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definitions
| Question | Answer |
|---|---|
| Oedipus | Mythical Greek god of ancient Thebes. A tragic Hero in Greek Mythology. Son of Laius and Jocasta. Jocasta is his wife. |
| Creon | Ruler of Thebes |
| Jocasta | Queen of Thebes, the wife of Lauis and Oedipus. Children are Eteocles, Antigone, and Polynecies |
| Antigone | Theban princesses, daughter of Oedipus. Siblings are Polynices, Eteocles, and Ismene |
| Tiresias | A mythological greek figure who was famous for his prophecies. He was a blind prophet of Apollo in Thebes |
| Ismene | In Greek mythology, Ismene is a Theban princess. She is the daughter and half-sister of Oedipus, king of Thebes, daughter and granddaughter of Jocasta, and sister of Antigone, Eteocles, and Polynices. |
| Chorus | The chorus in Classical Greek drama was a group of actors who described and commented upon the main action of a play with song, dance, and recitation. |
| Sheperd | The person who told Oedipus he was the one who found him in the mountain and was the one that helped him live |
| Corinth | A ancient city of Greece |
| Laios | The king of Thebes before Oedipus took over, married to Jocasta and Oedipus's father |
| Polybos | King of Cornith, adoptive father of Oedipus |
| Merope | The wife of king Polybus, adoptive mother of Oedipus |
| Theseus | king of Athens |
| Polynesices | the son of Oedipus and brother to Antigone |
| Ectoles | Brother of Antgone and son of Oedipus |
| Eurydice | Wife of Creon and mother of Hamion |
| The Furies | Justice seekers, they tortured sinners in the underworld |
| Nemisis | the inevitable punishment or cosmic payback for acts of hubris. |
| Dramatic Irony | when the audience understands more about a situation than some of the characters do |
| Situational Irony | when the outcome of a situation is contrary to or different from what is expected. |
| Verbal Irony | when what is said is the opposite of the literal meaning |
| Motif | A motif is any distinctive feature or idea that recurs across a story; often, it helps develop other narrative elements such as theme or mood. |
| Suppliant | A type of plea |
| Anagnorosis | the startling discovery that produces a change from ignorance to knowledge |
| Hubris | excessive pride |
| Hamartia | Aristotle says that the tragic hero should have a flaw and/or make some mistake (harmatia). |
| Allusion | An allusion is a reference that is made from well known from pop culture, books, or well known people. |
| Theme | the message of the selected passage |
| Tragic Hero | The protagonist should be renowned and prosperous, so his change of fortune can be from good to bad. |
| Oracle | a person (as a priestess of ancient Greece) through whom a god is believed to speak |
| Prophecy | a message that was given to somebody from a supernatural entity |
| Soothsayer | a person supposed to be able to foresee the future. |
| Logo | the argument itself; the reasoning the author uses; logical evidence |
| Ethos | How the author build trustworthiness and credibility |
| Pathos | words of passage an author uses to activate emotions |
| Tragedy | the downfall of a basically good person through some fatal error or misjudgment, producing suffering and insight on the part of the protagonist and arousing pity and fear on the part of the audience. |
| Catharsis | purging of emotions at the end of the story |
| Freytag's Pyramid | 1; incentive moment 2. rising action, peripetia 3. resolution |
| Peripetia | a rising action in a charactors story |
| Fate | the supposed force, principle, or power that predetermines events. |
| Tyranny | cruel and oppressive government or rule. |
| Capitalistic | a person who supports an economic and political system in which a country's trade and industry are controlled by private owners for profit. |
| Democratic | a person who supports a system of government by the whole population or all the eligible members of a state, typically through elected representatives. |
| Socialistic | a person who supports a political and economic theory of social organization which advocates that the means of production, distribution, and exchange should be owned or regulated by the community as a whole. |