet |
| This author's son stands behind his mother and the crest of a hill in the artist's Woman with a Parasol | Jean ______ | Claude Monet |
| Developed cataracts after the death of his wife Alice | N/A | Claude Monet |
| Depicted a series of these piles of grain at different times of day | Haystacks (collection) | Claude Monet |
| Depicted a sunrise over a "lazy harbour" with boats | Impression, Sunrise | Claude Monet |
| Painted while staying at St. Thomas's Hospital, which gave this artist a good view | Houses of Parliament (Collection) | Claude Monet |
| Louis Leroy critiqued one of this artist's work, creating a prominent nickname | (His critique started Impressionism's name) | Claude Monet |
| Depicts the port of Le Havre | Impression, Sunrise | Claude Monet |
| Paul Cezanne said "[this artist] is only an eye, but my God! What an eye!" | N/A | Claude Monet |
| Painted the title structure several times with fog creeping over it | Charing Crossing Bridge (collection) | Claude Monet |
| Depicted the San Giorgo Maggione with different colors on the horizon | San Giorgo Maggione at Dusk (blue at the outermost, yellow intermediate, red closest to horizon) | Claude Monet |
| Depicted a floating restaurant on a boat, like Renoir | La Grenouillere | Claude Monet |
| This structure was depicted with a blue, yellow, and red sky all in one work in a collection by this man | San Giorgo Maggione | Claude Monet |
| Woman shrouded in shadows holds an umbrella below clouds | Woman with a Parasol | Claude Monet |
| Depicted four people lounging on a patio beneath 4 different flags | Garden at Saint-Andresse | Claude Monet |
| Depicted steam expelling from a pair of trains at the title location | Gare Saint-Lazare (Saint Lazarus Train Station) | Claude Monet |
| Depicted the title trees as a monument to those who died in World War 1 | Weeping Willow (collection) | Claude Monet |
| This artist primarily painted these trees that he had to block a lumberjack from taking | Poplar Trees (collection) | Claude Monet |
| This man decried Impression, Sunrise as "Wallpaper in its Embryonic Stage" | Louis Leroy | Claude Monet |
| Criticized as "Wallpaper in its Embryonic Stage," or "The preliminary drawing for a wallpaper pattern" | Impression, Sunrise | Claude Monet |
| Forced to by the title plants to finish his work | Poplar Trees (collection) | Claude Monet |
| Depicted himself (and sometimes his wife) in the title structure on the Seine | The Studio Boat (collection) | Claude Monet |
| Physical, real structure inspired by Sunset on the Oise by Charles-Francois Daubigny | [This artist's] studio boat | Claude Monet |
| John Singer Sargent depicted him wearing a yellow hat and blue jacket on a stool next to his wife | [This artist's] Painting by the Edge of a Wood | Claude Monet (work is by Sargent) |
| Depicted with a satirical "halo hat" and oleandor (flower) | Portrait of the paintinge of [this artist] | Claude Monet (work is by Renoir) |
| First attacked by a critic in Le Charivari | Impression, Sunrise | Claude Monet |
| Painted his son on a tricycle that looks like a horse | Jean ______ on his Happy Horse | Claude Monet |
| Depicted his father while staying at Saint-Andresse | Garden at Saint-Andresse | Claude Monet |
| Depicted a bird on a snowy day on a bridge | The Magpie | Claude Monet |
| Almost stealen by Beaux Arts-Nice curator Jean Forneris | The Cliff at Dieppe | Claude Monet |
| Depicted blue poles next to a famous church* | The Grand Canal of Venice (Blue Venice) (*Santa Maria della Salute) | Claude Monet |
| Depicted his wife sewing with her baby in front of a wall of red flowers | Camille ______ and a Child in the Garden in Argentuiel | Claude Monet |
| This artist's painting Boulevard de Capucines was rejecting from this institution | Paris Salon | Claude Monet |
| Depicted his wife in a green gown and black fur coat looking away from the viewer | Camille in the Green Dress | Claude Monet |
| Also called La Promenade | Woman with a Parasol (or Madame ______ and her Son) | Claude Monet |
| Depicts four of the title bird sprawled out on a white cloth | Still Life with Pheasant | Claude Monet |
| Depicted a woman with a blue parasol moving through a field with her child | Poppies | Claude Monet |
| Included Gustave Courbet and no naked women in the rendition of an earlier, similar-sounding artist's work | Luncheon on the Grass | Claude Monet |
| Painted a boy on a striped shirt near the title river | On the Banks of the Seine, Bennecourt | Claude Monet |
| Lived with his father in Saint-Andresse while poor | N/A | Claude Monet |
| Depicted his son near a blue and white striped cup that hides his hand | "L'Enfant a la Tasse" or Portrait of Jean ______ | Claude Monet |
| Distorted the title fruit using contradictory angles on a table, cloth, and basket | Basket of Apples | Paul Cezanne |
| Repeatedly depicted Mont-Sainte-Victoire, in THIS region of France | (Aix-en-) Provence | Paul Cezanne |
| Collection of this geographic feature near the artist's hometown of Aix-en-Provence | Mont-Sainte-Victoire (collection) | Paul Cezanne |
| Frequently depicted in a signature palette of blue, green, and ochre | Mont-Sainte-Victoire | Paul Cezanne |
| Painted at night from the ruins of the nearby titular castle | Mont-Sainte-Victoire and Chateau-Noir | Paul Cezanne |
| Depicted a large group of nude women cleansing themselves around a pond | The Large Bathers | Paul Cezanne |
| Created a triangle with trees above a pond | The Large Bathers | Paul Cezanne |
| This figure was called "The Father of Us All" by these 2 figures ("WORK") for his use of impossible perspective | Henri Matisse and Pablo Picasso (called this figure "the father of us all") | Paul Cezanne |
| Depicted a figure in yellow holding down a woman while a man performs the title action | The Murder | Paul Cezanne |
| This artist's The Murder was inspired by THIS novel (work) by his friend Emile Zola | Therese Racquire | Paul Cezanne |
| Stolen from the Foundation E.G. Buhrle in Zurich, Switzerland, in 2008 | The Boy in a Red Vest | Paul Cezanne |
| Series depicting Michelangelo di Rosa | The Boy in a Red Vest | Paul Cezanne |
| The Boy in a Red Vest depicted this boy model (work), who was painted by the artist | Michelangelo di Rosa | Paul Cezanne |
| This artist's The Large Bathers is held in this museum | Philidelphia Museum of Art | Paul Cezanne |
| Depicted himself watching a lounging prostitute and her black maid | A Modern Olympia | Paul Cezanne |
| Depicted a man with a cane and a discarded black cap lounging on a pink couch watching the central figure | A Modern Olympia | Paul Cezanne |
| Referenced a work by Eduoard Manet by adding a third figure | A Modern Olympia (Manet's work is Olympia) | Paul Cezanne |
| Depicted the title out-of-place object sitting on a white table cloth behind several fruits on the same table | Still Life with a Skull | Paul Cezanne |
| Depicted from "the Bibemus Quarry" and "Bellueve" | Mont-Sainte-Victoire | Paul Cezanne |
| Included proto-cubist influences in his depiction of this mountain | Mont-Sainte-Victoire | Paul Cezanne |
| This artist exited from his "Dark Period" via the tutelage of this other artist | Camille Pissarro | Paul Cezanne |
| The third most expensive painting ever sold | The Card Players | Paul Cezanne |
| Depicted two men playing a game at a table in between a wine glass | The Card Players | Paul Cezanne |
| A man in black sits below a nude woman reclining on a white bed | A Modern Olympia | Paul Cezanne |
| Second largest inspiration to the later group Les Nabis | (Largest is Paul Gauguin) | Paul Cezanne |
| A group of artists surround a painting by this artist (artist) in this painting (work) by Maurice Denis | "Homage to [this artist]" | Paul Cezanne |
| This artist painted a group of Les Nabis surrounding a painting by this man in so called homage | Maurice Denis (his painting is "Homage to [this artist]") | Paul Cezanne |
| Members of this group (work) surround a painting by this artist in an homage by Maurice Denis | Les Nabis (work is "Homage to [this artist]") | Paul Cezanne |
| This artist (work) pawned his engagement ring to buy a work from this artist (artist) from Ambroise Vollard | Henri Mattisse (bought the "Three Bathers) | Paul Cezanne |
| Often doesn't include the adjective "Grandes" (or large) in its title | The Large Bathers | Paul Cezanne |
| Translated to "Curtain, Jug, and Fruit Bowl" | Richeau, Cruchon, et Compotier | Paul Cezanne |
| The most expensive still-life ever sold | Richeau, Cruchon, et Compotier (Curtain, Jug, and Fruit Bowl) | Paul Cezanne |
| These artists (Card 3) were depicted as a toy monket nailed to cardboard in a work by this artist (work) | Francis Picabia | Paul Cezanne, Pierre-Auguste Renoir, and Rembrandt Van Rijn |
| Francis Picabia depicted this artist, as well as Rembrandt and Renior< as this (description, work) in a so-called "portrait" | Depicted as a monkey nailed to a piece of cardboard | Paul Cezanne |
| This artist's development was studied by Roger Fry | N/A | Paul Cezanne |
| The "Study of Development" of this artist was done by this member (work) of the Bloomsbury Group | Roger Fry | Paul Cezanne |
| Potentially depicts Hercules in a red-shade rescuing/carrying Alcestis from the underworld | The Abduction | Paul Cezanne |
| Likely depicts the [title event] of Prosperine by Pluto | The Abduction | Paul Cezanne |
| Depicts a dark or red man carrying a limp woman in between 2 rows of trees | The Abduction | Paul Cezanne |
| Depicted himself on a pink couch next to a red table | A Modern Olympia | Paul Cezanne |
| Depicted 4 skulls in the title formation | Pyramid of Skulls | Paul Cezanne |
| This artist of several depictions of landscapes in Provence also notably depicted this home village of his in Provence | Jas de Bouffan | Paul Cezanne |
| Often painted his home village of Jas de Bouffan in this region (work) | Provence | Paul Cezanne |
| Depicted a corked bottle in between two men, one smoking, playing a game | The Card Players | Paul Cezanne |
| Depicted his father reading the titular newspaper | The Artist's Father, Reading L'Evenement | Paul Cezanne |
| This work displayed another one of this artist's other works behind the central figure reading a newspaper | The Artist's Father, Reading L'Evenement | Paul Cezanne |
| This artist often depicted Mont-Sainte-Victoire above this bridge | Aix-Marseille (or Arc River valley) Viaduct (or railway bridge) | Paul Cezanne |
| His experimentation with angles is analyzed in this essay by this philospher (includes both | work) | Maurice Merleau-Ponty's (philosopher) "[this artist's] Doubt" (essay) | Paul Cezanne |
| Depicted a bishop, trumpeters, and others around the central nude figure on a bed | The Eternal Feminine | Paul Cezanne |
| Potentially depicts Eugene Delacroix next to the bishop and other figures in this work | The Eternal Feminine | Paul Cezanne |
| Zola claimed that this artist represented "genius gone wrong" | (was later rebutted in an essay by Maurice Merleau-Ponty ("[this artist's] Doubt) | Paul Cezanne |
| This man claimed this artist's "aiming for reality while denying himself the means to obtain it" as a (metaphorical) "suicide" | Emile Bernard | Paul Cezanne |
| These two artists (work) wrote that "To Understand [this artist (artist)] is to forsee Cubism" | Albert Gleizes and Jean Metzinger (early Cubists) | Paul Cezanne |
| This artist was honored in a 1907 retrospective at the Salon D'Automne | N/A | Paul Cezanne |
| Most famous depiction of his wife, with the title red dress, on a yellow chair | Madame Cezanne (Hortense Fiquet) in a Red Dress | Paul Cezanne |
| Madam [this artist] in a Red Dress is often referred to this, after the artist's wife's actual name | Marie-Hortense Fiquet in a Red Dress | Paul Cezanne |
| Still life with a small model on a white pedestal in next to a scroll and in front of a bust by the artist's titular friend sculptor | Still Life with a Medaillon of Philippe Solari | Paul Cezanne |
| Many of this artist's works appear to have been trimmed off of a larger canvas, possibly for this reason | So the dealer could sell each trimmed part separately, with each part having been painted several times on the same canvas | Paul Cezanne |
| Depicted the central figure of this proto-cubist Still Life in front of another sculpture, the Flayed Man | Still Life with Plaster Cupid (or Still Life with Cherub) | Paul Cezanne |
| Depicted the title plaster on a tilted floor | Still Life with Plaster Cupid (or Still Life with Cherub) | Paul Cezanne |
| The viewer looks down a road next to the titular house in this work with extra globs of dried paint | The House of the Hanged-Man | Paul Cezanne |
| Depicted the titler writer in black sitting on a chair reading to the artist's title friend in white sitting on the ground | Paul Alexis Reading to Emile Zola | Paul Cezanne |
| This work by this philosopher (both required, work) posits that this artist's unique experimentation may've derived from eye problems | Maurice Merleau-Ponty's (philosopher) "[this artist's] Doubt" (essay) | Paul Cezanne |
| This essay (work) claims this artist's approach to the world was inspired by an "infinite Logos" | Maurice Merleau-Ponty's (philosopher) "[this artist's] Doubt" (essay) | Paul Cezanne |
| This work inspired Picasso's Les Demoiselles d'Avignon | The Large Bathers | Paul Cezanne |
| Depicts his mother in black sewing and his sister in white playing the title piece on piano | The Overture to Tanhauser | Paul Cezanne |
| This work, dedicated to this artist, shows Paul Serusier, Odilon Redon, and Pierre Bonard inspecting a piece by this artist | "Homage to [this artist]" by Maurice Denis | Paul Cezanne |
| Depicted his artist friend as a dwarf with really long fingers sitting in a chair with his feet on a book | Portrait of Achille Emperaire | Paul Cezanne |
| Inspired Georges Braque's later cubist paintings in the same title location | L'Estaque | Paul Cezanne |
| Baguettes are stacked to form a tower in the back of this work | Still Life with Apples | Paul Cezanne |
| Showed a yellow house with a crack running through the top | The House with Burst Walls | Paul Cezanne |
| Depicted a yellow hat on the banks of a river with several nude or almost-nude figures | Bathers at Rest | Paul Cezanne |
| This artist honored Courbet by using this technique with a certain tool | Applying thick blots of paint with a Palette Knife | Paul Cezanne |
| Used a palette knife to paint this uncle in the titular religious role | Portrait of Uncle Dominic as a Monk | Paul Cezanne |
| This art critic authored this book (both required, work), named for this artist (artist) to advance his idea of "significant form" | "Since [this artist]" by Clive Bell | Paul Cezanne |
| This artist is the basis of this man's (work) novel The Masterpiece | Emile Zola | Paul Cezanne |
| Depicted his wife in a black dress in the titular location in front of a tree and a yellow background | Madame [this artist] in the Conservatory | Paul Cezanne |
| Depicted a white teapot and jug along with the title fruits on a white table cloth with a red stripe | Still Life with Peaches and Pears | Paul Cezanne |
| Painted his art dealer on a brown sofa and inspired a painting by Picasso of the same name, who also had the titular man as his art dealer | Portrait of Ambroise Vollard | Paul Cezanne |
| Depicted the title woman as plump and reclining on a sofa as the title animal bites her outstretched arm | Leda and the Swan | Paul Cezanne |
| This artist planned for and attempted suicide after the completion of this painting | Where Do We Come From? What Are We? Where are We Going? | Paul Gauguin |
| Meant to be read right to left, in accordance with its title | Where Do We Come From? What Are We? Where Are We Going? | Paul Gauguin |
| The blue statue/idol in this picture represented this (both required, work), according to the artist | It represents "The Beyond" (Where Do We Come From? What Are We? Where Are We Going?) | Paul Gauguin |
| Created many paintings in Tahiti | N/A | Paul Gauguin |
| Most notable of this artist's Tahiti Paintings | Where Do We Come From? What Are We? Where Are We Going? | Paul Gauguin |
| Depicts birth, death, and life, from right to left | Where Do We Come From? What Are We? Where Are We Going? | Paul Gauguin |
| A white bird grasps a lizard next to a frail old woman in the bottom left of this painting | Where Do We Come From? What Are We? Where Are We Going? | Paul Gauguin |
| A white bird grasping a lizard symbolizes this in the bottom left of this work | It symbolizes the "futility of vain words" (Where Do We Come From? What Are We? Where Are We Going?) | Paul Gauguin |
| Depicts Eve picking an apple to the right of a little girl eating an apple | Where Do We Come From? What Are We? Where Are We Going? | Paul Gauguin |
| Depicts three women and a baby to the left of a dog in the right part of this work | Where Do We Come From? What Are We? Where Are We Going? | Paul Gauguin |
| Inspired by Manet's Olympia, features a girl on her stomach against a purple background | The Spirit of the Dead Watching | Paul Gauguin |
| Depicts a nude girl lying on her stomach on a white bed with a woman clad in black behind her | The Spirit of the Dead Watching | Paul Gauguin |
| Depicted a purple ghost looking at his wife, Teha'amana | The Spirit of the Dead Watching | Paul Gauguin |
| Grandson of novelist Flora Tristan | N/A | Paul Gauguin |
| Grew up in Peru | (Influenced some of his later work) | Paul Gauguin |
| A blue-winged angel greets a mother in a red towel/pareo | Hail Mary | Paul Gauguin |
| Woodcut acting as a journal entry for his time spent abroad | Fragrant Scent (or Noa Noa) | Paul Gauguin |
| Depicted the title nude woman/goddess stepping on a dead wolf and crushing a cub | Oviri (sculpture) | Paul Gauguin |
| Wrote the title in a yellow corner, but without punctuation | Where Do We Come From? What Are We? Where Are We Going? | Paul Gauguin |
| Depicted a tree branch dividing a scene set against a red background | Vision After the Sermon (Jacob Wrestling with Angel) | Paul Gauguin |
| Depicted a group of nuns watching the title fight | Vision After the Sermon (Jacob Wrestling with Angel) | Paul Gauguin |
| Painted a cow and Breton woman on one side of the painting watching the title event | Vision After the Sermon (Jacob Wrestling with Angel) | Paul Gauguin |
| Depicted a crucifixion scene in France with three Breton women mourning the central figure | The Yellow Christ | Paul Gauguin |
| Depicted people walking among sand dunes behind the central woman under the title sculpture | The Green Christ | Paul Gauguin |
| Companion to another, similarly named, "green" piece | The Yellow Christ | Paul Gauguin |
| Includes a sculpture of Jesus being brought down from the cross after crucifixion | The Green Christ | Paul Gauguin |
| Includes a woman beneath a sculpture holding a black lamb | The Green Christ | Paul Gauguin |
| A figure in a black robe looking at a nude girl contrasts with a purple ghost | The Spirit of the Dead Watching | Paul Gauguin |
| Depicts himself with a halo and snake around his arm near apples | Self-Portrait with Halo and Snake | Paul Gauguin |
| Depicts his disembodied head with a halo against a red background | Self-Portrait with Halo and Snake | Paul Gauguin |
| A woman in a European pink dress is behind and looking at a woman with traditional bright red pants and a white flower in her ear | When Will You Marry? | Paul Gauguin |
| Depicts women with head coverings on the bottom and left sides praying at the title event | Vision After the Sermon (Jacob Wrestling with Angel) | Paul Gauguin |
| The Volpini Exhibition displayed this artist | N/A | Paul Gauguin |
| Depicted a raven on a windowsill behind restless woman | Nevermore | Paul Gauguin |
| Depicted a raven next to a wall with the title word | Nevermore | Paul Gauguin |
| This work was inspired by a crucifix this artist saw while in this town with Emile Bernard (work and town required) | Crucifix from Pont-Aven in Brittany inspired this artist's The Yellow Christ | Paul Gauguin |
| Depicted a small grey dog beside the title colored farm animal | The Red Cow | Paul Gauguin |
| Self portrait painted on a cupboard in 1889 | Self-Portrait with Halo and Snake | Paul Gauguin |
| Depicts a disembodied hand with a hissing snake attached | Self-Portrait with Halo and Snake | Paul Gauguin |
| Created a "self-portrait" inspired by an action recently undertaken by Vincent van Gogh | :Jug in the form of a Head, Self Portrait" (glazed stoneware---not a painting--- missing an ear) | Paul Gauguin |
| Depicted himself as stoneware without an ear | "Jug in the Form of a Head, Self Portrait" | Paul Gauguin |
| This work was bought by Degas after it was criticized at this 1893 exhibition (both required) | The Moon and the Earth --> criticized at the Durand Ruel Exhibition | Paul Gauguin |
| Depicts inhabitants of Martinique picking up the title fruit | Among the Mangoes | Paul Gauguin |
| Depicts himself with red hair in the form of the title biblical figure | Christ in the Garden of Olives | Paul Gauguin |
| This artist only produced 2 marble busts in his life, of these 2 figures (work) | His wife and son | Paul Gauguin |
| Inspired by Japanese woodcuts to divide the image and add the red background | Vision After the Sermon (Jacob Wrestling with Angel) | Paul Gauguin |
| This Frenchman (artist) collaborated with this man (work) at the Yellow House | Vincent Van Gogh | Paul Gauguin |
| This man collaborated with Van Gogh at this place (work) | The Yellow House | Paul Gauguin |
| The titular girl in a blue and white dress stands next to an inscription claiming the familial title of the painting | Tehamana Has Many Parents | Paul Gauguin |
| Depicts a feud between two celestial Tahitian spirits | The Moon and the Earth | Paul Gauguin |
| This artist's "The Moon and the Earth" represents the conflict between these two spirits | Hina (The Moon) and Fatou (The Earth) | Paul Gauguin |
| Depicted himself with a mustache at the title garment, with a depiction of another painting of his with a purple background in the back | Self Portrait with a Hat | Paul Gauguin |
| This artist's "The Spirit of the Dead Watching" is featured in the back of this other work by this artist | Self Portrait with a Hat | Paul Gauguin |
| Depicted himself staring at the viewer while a green portrait of another artist hangs on the wall | "Les Miserables" or "Self Portrait with Portrait of Bernard | Paul Gauguin |
| A woman in orange looks at a mother in green breastfeeding next to a dog | Maternity | Paul Gauguin |
| Depicted several horse riders, including one fully in red and another fully in yellow, approaching a rising tide | Riders on the Beach | Paul Gauguin |
| Includes a spotted cow on a red background | Vision After the Sermon (Jacob Wrestling with Angel) | Paul Gauguin |
| A man climbs a fence behind the title figure who appears to have jaundice | The Yellow Christ | Paul Gauguin |
| Depicted three green goblets between the title animals drinking from a pot | Still Life with Three Puppies | Paul Gauguin |
| Depicts his friend Meyer de Haan with two women | Barbarian Tales | Paul Gauguin |
| This artist depicted his man with red hair behind two semi-nude women in his "Barbarian Tales" | Meyer de Haan | Paul Gauguin |
| Leader of Synthetism | (and posited the Synthetist Theory) | Paul Gauguin |
| Worked with Jacob Meyer de Haan while in this town | Le Pouldu | Paul Gauguin |
| Depicts a nude woman lying down against a hilly background with a fox, the symbol of lust in Hinduism, by her head | The Loss of Virginity | Paul Gauguin |
| Be in Love and You Will Be Happy is this kind of work by this artist | Woodcut | Paul Gauguin |
| Created a wooden sculpture of the Birth of Venus | N/A | Paul Gauguin |
| Depicted a scene from Dante's Inferno | The Gates of Hell | Auguste Rodin |
| Rectangular sculpture whose original plaster cast is in the Musee d'Orsay | The Gates of Hell | Auguste Rodin |
| Originally titled Paolo and Francesca | The Kiss (sculpture) | Auguste Rodin |
| Depicted a man holding a book while holding a woman's waist while doing the title action | The Kiss (sculpture) | Auguste Rodin |
| Depicted a man lying on his back grasping his hands backwards to a woman lying on her stomach | Fugitive Love | Auguste Rodin |
| Depicted a woman with her hands on her head being prevented from fleeing by a man lying on her back | Fugitive Love | Auguste Rodin |
| This work by another artist depicts this artist (artist) choosing an older woman instead of the original sculptor | The Mature Age (by Camille Claudel) | Auguste Rodin (subject of the work) |
| This work by another artist depicts this artist (artist) abandoning his student and affair partner | The Mature Age (by Camille Claudel) | Auguste Rodin (subject of the work) |
| This artist chose Rose Beuret over this student (work) | Camille Claudel | Auguste Rodin |
| Camille Claudel was abandoned by this artist (artist) after he married this woman (work) | Rose Beuret | Auguste Rodin |
| Depicts this artist's first depiction of his wife, Rose Beuret | Mignon | Auguste Rodin |
| This artist married this lover (work) of his in 1917, the same year they died | Rose Beuret | Auguste Rodin |
| Includes works like The Kiss, Fugitive Love, and The Thinker within it | The Gates of Hell | Auguste Rodin |
| Depicts a man resting his head on this hand with his arm against his knee | The Thinker | Auguste Rodin |
| Originally titled "The Poet" | The Thinker | Auguste Rodin |
| Depicted 6 bronze figures with ropes around their necks | The Burghers of Calais | Auguste Rodin |
| Depicted the aftermath of a French defeat in the Hundred Years' War | The Burghers of Calais | Auguste Rodin |
| A museum named for this man was founded in Philidelphia by this person (work) | Jules Mastbaum | Auguste Rodin (Rodin Museum) |
| Jules Mastbaum founded a museum named for this artist in this city (work) | Philadelphia | Auguste Rodin (Rodin Museum) |
| A branch of the Philadelphia Museum of Arts holds the largest foreign collection of this man's works | N/A | Auguste Rodin (Rodin Museum) |
| Anti-War group Weather Underground bombed this rendition of this artist's sculpture in this city (work: both sculpture and city) | The Thinker (in Cleveland) | Auguste Rodin |
| This group bombed this artist's "The Thinker" in Cleveland | Weather Underground | Auguste Rodin |
| This work in this city is on display still missing limbs due to an attack | The Thinker (in Cleveland) | Auguste Rodin |
| This artist was a onetime lover of Camille Claudel | N/A | Auguste Rodin |
| Depicted the title Count from Pisan with his children | Ugolino and his Sons | Auguste Rodin |
| Depicted the title man eating his children as part of a larger sculptural group | Ugolino and his Sons | Auguste Rodin |
| Depicted The Three Shades looking down | The Gates of Hell | Auguste Rodin |
| Depicted the three title figures looking down at the suffering in hell | The Three Shades | Auguste Rodin |
| Inspired by a satirical reading of a Charles Baudelaire poem | I Am Beautiful | Auguste Rodin |
| Depicted a man holding a crouching woman in an Atlas-like pose | I Am Beautiful | Auguste Rodin |
| Depicted a man on a rock with an inscription reading "I am beautiful, Oh Mortals! as a dream of stone" | I am Beautiful | Auguste Rodin |
| This other artist (work) was committed to an asylum after fearing this artist (artist) was plagiarizing her | Camille Claudel | Auguste Rodin |
| This artist lived in an asylum for 30 years with her cats after the end of her relationship with this artist (work) | Auguste Rodin | Camille Claudel |
| This work depicts Francesca da Ramini with this man | The Kiss (with Paolo Malatesta) | Auguste Rodin |
| Depicted Dante thinking of the Divine Comedy | The Gates of Hell | Auguste Rodin |
| This work was suspected to have been cast from a live model | The Age of Bronze | Auguste Rodin |
| Originally titled The Vanquished | The Age of Bronze | Auguste Rodin |
| Depicted Auguste Neyt with his hand against his forehead | The Age of Bronze | Auguste Rodin |
| The Paris Salon nearly rejected this sculpture due to suspicions | The Age of Bronze (suspicions of being cast from a live model) | Auguste Rodin |
| Depicted an armless and headless man mid-stride | The Walking Man | Auguste Rodin |
| Modeled after this artist's earlier work "Saint John the Baptist Preaching" | The Walking Man | Auguste Rodin |
| These 2 works by this artist depict the same figure with varying numbers of appendages | Saint John the Baptist Preaching and The Walking Man | Auguste Rodin |
| Later depicted without arms or a head in "The Walking Man" | Saint John the Baptist Preaching | Auguste Rodin |
| This artist wished this work of defeated men to not be placed high on a pedestal | The Burghers of Calais | Auguste Rodin |
| Depicted two right hands trying to touch eachother | The Cathedral | Auguste Rodin |
| Depicted 2 intertwined hands mimicking a gothic arch | The Cathedral | Auguste Rodin |
| Depicts two naked figures locked in a dance | The Waltz | Camille Claudel |
| Depicts a man being led away from a young woman by an old woman | The Mature Age | Camille Claudel |
| This artist taught this student (work), who created the Races of Mankind in Chicago | Malvina Hoffman | Auguste Rodin |
| Malvina Hoffman, who famously made 104 bronze heads as part of this collection (work), was taught by this artist | The Races of Mankind | Auguste Rodin |
| Depicted a man on all fours above several boys | Ugolino and his Sons | Auguste Rodin |
| Inspired Alberto Giacometti's sculptures of the same name | The Walking Man | Auguste Rodin |
| Has a similar depiction to this artist's "The Cathedral" | The Secret | Auguste Rodin |
| A wounded soldier leans on a screaming female figure with outstretched arms and wings | The Call to Arms | Auguste Rodin |
| Also called "The Defense" | The Call to Arms | Auguste Rodin |
| A wounded soldier slumps against the shrieking spirit of war | The Call to Arms | Auguste Rodin |
| Depicted the title author in a large robe | Monument to Balzac | Auguste Rodin |
| Called "a sack of coal" | Monument to Balzac | Auguste Rodin |
| Depicted a wild-haired figure in monk's robes | Monument to Balzac | Auguste Rodin |
| Depicted the author of "The Human Comedy" | Monument to Balzac | Auguste Rodin |
| Influenced by Michelangelo's the Dying Slave | The Age of Bronze | Auguste Rodin |
| Depicted three men merging their left hands | The Three Shades | Auguste Rodin |
| This man (work) famously forged and recasted many of this artist's work after buying his "The Kiss" | Guy Hain | Auguste Rodin |
| The French government has limited the reproduction of this man's works to 12 casts per work | N/A | Auguste Rodin |
| This figure was the most notable of the 6 in this artist's "The Burghers of Calais" | Eustache de Saint Pierre | Auguste Rodin |
| Depicted men surrendering to Edward III | The Burghers of Calais | Auguste Rodin |
| Depicted a head rising from an unfinished block of stone | Thought | Auguste Rodin |
| This head of this student (work) of this artist was depicted rising from a block of stone in this work (work) | Camille Claudel, in "Thought" | Auguste Rodin |
| The head of this work froze and broke in the studio | Man with the Broken Nose | Auguste Rodin |
| Used Bibi, a handyman, as the model | Man with the Broken Nose | Auguste Rodin |
| This work used this model (both required), depicting him with a contorted face after an accident in the studio altered the sculpture | Man with the Broken Nose | Auguste Rodin |
| Paired with Rainer Maria Rilke in this autobiographry by this author (both required, work) | "You Must Change Your Life" by Rachel Corbett | Auguste Rodin |
| "You Must Change Your Life" is an autobiography starring this artist and this poet (work) | Rainer Maria Rilke | Auguste Rodin |
| This former geisha was the subject of 53 busts by this artist | Hanako | Auguste Rodin |
| This artist's "I Am Beautiful" combines these TWO other of his works | "Crouching Woman" and "The Falling Man" | Auguste Rodin |
| Bust that lost/fractured the shoulders and back of the head | Man with the Broken Nose | Auguste Rodin |
| Depicted in Edward Steichen's photograph: "Silhouette---4 A.M." | Monument to Balzac | Auguste Rodin |
| Monument to Balzac was depicted in a dim atmosphere in this photograph by this photographer (both required) | "Silhouette---4 A.M." by Edward Steichen | Auguste Rodin |
| Created "larger-than-life" after allegations about using a live cast in The Age of Bronze | Saint John the Baptist Preaching | Auguste Rodin |
| Depicted an author seated on the rocks at Guernsey | Monument to Victor Hugo | Auguste Rodin |
| This work was depicted in light next to this artist's more famous piece, The Thinker, in the dark, in a photograph by Edward Steichen* | Monument to Victor Hugo (*"[this artist] --- the Thinker) | Auguste Rodin |
| This artist's work "Monument to Victor Hugo" was depicted in light next to other works by this artist in this photographer's photograph (work, both required) | "[This artist] --- the Thinker" by Edward Steichen | Auguste Rodin |
| This artist's Ugolino and his Sons comes from the legend from this tower | Muda Tower (Tower of Famine) | Auguste Rodin |
| Depicted the title man with his head and body moving in opposite directions | Monument to Balzac | Auguste Rodin |
| Depicted a father eating his sons to avoid starvation due to an archbishop | Ugolino and his Sons | Auguste Rodin |
| Famously used the Hotel Biron as a workshop | N/A | Auguste Rodin |
| This artist was introduced to Rainer Maria Rilke at this workshop | Hotel Biron | Auguste Rodin |
| Depicted a man with his hands behind his back burying his face in the stomach of a woman | The Eternal Idol | Auguste Rodin |
| Depicts a man and a woman and titles a Black Sabbath album | The Eternal Idol | Auguste Rodin |
| Depicted a man with his face in the chest of a woman kneeling on a rock | The Eternal Idol | Auguste Rodin |
| Depicted a Greek God happily falling backwards into a bucket, submerging his buttocks underwater | Bacchus in the Vat | Auguste Rodin |
| Depicted the titular Greek God in a "V" shape with his cloven hooves sticking outwards from the title structure | Bacchus in the Vat | Auguste Rodin |
| Smaller of this artist's 2 works, depicted the title woman lying on her stomach on a rock | Andromenda / Andromeda, Bent in Half | Auguste Rodin |
| Larger version this artist's 2 similar warks, depicted the title woman lying on her stomach on a work | The Danaid | Auguste Rodin |
| Larger version of "Andromeda, Bent in Half" | The Danaid | Auguste Rodin |
| Depicted 2 lovers back-to-back as the woman tries to escape | Fugitive Love | Auguste Rodin |
| Depicted a straw hat on top of his wife | Sculpture of Rose Beuret | Auguste Rodin |
| Depicted a man with his limbs splayed out in a tribute to Marsyas | The Falling Man | Auguste Rodin |
| Wrapped in a mile of string by Cornelia Parker | The Kiss | Auguste Rodin |
| This woman famously wrapped this man's "The Kiss" in a mile of string | The Kiss | Auguste Rodin |
| Commissioned by the Societe des Gens des Lettres | Monument to Balzac | Auguste Rodin |
| Depicted the titular Argentinian President | Monument to President Domingo Sarmiento | Auguste Rodin |
| Contains the inscription "Abandon All Hope, Ye Who Enter" | The Gates of Hell | Auguste Rodin |
| Depicts people under a pink-striped awning | Luncheon of the Boating Party | Pierre-Auguste Renoir |
| Depicts a group around a table with wine | Luncheon of the Boating Party | Pierre-Auguste Renoir |
| A man in a straw hat leans against a railing in the foreground | Luncheon of the Boating Party | Pierre-Auguste Renoir |
| Depicted Aline Charigot with a dog | Luncheon of the Boating Party | Pierre-Auguste Renoir |
| This work depicted this model cooing at a dog in the foreground (both required) | Luncheon of the Boating Party, featured Aline Charigot | Pierre-Auguste Renoir |
| This man leans against a railing wearing a straw hat in this work (both required) | Gustave Caillebotte | Pierre-Auguste Renoir |
| Frequently depicted the d'Anvers family | N/A | Pierre-Auguste Renoir |
| Alice and Elizabeth of this family was depicted in this artist's "Pink and Blue" | d'Anvers family | Pierre-Auguste Renoir |
| Depicted Alice and Elizabeth d'Anvers | Pink and Blue | Pierre-Auguste Renoir |
| Depicted two girls, one in a blue dress and another in pink | Pink and Blue | Pierre-Auguste Renoir |
| Set in La Maison Fournaise | Luncheon of the Boating Party | Pierre-Auguste Renoir |
| This artist's Luncheon of the Boating Party is set here | La Maison Fournaise | Pierre-Auguste Renoir |
| Depicted a crowd in the Montmartre district | Dance at Le Moulin de la Galette | Pierre-Auguste Renoir |
| Depicts a group dancing under white chandeliers | Dance at Le Moulin de la Galette | Pierre-Auguste Renoir |
| This man was featured dancing in three different places | Paul Lhote | Pierre-Auguste Renoir |
| Paul Lhote dances with women in these three paintings | "Dance in the Country," "Dance in the City," and "Dance at Bougival" | Pierre-Auguste Renoir |
| Depicted a man in blue with a straw hat and a woman in a bright red bonnet and pink dress doing the title action at a cafe | Dance at Bougival | Pierre-Auguste Renoir |
| This artist depicted these two women dancing with Paul Lhote in different places | Aline Charigot and Suzanne Valadon | Pierre-Auguste Renoir |
| This woman is depicted with a dog in this artist's Luncheon of the Boating Party | Aline Charigot | Pierre-Auguste Renoir |
| Depicted faceless "flaneurs" around a horsedrawn carriage | The Grand Boulevards | Pierre-Auguste Renoir |
| Couples dance in a courtyard under white light | Dance at Le Moulin de la Galette | Pierre-Auguste Renoir |
| This son of this artist directed the films The Grand Illusion and The Rules of the Game | Jean Renoir | Pierre-Auguste Renoir |
| This film by this artist's son depicts French military officers trying to escape to Switzerland | The Grand Illusion (by this artist's son, Jean) | Pierre-Auguste Renoir |
| Depicted Lise Trehot with a red-striped gown | In Summer | Pierre-Auguste Renoir |
| This figure was depicted with a parasol in this artist's breakout work | Lise Trehot | Pierre-Auguste Renoir |
| Depicted the title figure in a white dress with a black lace and the title object | Lise with a Parasol | Pierre-Auguste Renoir |
| Depicted a young girl in blue holding a small hoop | The Umbrellas (or Girl with Hoop) | Pierre-Auguste Renoir |
| Depicted a woman with a basket lifting up her skirt among a crowd with the title objects | The Umbrellas | Pierre-Auguste Renoir |
| This man threatened to cremate this work by this artist, along with a Portrait of Dr. Gachet (both required) | Ryoei Saito (threatened to cremate Dance at Le Moulin de la Galette | Pierre-Auguste Renoir |
| Painted a group drinking next to the Seine | Luncheon of the Boating Party | Pierre-Auguste Renoir |
| Inspired by a sculpture by Francois Girardon | The Large Bathers | Pierre-Auguste Renoir |
| This man created an 1880 painting of this bald artist | Portrait of Paul Cezanne | Pierre-Auguste Renoir |
| Depicted a girl in pink leaning over a blind girl playing the title instrument | Girls at the Piano | Pierre-Auguste Renoir |
| A young girl carries a stick and a hoop | Girl with Hoop | Pierre-Auguste Renoir |
| Depicted a girl in blue with a red hat next to her sister in front of a railing with vines | Two Sisters (on a Terrace) | Pierre-Auguste Renoir |
| Depicted a girl in a garden in a blue dress and red bow with the title object | A Girl with a Watering Can | Pierre-Auguste Renoir |
| Includes an Affenpinscher dog | Luncheon of the Boating Party | Pierre-Auguste Renoir |
| Depicted his wife nude twice with a white cloth | The Blonde Bather | Pierre-Auguste Renoir |
| Was claimed to "suck at painting" during 2015 protests | N/A | Pierre-Auguste Renoir |
| Protestors who claimed this artist "sucks at painting" famously recited this slogan | "Put some fingers on those hands! Give us work by Paul Gauguin" | Pierre-Auguste Renoir |
| Most famous work held at the Phillips Collection | Luncheon of the Boating Party | Pierre-Auguste Renoir |
| Depicted his wife in a wicker chair on the beaches of Normandy/Dieppe | (Aline Charigot) By the Seashore | Pierre-Auguste Renoir |
| Portrait created in just 35 minutes | Portrait of Richard Wagner | Pierre-Auguste Renoir |
| Depicted one girl grabbing fruit while her sibling looks off enigmatically in front of a railing | Two Sisters (on a Terrace) | Pierre-Auguste Renoir |
| This artist's Two Sisters (on a Terrace) is held in this museum | Art Institute of Chicago | Pierre-Auguste Renoir |
| Rented a cottage in Montmartre to create this work | Dance at Le Moulin de la Galette | Pierre-Auguste Renoir |
| Depicted Jeanne Samary in a white dress with blue bows | The Swing | Pierre-Auguste Renoir |
| This artist lived near and painted a portrait of Claude Monet while staying at a garden in this place | Argenteuil | Pierre-Auguste Renoir |
| Depicted his fellow artist while staying with him at a garden in Argenteuil | Portrait of Claude Monet | Pierre-Auguste Renoir |
| A depicted a man smoking a pipe in the foreground to a woman with a straw hat and red bow | Dance at Le Moulin de la Galette | Pierre-Auguste Renoir |
| A woman in a blue and cream striped dress leans backwards on a bench | Dance at Le Moulin de la Galette | Pierre-Auguste Renoir |
| Depicted the title woman in black with her kids and a black and white dog | Madame Charpentier and Her Children | Pierre-Auguste Renoir |
| Depicted a boy with identical hair and clothes to his sister next to a dog and their title mother | Madame Charpentier and Her Children | Pierre-Auguste Renoir |
| A seated man picks his teeth next to dancing couples | Dance at Le Moulin de la Galette | Pierre-Auguste Renoir |
| Dance at Le Moulin de la Galette is set in this place's "Pancake Mill" | Montmartre | Pierre-Auguste Renoir |
| "Torso of a Woman in Sunlight" | N/A | Pierre-Auguste Renoir |
| The Umbrellas exemplifies this period of this artist's work | Sour Period | Pierre-Auguste Renoir |
| A long-haired boy and his family is paired against a wall with a peacock | Madame Charpentier and Her Children | Pierre-Auguste Renoir |
| This man was depicted talking to girls in Dance at Le Moulin de la Galette | Georges Riviere | Pierre-Auguste Renoir |
| This man described this work by this artist as "a page of history" (both required) | Dance at Le Moulin de la Galette (described by Georges Riviere) | Pierre-Auguste Renoir |
| Depicts a woman in a white gown sitting next to the title object with two candles attached | Lady at the Piano | Pierre-Auguste Renoir |
| Depicts a woman in a white and blue dress stepping on the title object | The Swing | Pierre-Auguste Renoir |
| Depicted a woman in a striped dress in front of a man with opera glasses | La Loge | Pierre-Auguste Renoir |
| Depicted a man in a theater with opera glasses behind the central woman | La Loge | Pierre-Auguste Renoir |
| Depicted a woman with a slipping-off blue dress in a red chair with the title animal | Sleeping Girl with a Cat | Pierre-Auguste Renoir |
| Depicted hundreds eating and dancing under acacia trees | Dance at Le Moulin de la Galette | Pierre-Auguste Renoir |
| Also known as The Theater Box | La Loge | Pierre-Auguste Renoir |
| "Young Boy with a Cat" | N/A | Pierre-Auguste Renoir |
| Primary Founder of Pointillism | N/A | Georges Seurat |
| Founder of THIS movement which involves painting small dots to create a larger picture | Pointillism | Georges Seurat |
| Founder of divisionism, also known as this | Chromoluminarism | Georges Seurat |
| Founder of chromoluminarism, also known as this | Divisionism | Georges Seurat |
| Depicts a lady with a monk on a leash | A Sunday Afternoon on the Island of La Grande Jatte | Georges Seurat |
| Depicts a nude woman putting on green socks | The Models | Georges Seurat |
| Depicts 3 nude woman in front of another of this artist's works* | The Models (Sunday Afternoon on the Island of La Grande Jatte is on the wall) | Georges Seurat |
| This work is included in this artist's The Models | A Sunday Afternoon on the Island of La Grande Jatte | Georges Seurat |
| Depicted a small girl in white staring at the viewer | A Sunday Afternoon on the Island of La Grande Jatte | Georges Seurat |
| Depicted a staring girl in white with a wide-brimmed hat walking with her mother in red | A Sunday Afternoon on the Island of La Grande Jatte | Georges Seurat |
| A boy in a red cap cups his hand in a river | Bathers at Asnieres (Ahn-yair) | Georges Seurat |
| An orchestra performs to the bottom left of couples performing the title dance | Le Chahut (The Can-can) | Georges Seurat |
| Depicted dancers performing the Can-can | Le Chahut (The Can-can) | Georges Seurat |
| Depicted a lanky trombonist on a pedestal in front of an audience | Circus Sideshow | Georges Seurat |
| Depicted people watching a line of dancers kicking out their leg | Le Chahut (The Can-can) | Georges Seurat |
| Depicted on the other side of the Seine to this artist's A Sunday Afternoon on the Island of La Grande Jatte | Bathers at Asnieres (Ahn-yair) | Georges Seurat |
| Depicted on the bank of the Seine that this artist depicted in Bathers of Asnieres | A Sunday Afternoon on the Island of La Grande Jatte | Georges Seurat |
| Depicted a boy half-submerged in a river next to several lounging figures and a dog | Bathers at Asnieres (Ahn-yair) | Georges Seurat |
| Depicted a girl in yellow leaping off a galloping horse | The Circus | Georges Seurat |
| Depicted a girl in yellow and a white horse at the title location | The Circus | Georges Seurat |
| Depicted a smiling clown staring at a performer in yellow | The Circus | Georges Seurat |
| This founder of Pointillism's last (unfinished) painting | The Circus | Georges Seurat |
| Depicted a trumpeter in the foreground to two soldiers | A Sunday Afternoon on the Island of La Grande Jatte | Georges Seurat |
| Depicted a man leaning on the grass smoking a pipe next to a man sitting with a can and tophat | A Sunday Afternoon on the Island of La Grande Jatte | Georges Seurat |
| Depicted a girl in a pink skirt and red parasol holding the hand of a girl in white | A Sunday Afternoon on the Island of La Grande Jatte | Georges Seurat |
| This artist used this term to describe his small oil-on-wood sketches | Croqueton | Georges Seurat |
| This work later was stretched and a red, orange, and blue outline | A Sunday Afternoon on the Island of La Grande Jatte | Georges Seurat |
| This critic advised this artist on his A Sunday Afternoon on the Island of La Grande Jatte | Felix Feneon | Georges Seurat |
| A grinning clown flies after a woman leaping off a horse | The Circus | Georges Seurat |
| Charles Blanc's color wheel helped this artist develop this style | Divisionism/Chromoluminarism | Georges Seurat |
| Divisionism/Chromoluminarism was developed by this artist using this tool by this other artist (both required) | Charles Blanc's Color Wheel | Georges Seurat |
| Depicted a man lying on the banks with a brown top hat next to a brown dog | Bathers at Asnieres (Ahn-yair) | Georges Seurat |
| Depicted a very lanky trombonist lit up by acetylene lamp | Circus Sideshow | Georges Seurat |
| Inspired by the Goncourt brother's novel Freres Zemgano | The Circus | Georges Seurat |
| Depicted Charles Angrand in a silk hat | The Circus | Georges Seurat |
| Most famous user of the Conte Crayon | N/A | Georges Seurat |
| Series including "Concert at the Europeen" and "Concert at the Parisien" | "Concert Cafe" series | Georges Seurat |
| Depicted boats, a bridge, and a factory with smokestacks in the background | Bathers at Asnieres (Ahn-yair) | Georges Seurat |
| Contrasts the low-class subject and high-class boatracers in the background using smokestacks | Bathers at Asnieres (Ahn-yair) | Georges Seurat |
| Painted this mistress in "Young Woman Powdering Herself" | Madeleine Knobloch | Georges Seurat |
| Depicted Madeleine Knobloch sitting at her desk performing the titel action | Young Woman Powdering Herself | Georges Seurat |
| This movement led by this artist was influenced by this artist's color theory | Michel Chevreul | Georges Seurat |
| Depicted a blue background surrounding the title lighthouse in the title harbor | The Channel of Gravelines, Petit Fort Philippe | Georges Seurat |
| Depicted five figures in red holding hands in a circle | The Dance | Henri Matisse |
| Originally painted the central figures a normal color before painting them red | The Dance | Henri Matisse |
| Depicted 5 interlinked figures performing the title action | The Dance | Henri Matisse |
| Late depicted in a triptych mural* | The Dance (*Dance II is the mural) | Henri Matisse |
| Created in the Barnes Foundation as a triptych mural over arched windows, depicting an earlier work* | Dance II (*The Dance) | Henri Matisse |
| This artist's Dance II was housed in this place | Barnes Foundation | Henri Matisse |
| Founder of this movement with Andre Derain | Fauvism | Henri Matisse |
| Fauvism was founded by this artist and this other, less famous artist (work) | Andre Derain | Henri Matisse |
| The name of this artist's movement, Fauvism, was coined by this art critic | Louis Vauxcelles | Henri Matisse |
| Art critic Louis Vauxcelles's reviews gave these two movements their names | Fauvism AND Cubism | Henri Matisse |
| This artist and his peers were placed alongside an outlying sculpture by Andre Henri Marque, leading to this phrase | "Donatello Among the Wild Beasts" (said in a review by Louis Vauxcelles, complimenting Marque and giving Fauvism its name) | Henri Matisse |
| Louis Vauxcelles critiqued this work to give the name of this artist's movement | Woman with a Hat | Henri Matisse |
| Depicted his wife Amelie with an extravegant garment | Woman with a Hat | Henri Matisse |
| Inspired by a trip to Tangiers, Morocco | Goldfish | Henri Matisse |
| Depicted the title fish in a glass cup on a table surrounded by plants | Goldfish | Henri Matisse |
| Depicted a glass cup on a purple table with garden plants | Goldfish | Henri Matisse |
| This book collects many of this artist's paper cutouts | Jazz | Henri Matisse |
| Depicted nude figures of several different colors in a yellow field | The Joy of Life | Henri Matisse |
| After this artist had stomach surgery, he transitioned to this art style | Paper cut-outs/collages (unable to paint or sculpt) | Henri Matisse |
| Inspired by the title animal's shell's shape (spiral) | The Snail (paper cut-out/collage) | Henri Matisse |
| Depicts figures in a circle in the background in an homage to a previous work | The Joy of Life | Henri Matisse |
| African-inspired series depicting a naked woman's silhouette of the title color | Blue Nudes (paper cut-outs/collages) | Henri Matisse |
| This work was notably next to a Renaissance sculpture at the Salon d'Automne | Woman with a Hat | Henri Matisse |
| This artist's Woman with a Hat was placed in this exhibition | Salon d'Automne (dah-tawn) | Henri Matisse |
| This artist's Woman with a Hat was critiqued by Louis Vauxcelles in this journal | Gil Blas | Henri Matisse |
| This work is a white paper band with blue cut-outs that stretched around 4 walls | The Swimming Pool | Henri Matisse |
| This work was designed to go around this artist's dining room | The Swimming Pool | Henri Matisse |
| Painted his wife with a line of the title color running down her face | The Green Stripe | Henri Matisse |
| Depicted a man in a suit with a cigarette sitting next to a boy and his teacher at a piano | The Music Lesson | Henri Matisse |
| Created the Music Lesson, although not this Dutch artist (work) | Johannes Vermeer | Henri Matisse |
| Inspired by Nicolas Poussin's "Dance to the Music of Time" | The Dance | Henri Matisse |
| Painted in response to criticism of this artist's Woman with a Hat | The Joy of Life | Henri Matisse |
| These TWO works were commissioned by Sergei Shchukin | The Dance AND Music | Henri Matisse |
| Depicted the five red figures of an earlier work playing instruments | Music | Henri Matisse |
| Depicted blue-esque bathers using divisionism | Luxury, Calm, and Pleasure | Henri Matisse |
| Depicted the French Riviera by drawing inspiration from a Baudelaire poem* | Luxury, Calm, and Pleasure (*Invitation to a Voyage) | Henri Matisse |
| This artist's Luxury, Calm, and Pleasure was inspired by this poem by this poet (both required) | Invitation to a Voyage by Charles Baudelaire | Henri Matisse |
| Inspired by Charles Baudelaire's poem Invitation to a Voyage | Luxury, Calm, and Pleasure | Henri Matisse |
| Depicted a blonde woman rearranging fruit in a bowl | The Dessert: Harmony in Red (The Red Room) | Henri Matisse |
| Depicted walls and table cloths decorated with blue flowers and vines | The Dessert: Harmony in Red (The Red Room) | Henri Matisse |
| Depicted red and white wine in 2 bottles in a depiction of his studio | The Dessert: Harmony in Red (The Red Room) | Henri Matisse |
| Originally painted blue before renamed and repainted to the title color | The Dessert: Harmony in Red (The Red Room) | Henri Matisse |
| Depicted Aurora from one of this artist's* sculpture next to the title animal | Goldfish and Sculpture (*Reclining Nude I (Aurora)) | Henri Matisse |
| Depicted this artist's sculpture "Reclining Nude I (Aurora)" alongside a tank of water | Goldfish and Sculpture | Henri Matisse |
| This was the sculpture in this artist's "Goldfish and Sculpture" | Reclining Nude I (Aurora) | Henri Matisse |
| A series in which people are omitted in reinterpretations of famous paintings | Be Back in 5 Minutes | Sophie Matisse |
| This work was burned in effigy by students after it was displayed at the Armory Show in Chicago | Blue Nude (Souvenir de Biskra) | Henri Matisse |
| Subject of a mock trial by students in Chicago | Blue Nude (Souvenir de Biskra) (*Mock trial held after criticism of its demosntration at the Armory Show) | Henri Matisse |
| This subject had her black hair in a bun with her face divided in this work | The Green Stripe | Amelia Matisse (work painted by Henri Matisse) |
| Depicted his wife against a multicolored background | The Green Stripe | Henri Matisse |
| This creator of Fauvism attracted many followers, most notably this man (work) | Maurice de Vlaminck | Henri Matisse |
| Colorful nude inspired by a trip to Algeria | Blue Nude (Souvenir de Biskra) | Henri Matisse |
| Subtitled "memory for Biskra" | Blue Nude (Souvenir de Biskra) | Henri Matisse |
| Inspired after a work-in-progress sculpture of a less-colorful figure was smashed | Blue Nude (Souvenir de Biskra) | Henri Matisse |
| Series depicting enslaved Turkish chambermaids | Odalisque (series) | Henri Matisse |
| This series was inspired by seeing female slaves in Morocco | Odalisque (series) | Henri Matisse |
| Depicted the central figure on a green-yellow striped sofa | Odalisque with Raised Arms | Henri Matisse |
| Depicted interlinked figures against a blue and teal background | The Dance (and Music) | Henri Matisse |
| Depicts a the title structure seen from a hospital in Ajaccio | Le Mur Rose (Landscape: The Pink Wall) | Henri Matisse |
| Le Mur Rose, or The Pink Wall was painted from the perspective of a hospital in this place | Ajaccio | Henri Matisse |
| Depicted a female figure with a cane in the studio of the title artist | The Study of Gustave Moreau | Henri Matisse |
| Series of four bas-relief sculptures depicting the title* | Back (series) (depicts his wife's back) | Henri Matisse |
| This artist's Back series is this type of sculpture | Bas-relief (half-attached to the original sculpture block) | Henri Matisse |
| Blends the color of a table cloth and wall | The Dessert: Harmony in Red (The Red Room) | Henri Matisse |
| Joined many of his previous blue collages | The Swimming Pool | Henri Matisse |
| Depicts a chair with a yellow seat next to a red table | The Dessert: Harmony in Red (The Red Room) | Henri Matisse |
| Depicts a window showing three trees and a pink house | The Dessert: Harmony in Red (The Red Room) | Henri Matisse |
| Depicted a pink embracing couple with a blue cloth covering the woman's groin | The Joy of Life | Henri Matisse |
| Depicted the title figure as black in the sky with a small red dot for a heart | Icarus (paper cut-out/collage) | Henri Matisse |
| Depicts this woman with a fan on a blue chair in Woman with a Hat | Amelie ________ | Henri Matisse |
| Notably bought by Leo and Gertrude Stein | Woman with a Hat | Henri Matisse |
| Often depicted alongside this artist's wife, Amelie | Marguerite ________ (daughter of artist) | Henri Matisse |
| A pink woman plays two flute-like instruments in the bottom | The Joy of Life | Henri Matisse |
| Depicts 2 goats next to a woman playing a pipe | The Joy of Life | Henri Matisse |
| This artist created 4 crayon works for a lecture that argues that realistic depictions don't portray reality, summarized by this phrase (work) | Exactitude is Not Truth | Henri Matisse |
| Argued that "Exactitude is Not Truth) | N/A | Henri Matisse |
| Depicted angularly after he broke a sculpture of the same name | Blue Nude (Souvenir to Biskra) | Henri Matisse |
| Depicted two wine decanters next to several pieces of fruit on a table | The Dessert: Harmony in Red (The Red Room) | Henri Matisse |
| Depicted a maid arranging flowers over a prepared [title] | The Dinner Table | Henri Matisse |
| Depicted several boats on a pink sea | The Open Window | Henri Matisse |
| Depicted his wife and himself in a blue room divided by a window | The Conversation | Henri Matisse |
| Depicted ordinary shapes in a spiral against an orange background | The Snail (paper cut-out/collage) | Henri Matisse |
| Depicted three nude women against a green background looking at the title creature | Bathers with a Turtle | Henri Matisse |
| Hung upside down accidentally at MoMa for 47 days | Le Bateau (paper cut-out/collage) | Henri Matisse |
| More abstract version of this artist's The Music Lesson | The Piano Lesson | Henri Matisse |
| Includes a depiction of this artist's earlier "Woman on a High Stool" | The Piano Lesson | Henri Matisse |
| Depicted the title woman with a weirdly curved butt | Blue Nude (Souvenir to Biskra) | Henri Matisse |
| This artist's The Knife Thrower is this kind of work | Paper cut-out/collage | Henri Matisse |
| Depicted a leaping statue, lamp, and picture frame on a desk in front of the central figure | Woman Reading | Henri Matisse |
| Depicted a woman with a yellow-heart necklace and an open book with the title flowers | Annelies, White Tulips, and Anemones | Henri Matisse |
| Used the "painting with scissors" technique for this type of work | Paper cut-out/collage | Henri Matisse |
| This artist's Beasts of the Sea is this kind of work | Paper cut-out/collage | Henri Matisse |
| Contains depiction of a woman surrounded by blue and white flowers against a pink background | The Red Studio | Henri Matisse |
| Depicts a central grandfather clock without hands | The Red Studio | Henri Matisse |
| This artist's The Sorrows of the King is this kind of work | Paper cut-out/collage | Henri Matisse |
| Cutout depicting black woman Josephine Baker | La Negresse | Henri Matisse |
| Depicted a woman draped in clothes lined with tiger fur | L'Asie | Henri Matisse |
| Depicted a faceless figure against a red background with the title flowers | The Plum Blossoms | Henri Matisse |
| "Still-Life with Germaniums" | N/A | Henri Matisse |
| Depicted the title girl crouching on carpet next to a bowl of goldfish | Zorah on a Terrace | Henri Matisse |
| This book is mixed with gouache and paper from this art and handwritten text | Jazz | Henri Matisse |
| Contains "The Sword Swallower, Cirque, The Clown, and Pierrot's Funeral" | Jazz | Henri Matisse |
| Debatably the most famous Dada artist | N/A | Marcel Duchamp |
| Created many "Readymade" sculptures | N/A | Marcel Duchamp |
| Signed "R. Mutt" | Fountain | Marcel Duchamp |
| A moved porcelain urinal | Fountain | Marcel Duchamp |
| A snow shovel | In Advance of the Broken Arm | Marcel Duchamp |
| Highlighted the slipperiness of snow | In Advance of the Broken Arm | Marcel Duchamp |
| Depicts the title object sticking out of a stool | Bicycle Wheel | Marcel Duchamp |
| Inspired by Etienne-Jules Marey's advancement of stop-motion photography | Nude Descending a Staircase, No. 2 (*Stop-motion photography was invented by Edweard Muybridge) | Marcel Duchamp |
| Shows a woman walking down the title structure from multiple perspectives | Nude Descending a Staircase, No. 2 | Marcel Duchamp |
| Described as an "explosion in a shingles factory" by one critic* | Nude Descending a Staircase, No. 2 | Marcel Duchamp |
| Depicted the Mona Lisa with a pencil-drawn mustache and goatee | L.H.O.O.Q. | Marcel Duchamp |
| Hid a dirty message in the title acronym | L.H.O.O.Q. | Marcel Duchamp |
| Implied a vulgar meaning to da Vinci's Mona Lisa with this phrase in this work (both required) | "She has hot pants / a hot ass" in L.H.O.O.Q. | Marcel Duchamp |
| This man largely quit art to study this game | Chess | Marcel Duchamp |
| Also called The Large Glass | The Bride Stripped Bare by her Bachelors, Even | Marcel Duchamp |
| Also called The Bride Stripped Bare by her Bachelors, Even | The Large Glass | Marcel Duchamp |
| Depicted men connected to a chocolate grinder and water wheel | The Bride Stripped Bare by her Bachelors, Even | Marcel Duchamp |
| Depicts nine "Malic Molds" | The Bride Stripped Bare by her Bachelors, Even | Marcel Duchamp |
| A collection of notes for another work* with two sections covered by broken glass | The Green Box (*The Bride Stripped Bare by her Bachelors, Even) | Marcel Duchamp |
| Depicted an abstract insect-like figure in the top panel | The Bride Stripped Bare by her Bachelors, Even | Marcel Duchamp |
| Only accessible by looking throw 2 peepholes in a wooden door | Etant donnes | Marcel Duchamp |
| Last work, a surprise made years after quitting art for chess | Etant donnes | Marcel Duchamp |
| Depicted Maria Martins with a lamp through a limited perspective | Etant donnes | Marcel Duchamp |
| Argued for abandoning "retinal art" | N/A | Marcel Duchamp |
| This artist praised Andy Warhol's soup cans for fighting this concept | "Retinal Art" | Marcel Duchamp |
| This artist was photographed with this woman (work) with his work The Bride Stripped Bare by her Bachelors, Even in the background | Eve Babitz | Marcel Duchamp |
| In the background of a nude photo of the artist and Eve Babitz | The Bridge Stripped Bare by her Bachelors | Marcel Duchamp |
| This woman (work) was photographed nude playing chess against this artist | Eve Babitz | Marcel Duchamp |
| This composer (work) played a musical chess match against this artist | John Cage (*Reunion) | Marcel Duchamp |
| A public chess game between this artist and a composer* | Reunion (*John Cage) | Marcel Duchamp |
| This woman pseudonym was this artist's female alter ego | Rrose Selavy | Marcel Duchamp |
| Photoelectric cells produced music during a board game | Reunion | Marcel Duchamp |
| White cubes in a bird cage | Why Not Sneeze, Rrose Selavy | Marcel Duchamp |
| Includes a cuddle bone and thermometer | Why Not Sneeze, Rrose Selavy | Marcel Duchamp |
| List all 4 items inside the bird cage of Why Not Sneeze, Rrose Selavy | White Cubes, Cuddle Bone, Thermometer, Porcelain Dish | Marcel Duchamp |
| Miniature recreations of this artist's works, placed in a small suitcase contraption | Box in a Valise | Marcel Duchamp |
| Dropped three curved meter-long threads onto a canvas | 3 Standard Stoppages | Marcel Duchamp |
| Cut 3 canvasses along the lines of curved strings | 3 Standard Stoppages | Marcel Duchamp |
| Referenced the mathematical theory of Henri Poincare | 3 Standard Stoppages | Marcel Duchamp |
| Turned curved threat into straight edges | 3 Standard Stoppages | Marcel Duchamp |
| Includes the subtitles "The Waterfall" and "The Illuminating Gas" | Etant Donnes | Marcel Duchamp |
| Etant Donnes by this artist is divided into these 2 sections | 1. The Waterfall and 2. The Illuminating Gas | Marcel Duchamp |
| This film depicted this artist playing chess against Man Ray, another French artist | Entract (Entr'acte) | Marcel Duchamp |
| In Entract, this artist played against this other, less famous artist (work) | Man Ray | Marcel Duchamp |
| Composed of many alternating shots of spinning drawing disks | Anemic Cinema (film) | Marcel Duchamp |
| Contains "Rotoreliefs" | Anemic Cinema (film) | Marcel Duchamp |
| These spinning disks were present in this artist's film Anemic Cinema | "Rotoreliefs" | Marcel Duchamp |
| A coat rack nailed on the floor | Trebuchet/Trap | Marcel Duchamp |
| This work was asked to be placed to the front of a gallery so it wouldn't be noticed | Trebuchet/Trap | Marcel Duchamp |
| An empty ampoule | 50 cc of Paris Air | Marcel Duchamp |
| Was broken and repaired abroad, ruining the original title | 50 cc of Paris Air | Marcel Duchamp |
| Contains 125 cubic centimeters, actually | 50 cc of Paris Air | Marcel Duchamp |
| 50 cc of Paris Air was gifted to this man | Walter Arensberg | Marcel Duchamp |
| Walter Arensberg was the reciever of this work | 50 cc of Paris Air | Marcel Duchamp |
| Declared "Perpetually Unfinished" | The Bride Stripped Bare by her Bachelors, Even (until it broke) | Marcel Duchamp |
| Also called Box in Valise | Boite en Valise | Marcel Duchamp |
| Inspired by a work* by Raymound Roussel | Boite en Valise / Box in Valise (*Impressions of Africa) | Marcel Duchamp |
| This work was inspired by this author's Impressions of Africa (both required) | Box in Valise & Raymond Roussel | Marcel Duchamp |
| Small suitcase holding a collection of this artist's works | Boite en Valise / Box in Valise | Marcel Duchamp |
| Depicted himself* on a Rigaud Perfume Bottle | Beautiful Breath, Veil Water (*depicted his alter ego, Rrose Selavy) | Marcel Duchamp |
| Replaced the word "Violet" with "Veil" | Beautiful Breath, Veil Water | Marcel Duchamp |
| Most expensive readymade ever sold | Beautiful Breath, Veil water | Marcel Duchamp |
| This artist suggested this term to Alexander Calder | "Mobiles" | Marcel Duchamp |
| This artist suggested the term "Mobiles" to this sculptor | Alexander Calder | Marcel Duchamp |
| Repeating clip of a woman walking down wooden stairs by this man (work) pays homage to this artist | Shigeko Kubota | Marcel Duchamp (*Work is Duchampiana: Nude Descending a Staircase) |
| This artist's Etant Donnes is found in this museum | Philadelphia Museum | Marcel Duchamp |
| "Bottlerack" by this artist is this kind of work | Readymade | Marcel Duchamp |
| This American artist (work) created a 1998 Dossier for this artist | Joseph Cornell | Marcel Duchamp (Duchamp Dossier) |
| Gauze against a blue and white background | George Washington (Genre Allegory) | Marcel Duchamp |
| Tinted and stained gauze and wool depicted George Washington | Genre Allegory | Marcel Duchamp |
| This artist resigned from this Art Journal after his Fountain was rejected | The Blind Man | Marcel Duchamp |
| This artist (work) also resigned from the Blind Man after this artist's Fountain was rejected | Walter Arensberg | Marcel Duchamp |
| This work was famously rejected from the art journal The Blind Man | Fountain | Marcel Duchamp |
| This artist (work) took notes from this artist's The Green Box to create a work for this exhibition (both required) | Richard Hamilton | For the Tate Modern | Marcel Duchamp |
| This work was referenced by Richard Hamilton in his work* at the Tate Modern | The Bride Stripped Bare by her Bachelors, Even (*Through the Large Glass) | Marcel Duchamp |
| Serkan Ozkaya claimed this work could be used to secretly project the artist's face onto a wall | Etant Donnes | Marcel Duchamp |
| This artist appears in this unfinished film by Maya Deren | The Witch's Cradle | Marcel Duchamp |
| This artist appeared in this Hans Richter plotless film | 8x8: A Chess Sonata | Marcel Duchamp |
| The final article in the journal The Blind Man was dedicated to this man | N/A | Marcel Duchamp |
| Depicted a French window with the panes covered in wlack leather | French Widow | Marcel Duchamp |
| First use of this artist's "Elementary Paralellism" | Sad Young Man on a Train | Marcel Duchamp |
| This artist sculpted "Musical Sculpture" while working with this man | John Cage | Marcel Duchamp |
| This photographer (work) depicted a work by this artist next to Marsden Hartley's "The Warriors" | Alfred Stieglitz (Hartley and Duchamp on Background) | Marcel Duchamp |
| Alfred Stieglitz photographed this artist's fountain in front of this work by this other artist (both required) | The Warriors by Marsden Hartley | Marcel Duchamp |
| Contains a figure with a figure with a halo made of 3 nets | The Bride Stripped Bare by her Bachelors, Even | Marcel Duchamp |
| Referenced a photo the artist took of a waterfall in Switzerland | Etant Donnes | Marcel Duchamp |
| "Pulled at 4 Pins" is this kind of work by this artist | Readymade | Marcel Duchamp |
| Depicted a series of colored squares covering eachother next to a pointing finger | T'um | Marcel Duchamp |
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