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Chapter 5
Principles of Design
Question | Answer |
---|---|
Principles of Design | A systematic framework which allows the viewer greater insight into works of art |
Unity and Variety | A sense of oneness, of things belonging together and making a coherent whole, exist on a spectrum, with total blandness at one end and total disorder on the other |
Visual Unity | Unity based in the elements of shape, color, line, etc. |
Conceptual Unity | Unity of ideas |
Visual Weight | refers to the apparent “heaviness” or “lightness” of the forms arranged in a composition as gauged by how insistently they draw our eyes |
When the visual weight is equally distributed to either side of a felt or implied center of gravity, we feel the composition is _______ | Balanced |
Symmetrical Balance | Mirror image of shapes/forms on either side of an imaginary axial dividing line; elements correspond to one another in size, shape, and placement |
Asymmetrical Balance | Two sides that do not correspond to one another in size, shape, and placement |
Emphasis | The viewer’s attention will be centered more on certain parts of the composition than on others. |
Focal Point | A specific sport to which attention is directed |
Subordination | A less visually interesting area |
Scale | Size in relation to a constant or “normal” size. |
Proportion | Refers to size relationships between parts of a whole or between two or more items perceived as a unit |
Hierarchical Scale | Using size change to indicate relative importance. |
Golden Ratio | A proportional ratio used by artists and the ancient Greeks in both architecture and other works of art |
Visual Rhythm | Depends on the repetition of accented elements, usually shapes. |