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Mike's Renaissance
Terms
| Term | Definition |
|---|---|
| Public Playhouse Audience Numbers | 2000-3000 |
| Public Playhouse Shape | round, octagonal, rectagonal |
| Examples of Public Playhouses | The Globe (1599), The Fortune (1600), The Swan |
| The Globe attic | a huge room that is used both for storage of props and costumes and as a rehersal and audition space |
| The Globe balcony | housed the musicians and actors |
| The Globe heavens | the stage ceiling decorated with zodiac and other symbols |
| The Globe gallery | housed benched sating for paying patrons, aristocracy would sit in middle, 2 pence admission |
| The Globe stage | made of bare boards and used for performance, seating in middle featured cushioned seats (3 pence) |
| Private Playhouses | smaller and roofed, 1/4 to 1/2 the seating of public, did plays year-round |
| Structure of the Stage | 2-3 tiers of roofed galleries, 4-6' raised stage with trap doors, 2 level facade behind stage, sometimes used for acting, no scenery, spoken decor |
| Important playwrights | Christopher Marlowe, Ben Jonson, William Shakespeare |
| soliloquies | speeches where the actors talk alone to reveal their thoughts |
| Audience | all classes of people attended, only price separated them |
| Actors | all men, singing dancing and fencing, well-paid b/c they could memorize |
| Troupes | 3-4 men and a boy, performed pageants in courtyards and town squares, were then controlled by sovreignty |
| Great Elizabethan Actors | Richard Bourbage, Edward Alleyn, William Kemp |
| Costuming | usually contemporary English fasion, except supernatural characters |
| Performances | started at 3 p.m., lasted 2 hours, Beginnings were announced by blowing trumpets and flag raising, issued a playbill |