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Periods&Movements4-6
Stack #165166
| Question | Answer |
|---|---|
| french artists 1905-1907 Matisse leader | Les Fauves |
| Rouault, Derain, Dufy, | Les Fauves |
| nationalistic nineteenth-century Russian composers | The Five |
| Cui,Mussorgsky | The Five |
| Ransom,Tate,Warren | The Fugitives |
| formed by Marinetti in Italy,1909; | Futurism |
| Vlaminck, and Braque | Les Fauves |
| Southern poets and critics Vanderbilt University 1920's | The Fugitives |
| Rimsky-Korsakov,Balakirev,Borodin | The Five |
| English poets style dominated the early eyars of the 20th century poetry of nature and rustic life | Georgians |
| uses sharply contoured, simple forms; | Hard Edge |
| nineteenth century French painters in Paris sought to break up light into its component parts and to render it ephemeral play on various surfaces by a succession of discontinuous dabs of color | Impressionism |
| Moore, Riding, Lytle | The Fugitives |
| 1920's New York City | Harlem Renaissance |
| Young, Parnell, Blair, Gray | Graveyard Poets |
| known as the era of Duke Ellington's jazz at the Cotton Club | Harlem Renaissance |
| demanded absolute precision in the presentation of the individual image, not mere description 1910 | Imagism |
| Albers,Noland,Kelly,Stella | Hard Edge |
| nineteenth-century US artists who painted rural scenes, especially in New York's Catskill Mountains after 1830 | Hudson River School |
| In 1925 Locke published an anthology of current work called The New Negro:An Interpreatation | Harlem Renaissance |
| nineteenth century from England; Southney | Lake Poets |
| Boccioni and Carra | Futurism |
| Pound,Williams,Lowell,Dolittle | Imagism |
| paintings are precise and cool as if made by machines | Hard Edges |
| Hughes,Toomer,Cullen | Harlem Renaissance |
| traditional manner of Wordsworth | Georgians |
| New York First half of the nineteenth century Irving,Cooper,Bryant | Knickerbocker Group |
| Wordsworth,Coleridge | Lake Poets |
| Cole,Durand,Church,Gifford | Hudson River School |
| Wright,West,Hurston | Harlem Renaissance |
| Renoir,Pissarro,Cezanne | Impressionism |
| Masefield,Housman,Brooke | Georgians |
| Sisley,Manet,Monet | Impressionism |
| seventeenth century English poets used verbal wit and excess, ingenious structure, irregular meter, colloquial language, elaborate imagery and a drawing together of dissimilar ideas; show an intense spirituality | Metaphysical Poets |
| 1520-1570 between the Renaissance and Baroque | Mannerism |
| fantastic fiction coming out of South America after WWII | Magic Realism |
| peot musicians of Germany in the 12th and 13th centuries, who were of noble birth, like the troubadors of France, and who produced love songs | Minnesingers |
| name given by Teddy Roosevelt to a group of American writers and journalists who, during the early 1900's wrote to expose corruption and exploitation in business and politics:Steffens,Tarbell,Sinclair | Muckrakers |
| writing which exploits the speech, dress, mannerisms, habits of thoughts, and topography peculiar to certain region; became dominant in the US around 1880s | Local Color |
| in painting, spatial distortion and elongation of the human figure were used to emphasize the effect of struggle | Mannerism |
| Stein first heard the phrase from the proprietor of the Hotel Pernollet in Belley who referred to a young mechanic | Lost Generation |
| movement in abstract art (mostly sculpture) and music towards severly simplified composition | Minimalism |
| (1)wrote about the west(2)wrote about the south(3)wrote about New England | (1)Harte(2)Twain,Miller(3)Cable,Hearn,Harris |
| in general, an exaggerated adherence to a particular manner or style; more particulary, it refers to a style originating in Italy and current in 16th-century European art and architecture | Mannerism |
| incorporates dimensions of the imagination, particularly as expressed in magic, myth, and religion | Magic Realism |
| French symbolist painters working together in the last decade of the 19th century | The Nabi Painters |
| referrd to the men and women who came to maturity between WWI and the Great Depression | Lost Generation |
| Caravaggio and El Greco | Mannerism |
| Andre,Glass | Minimalism |
| Jewett wrote about Maine in: | The Country of the Pointed Firs |
| Hemingway,Pasos,Faulkner | Lost Generation |
| united in their reverence for the philosophy of Gauguin in their belief in auniversal symbol-language of art | The Nabi Painters |
| Fuentes,Llosa,Cortazar,Marquez | Magic Realism |
| Donne,Herbert,Vaughn,Marvell | Metaphysical Poets |
| Fitzgerald,Eliot,Cummings | Lost Generation |