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Periods&Movements4-6
Stack #165166
Question | Answer |
---|---|
french artists 1905-1907 Matisse leader | Les Fauves |
Rouault, Derain, Dufy, | Les Fauves |
nationalistic nineteenth-century Russian composers | The Five |
Cui,Mussorgsky | The Five |
Ransom,Tate,Warren | The Fugitives |
formed by Marinetti in Italy,1909; | Futurism |
Vlaminck, and Braque | Les Fauves |
Southern poets and critics Vanderbilt University 1920's | The Fugitives |
Rimsky-Korsakov,Balakirev,Borodin | The Five |
English poets style dominated the early eyars of the 20th century poetry of nature and rustic life | Georgians |
uses sharply contoured, simple forms; | Hard Edge |
nineteenth century French painters in Paris sought to break up light into its component parts and to render it ephemeral play on various surfaces by a succession of discontinuous dabs of color | Impressionism |
Moore, Riding, Lytle | The Fugitives |
1920's New York City | Harlem Renaissance |
Young, Parnell, Blair, Gray | Graveyard Poets |
known as the era of Duke Ellington's jazz at the Cotton Club | Harlem Renaissance |
demanded absolute precision in the presentation of the individual image, not mere description 1910 | Imagism |
Albers,Noland,Kelly,Stella | Hard Edge |
nineteenth-century US artists who painted rural scenes, especially in New York's Catskill Mountains after 1830 | Hudson River School |
In 1925 Locke published an anthology of current work called The New Negro:An Interpreatation | Harlem Renaissance |
nineteenth century from England; Southney | Lake Poets |
Boccioni and Carra | Futurism |
Pound,Williams,Lowell,Dolittle | Imagism |
paintings are precise and cool as if made by machines | Hard Edges |
Hughes,Toomer,Cullen | Harlem Renaissance |
traditional manner of Wordsworth | Georgians |
New York First half of the nineteenth century Irving,Cooper,Bryant | Knickerbocker Group |
Wordsworth,Coleridge | Lake Poets |
Cole,Durand,Church,Gifford | Hudson River School |
Wright,West,Hurston | Harlem Renaissance |
Renoir,Pissarro,Cezanne | Impressionism |
Masefield,Housman,Brooke | Georgians |
Sisley,Manet,Monet | Impressionism |
seventeenth century English poets used verbal wit and excess, ingenious structure, irregular meter, colloquial language, elaborate imagery and a drawing together of dissimilar ideas; show an intense spirituality | Metaphysical Poets |
1520-1570 between the Renaissance and Baroque | Mannerism |
fantastic fiction coming out of South America after WWII | Magic Realism |
peot musicians of Germany in the 12th and 13th centuries, who were of noble birth, like the troubadors of France, and who produced love songs | Minnesingers |
name given by Teddy Roosevelt to a group of American writers and journalists who, during the early 1900's wrote to expose corruption and exploitation in business and politics:Steffens,Tarbell,Sinclair | Muckrakers |
writing which exploits the speech, dress, mannerisms, habits of thoughts, and topography peculiar to certain region; became dominant in the US around 1880s | Local Color |
in painting, spatial distortion and elongation of the human figure were used to emphasize the effect of struggle | Mannerism |
Stein first heard the phrase from the proprietor of the Hotel Pernollet in Belley who referred to a young mechanic | Lost Generation |
movement in abstract art (mostly sculpture) and music towards severly simplified composition | Minimalism |
(1)wrote about the west(2)wrote about the south(3)wrote about New England | (1)Harte(2)Twain,Miller(3)Cable,Hearn,Harris |
in general, an exaggerated adherence to a particular manner or style; more particulary, it refers to a style originating in Italy and current in 16th-century European art and architecture | Mannerism |
incorporates dimensions of the imagination, particularly as expressed in magic, myth, and religion | Magic Realism |
French symbolist painters working together in the last decade of the 19th century | The Nabi Painters |
referrd to the men and women who came to maturity between WWI and the Great Depression | Lost Generation |
Caravaggio and El Greco | Mannerism |
Andre,Glass | Minimalism |
Jewett wrote about Maine in: | The Country of the Pointed Firs |
Hemingway,Pasos,Faulkner | Lost Generation |
united in their reverence for the philosophy of Gauguin in their belief in auniversal symbol-language of art | The Nabi Painters |
Fuentes,Llosa,Cortazar,Marquez | Magic Realism |
Donne,Herbert,Vaughn,Marvell | Metaphysical Poets |
Fitzgerald,Eliot,Cummings | Lost Generation |