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week 7 editing terms
Stack #187710
| Question | Answer |
|---|---|
| A popular digital editing program | Final Cut Pro |
| __________editing refers to arranging the sequence of shots to suggest a progression of events | continuity |
| In dramatic television good editors sometimes break from the expected to achieve a | dramatic effect. |
| Unfulfilled expectations can be used to create... | audience tension. |
| Often a part of continuity editing is to suggest or explain cause. This is called... | causality |
| An________is a close-up of something that exists within the basic scene | insert shot |
| Cut away from the main scene or action to add related material | cutaways |
| In_________editing, scenes that by themselves seem not to be related take on a cause-effect significance when edited together in a sequence | relational |
| Refers to a rapid, impressionistic sequence of disconnected scenes designed to communicate feelings or experiences | thematic editing |
| Often used in music videos, commercials, and film trailers | thematic editing |
| Segments cut together to follow multiple story lines | parallel cutting. |
| Confusing or unsettling edits | jump cuts. |
| The recording of an interview | A-roll |
| The supplementary footage in a documentary or interview | B-roll footage |
| When you cut back to the wide shot in the middle of a scene | reestablishing shot. |
| A new shot of the same subject matter can be justified only if you change the camera angle by at least | thirty degrees. |
| Any time a new camera angle exceeds 180-degrees you will have crossed the | action axis |
| Master shot | another name for an establishing shot |
| Any noticeable, abrupt, or undesirable change in audio or video__________continuity problem | technical |
| Audio continuity problems can be caused by | background sound |
| Audio continuity problems can be caused by | sound ambiance |
| Audio continuity problems can be caused by______________ of mic or audio equipment | frequency response |
| Audio continuity problems can be caused by | audio levels |
| Specific_________diminish over distance | frequencies |
| Most mics exhibit_________or presence effects | proximity |
| The ambient sound on the location | room tone |
| Method to make both the audio and video end at the same time | backtiming |
| Tool used to try to make various video segments consistent in quality | Vectorscope |
| Tool used to try to make various video segments consistent in quality | waveform monitor |
| Editing guideline: Edits work best when they are | motivated |
| It takes about a_______of a second for viewers' eyes to switch from one side of the frame to the other | quarter |
| Editing guideline: Whenever possible, cut on subject... | movement |
| Editing guideline: Keep in Mind the_____________of the Medium | strengths and limitations |
| Cut away from the scene the moment the___________is made | visual statement |
| Editing guideline: Emphasize the | B-Roll |
| A close-up showing how others are responding to what's gong on | reaction shot |
| Editing guideline: If in doubt | leave It out. |
| The person who sees that the actor's clothes, jewelry, hair, make-up, etc remain consistent between takes... | continuity director |
| Close-ups showing how others are responding to what's gong on | reaction shots |
| Howard Hawks, an eminent American film maker, said: "A great movie is made with | cutaways and insert shots |
| Movable objects on the set | props |
| Edits work best and are less noticeable when they are... | motivated by the action |