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Drawing a still-life
Term | Definition |
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Still life | an artwork showing an arrangement of objects that cannot move on their own, such as fruit, foods, bottles, books, or cut flowers |
proportion | – the relation of the parts of an artwork to each other and to the whole; it is a principle of design. |
constrast | – the difference between two unlike things, such as a light color and a dark color |
overlapping | – partly or completely covering one shape or form with another to show space and distance in an artwork. |
space | the area around, above, between, inside, or below objects. Positive space is the area occupied by an object. Negative space is the empty area surrounding an object; space is an element of art. |
depth of space | the use of the techniques of perspective (closer objects are larger, those in the back look smaller) and overlapping to show deep space on a two-dimensional plane. |
2d vs. 3d | – two dimensional is flat, like an artwork on a piece of paper; three dimensional is not flat, it takes up actual space, like a sculpture. |
composition | – the plan, placement, or arrangement of the elements of art in an artwork |
texture | – the way something feels to the touch (actual texture) or how it may look (visual texture); texture is an element of art. |
value | the lightness or darkness of a color; value is an element of art. |
technique | the way an artist uses and applies art media and tools to create a certain type of artwork |
blending | a shading technique that changes the value of a color little by little without hard edges |
hatching | a shading technique using this parallel lines; far apart is light value, close together is dark value. |
cross-hatching | a shading technique using lines that cross each other; far apart is light value, close together is dark value. |
strippling | – a shading technique creating dark values by applying a dot pattern close together, light values with dot pattern further apart |
emphasis | importance given to certain objects or areas in an artwork; color, texture, shape, space, placement, and size can be used to create dominance, contrast, or a focal point; emphasis is a principle of design. |
focal point | a way to show emphasis in an artwork in which the artist sets an element apart from the others to create a visual center of interest |
unity | the quality of seeming whole and complete, when all the parts of an artwork look right together; unity is a principle of design |
realistic | – a style representing familiar things in a way that is accurate or true to life. |
abstract | – a style representing familiar things in a way that is accurate or true to life. |
mood | – the feeling or emotion created in an artwork through the artist’s use of the elements of art and principles of design. For example, warm colors may suggest a lively, sunny mood; cool colors may suggest a peaceful or lonely mood; dark colors may suggest |