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Photoshop - Week 3
WTAP 110 - Introduction to Photoshop: Selections & Masks
| Question | Answer | Example |
|---|---|---|
| Marquee Tool | A selection tool in Photoshop used to select rectangular or elliptical areas of an image. | Using the rectangular marquee tool to select and crop a specific area of a photo. |
| Lasso Tool | A selection tool that allows users to draw freeform segments of a selection border. | Using the lasso tool to select and cut out an irregularly shaped object from a background. |
| Magic Wand Tool | A selection tool that selects pixels based on color and tone similarity, useful for selecting areas of similar color. | Using the magic wand tool to select a solid-colored background for removal. |
| Quick Selection Tool | A selection tool that quickly "paints" a selection by automatically finding and following defined edges in the image. | Using the quick selection tool to select and isolate a person in a photo. |
| Refine Edge | A feature in Photoshop that helps to improve the quality of a selection by refining its edges, especially useful for selecting hair or fur. | Using the refine edge tool to create a precise selection of a subject with complex edges, such as hair. |
| Pen Tool | A tool used for creating precise paths or shapes which can be converted into selections, masks, or objects. | Using the pen tool to draw a path around an object for a precise selection. |
| Layer Mask | A feature that allows for non-destructive editing by concealing or revealing parts of a layer using black, white, and shades of gray. | Applying a layer mask to blend two images seamlessly without permanently altering either image. |
| Clipping Mask | A group of layers to which a mask is applied, where the bottommost layer defines the visible boundaries of the entire group. | Creating a clipping mask to confine an image or texture to the shape of a text layer. |
| Blending Modes | Settings that determine how a layer’s pixels blend with the pixels of the layers beneath it. | Setting a layer’s blending mode to "Overlay" to combine textures and colors in a creative way. |
| Smart Objects | Layers that contain image data from raster or vector images, allowing for non-destructive scaling, rotation, and other transformations. | Converting a layer to a smart object to preserve its quality when resizing. |
| Destructive Editing | Editing that permanently alters the original image data, making it impossible to revert to the original state. | Using the eraser tool directly on an image layer, removing pixels permanently. |
| Non-Destructive Editing | Editing techniques that do not permanently alter the original image data, allowing for adjustments and reversibility. | Using adjustment layers and masks to edit an image without changing the original pixels. |
| Channels | Used to store color information for each primary color in an image or to save selections as alpha channels. | Using the channels panel to make complex selections based on color information. |
| Transforming Image Selection | Modifying the size, shape, or orientation of a selected area within an image. | Using the transform tool to rotate and scale a selected object. |
| Layer Styles | Effects that can be applied to layers to enhance their appearance, such as shadows, glows, and bevels. | Adding a drop shadow to a text layer to create depth. |
| Applying Filters | Adding effects to layers, such as blurs, distortions, and artistic effects, to achieve a desired look. | Applying a Gaussian blur filter to a background layer to create a depth-of-field effect. |
| Adjusting Image Curves | A method for adjusting the tonal range and contrast of an image by manipulating a curve graph. | Using the curves adjustment to enhance the contrast and brightness of a photo. |