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Art I Final
Question | Answer |
---|---|
line | can show edges, texture, or value. |
color | color contributes meaning and mood to the artwork. color is arranged in specific color schemes. |
texture | smooth, rough, reflective, or transparent. |
shape or form | shape is two dimensional and form is three dimensional. By adding shading to a drawing it seems to take on form. |
value | the lightness or darkness of a drawing. Value shows contrast, makes a mood, shows depth, makes emphasis. |
unity | sense of completeness. |
rhythm/ pattern | controlled motion as in the beat of music. |
proportion | size relationship of one part to another. |
balance | radial, asymmetrical, or symmetrical. |
center of interest/focal point | the place your eye goes first in the art work. |
variety | variety within unity. |
space | The area in and around a drawing. There's positive and negative space. |
contour | the outside or inside edge of an object and it's details, |
contour drawing | drawing an outline with one continuous line. |
blind contour drawing | contour drawing with your eyes closed. |
Perspective Points | one point, two point. Birds view, eye view, worms view. Has horizon line and vanishing point. |
composition | the placement or arrangement of visual elements or ingredients in a work of art, as distinct from the subject of the work. |
value techniques | hatching, cross hatching, and stippling. |
pattern | repeating shapes will produce visual appeal and center of interest. |
ceramics | the process of building clay forms that are fired into a permanent state (functional or non-functional). |
pinch | a form or structure shaped by pressing the clay between the thumb and fingers. |
coil | building a hollow shape by joining one coil on top of the other. |
slab | making a hollow shape by joining thin flat even sheets of clay together by the technique of scoring and slipping. |
wedging | the process of kneading clay to eliminate air pockets inside the clay. |
score | to make small marks in the clay with a tool to roughen the surface before the slip is added to join pieces of clay. |
slip | clay is thinned out with water to be used as a glue joining clay together. |
leather hard | clay which is partially hard and dry but which still may be scored and burnished. Its dark. |
green ware | unfired, completely air dried. terra cotta clay has turned pink. |
bisque ware | clay that has been fired once but is still glazed. from the french word meaning half baked. |
relief texture | the process of created raised or lowered surfaces on clay by pressing objects into the clay or adding pieces to the surface. |
glazing | applying a think coat of liquid glaze to bisque ware to decorate it and make it water proof. |
kiln | the furnace in which clay is fired. |
firing | the process of heating clay to a temperature at which it turns into a hard-permanent, glass-like medium. |
grog | bisque fired clay that has been ground into a fine sand-like material and is added into moist clay to give it a structural body and to help reduce its shrinkage. |
terracotta | a low fired clay body use at CHS. it contains grog and is best used in slab work and structural forms. Also called earthenware clay. |
white talc clay | a light gray clay body when wet and fires to a white color and contains very little grog. Best used for wheel throwing. This clay lets you see the true color of glazes. |
high relief | surface of object has raised areas of pattern and design. |
low relief | surface of object has areas lower and include incised lines and tectures. |
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