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Elements of Lit.
Unit 1
Question | Answer |
---|---|
Within the main comparison of "The Windows," the word 'anneal' conveys God's ability to forgive our sins. | False |
In "Mother to Son" the speaker's perseverance is commendable , even scriptural. | True |
John's statement "And the Word was made flesh, and dwelt among us" contains an example of synecdoche. | True |
The world's first poem was created by Eve when she first saw Adam. | False |
In "The Return of the Rangers," Roberts often relies on personification to show the dangers of nature. | True |
Understanding the Bible's literary features helps Christians better understand God's message. | True |
Petrunkevitch's essay "The Spider and the Wasp" shows how informative literature is the most likely kind to use imaginative comparisons effectively. | False |
Imaginative comparisons inherently communicate information less clearly than literal language. | False |
In "A Bird Came Down the Walk," Dickinson employs personification to better catch readers' interest. | True |
An extended metaphor is the term used when the tenor remains unstated. | False |
The hero of Kenneth Roberts's "Return of the Rangers" is clearly Captain Ogden. | False |
Kenneth Roberts's polished writing style incorporates parallelism to aid in compression and in maintaining a matter-of-fact approach. | True |
The core mark of great writing. | Theme |
A complex form of an extended metaphor. | Allegory |
A speaker's or writer's directly addressing an absent person, abstraction, or inanimate object. | Apostrophe |
The use of words that are harsh or dissonant in sound. | Cacophony |
A type of comparison that draws a striking parallel between two seemingly different things. | Conceit |
The use of words whose sounds are pleasant and musical to the ear. | Euphony |
An artful deviation from literal speech or normal word order. | Figurative language |
Descriptive words or phrases that appeal to sense perceptions in order to crate an impression. | Imagery |
An expression in which a related thing stands for the thing itself. | Metonomy |
Giving human characteristics to something that is not human. | Personification |
Using part of something to stand for the whole. | Synecdoche |
A recurring or emerging idea in a work of literature. | Theme |
The term for a metaphor whose tenor remains unstated. | Implied Metaphor |
In a metaphor the original subject which the metaphor seeks to describe. | Tenor |
A comparison of two unlike objects using like or as. | Simile |
The major turning point for the main character; the point at which something happens that affects the outcome of the story and determines the future of the main character. | Crisis |