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Question | Answer | Answer #2 | Answer #3 |
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surrealism and its social context | began in 1920| based on dreams and is very symbolic| based on painting and writing| it used the first manifesto| based on unexpected juxtapose and surprise| developed out of dada activities| surrealism is about thinking and accepting your thoughts| | formed due to the activities in world war 1 and the most important center of the movement was in paris. it affected the visual arts, culture, language, music, etc. in many different countries around the world. | |
futurism and its social context | an artistic and social movement that originated in the early 20th century in italy| it was about admiring violence and was intensely patriotic| the futurists admired speed and technology | ||
dada and its social context | cultural movement that began in switzerland during WWI| 1916-1922| concentrated with anti-war politics by making anti-art cultural works| it was the birth of the collage| birth of conceptual art | ||
facts about balinese art and music culture | theater and dance were common parts of the Balinese culture| wood carving is a main part of the balinese culture, things are carved into masks, doors, and god figurines| stone carving consists of carving soft volcanic rock into split gates and statues| | balinese pick up and copy designs from outsiders who have come to settle in Bali | |
techniques, equipment and posture that helps us draw our best | use your pencil as a measuring tool to measure the length of the body part or object| draw big so it will be easier to draw the next part| don't hug your paper when you draw, take a step back and draw from a distance| | make your decision on what to draw before you draw it, because some things like charcoal can not be erased| charcoal can break easily so do not draw hard| start out by drawing lines, then form those lines into the shapes that you want| | draw the background in the back of the picture and avoid drawing detail until the end if you have to| use cross-hatching to shade in objects to show where the light is not hitting the object or person, by crossing sets of lines to form a dark border. |