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Art Chapter 1.1
| Definition | Term |
|---|---|
| A printmaking technique where they scratches or gouges image into the surface of plate | Engraving |
| The basic of art - line, form, shape, etc | Elements |
| Ways the element of art constructed in a work of art - contrast, balance, unity, variety, rhythm, emphasis, pattern, etc. | Principles |
| Implied or Outermost line | Outline |
| Height and weight | Two Dimensional |
| Height, Weight, & Depth | Three dimensional |
| A flat surface, often implied in the composition | Plane |
| The creation of the illusion of depth in a two-dimensional image by using mathematical principles | Perspective |
| The distance between identifiable points or planes | Space |
| A line not actually drawn but suggested by elements in the work | Implied Line |
| A printmaking process that uses acid to bite the engraved design into the printing surface | Etching |
| A continuous, uninterrupted line | Actual Line |
| The part of work depicted furthest from the viewer's space, often behind the main subject matter | Background |
| A graphic image used to identify an idea or entity | Logo |
| The optical effect caused when reflected white light of the spectrum is divided into separate wavelengths | Color |
| The space filled or enclosed by a three-dimensional figure or object | Volume |
| A person who draws | Draftsman |
| A work of art assembled by gluing materials, often, paper onto a surface | Collage |
| An arrangement of predictably repeated elements | Pattern |
| An area of lightest value in a work | Highlight |
| A shape defined by its surrounding empty space | Positive Shape |
| An empty space given shape by its surround | Negative Space |
| Art imagery that departs from recognizable images from the natural world | Abstract |
| A work in which the communication of an idea or group of idea are most important to the work | Conceptual Art |
| Suppressing conscious control to access subconscious sources of creatively and truth | Automatic |
| A characteristic way in which an artist or group of artists uses visual language to give a work an identifiable form of visual expression | Style |
| A portrait or figure represented in outline and solidly colored in | Silhouette |
| A print created from an incised piece of wood | Woodcut |
| The relationship between one shape and its background, so that the shape becomes the background and the background becomes the shape | Figure-Ground Reversal |
| Vincent Van Gough | Had a brother, Draftsman , work was not famous, tried to commit suicide, then later committed suicide, now his work is worth millions |
| Georgia | O'Keeffe |
Created by:
adrianajashae
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