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MAWD Lesson 1.01 voc
Definition | Term |
---|---|
The style, arrangement, and appearance of text | Typography |
The basic design of a character | Typeface |
Have strokes at the tips of the letters | Serif |
No strokes at the tips of the letters and is easier to read on digital displays | Sans Serif |
Designed strictly to catch the eye. Used for decoration. Should never be used in the body text | Ornamental |
Appear to have been written by hand. Should never be keyed in all types. Conveys a formal mood | Script |
Use decorative pictures or symbols instead of characters. Allows the user to use a symbol to convey the message without importing a graphic | Symbol |
The specified size, weight, and style applied to a typeface | Font |
Each character takes up the same amount of horizontal space | Monospaced |
The amount of horizontal space each character takes up varies | Proportional |
An arrangement of text in a graduated series to help readers scan and know where to enter and exit the text | Visual Hierarchy |
The vertical height of a character | Text Size |
Bold, italic, fill color, stroke color, shadow, small caps | Text Style |
Vertical spacing between lines of text | Leading |
Horizontal spacing between pairs of letters | Kerning |
Horizontal spacing between all the characters in a large block of text | Tracking |
Can be any size, shape, texture, pattern, or direction. Can be straight or curved | Lines |
Length, width, and depth of objects | Positive Space |
“white space.” The distance between objects | Negative Space |
2-dimensional space | Shapes |
Triangles, squares, circles | Geometric |
Natural or man-made shapes | Organic |
3-dimensional space added to objects by the addition of shadows, tone, or color transitions | Form |
The size or amount of space taken up by an element. Used for emphasis | Mass |
Used to convey a sense of touch or feel | Texture |
Evokes emotion. Sets tone or mood | Color |
Blue, green, violet | Calming colors |
Red, orange, yellow | Exciting colors |
Beige, ivory, taupe, black, gray, white | Neutral colors |
Choosing pleasing color combinations from a color palette | Color Harmony |
A range of colors | Color palette |
Any 2 colors directly opposite each other on the color wheel | Complementary color scheme |
Any 3 colors which are side by side on a 12-part color wheel | Analogous color scheme |
Uses variations in lightness and saturation of a single color | Monochromatic scheme |
A color | Hue |
The brightness of a color | Value |
A hue plus white | Tint |
A hue plus black | Shade |
The amount of the hue used; a color’s intensity | Saturation |
The arrangement of elements | Balance |
Elements are centered or evenly divided both vertically and horizontally | Symmetrical |
Off-center alignment created with an odd or mismatched number of elements | Asymmetrical |
The elements radiate or swirl in a circular or spiral path | Radial |
Emphasizing the difference between elements. Creates interest and excitement | Contrast |
All of the design elements are consistent with each other in shape, style, and color and consistent with the overall message | Unity/Harmony |
The relationships between the sizes of various elements | Scale/Proportion |
The first element the eye sees; the facial point | Dominance/Emphasis |
The use of columns/rows in design | Grids |
Splitting an image or design into thirds, so you end up with 9 equal sections | Rule of Thirds |
The spot the eye first sees when it encounters a page | Optical Center |
The pattern the eye follows when scanning a page | Z-pattern |