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Performance History II Final

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Question
Answer
Off-Broadway Movement   1959 Ford Foundation Grants 1965 The NEA Questions/Goal - Relationship between theatrical forms and reality. Connection btw. actor and character. Role of the audience. Is art a social function? (Lincoln Center, 1965 example for not-for-profit theate  
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Off-Off Broadway   October 1960, Ubu Roi at Greenwich Village Theater Coined by Jerry Talmer Less commercial  
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Regional Theater Movement   Stage 47 in Dallas, TX / Margo Jones Alley Theater in Huston / Nina Vance Arena Stage in D.C. / Zelda Fitzcandler Actor's Workshop in San Francisco / Irving Blau  
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Living Theater   1947 - Judith Molina and Julian Beck Mission: To aid the audience to become a congregation of choral ecstasy of reading and response. Social problem plays and "Paradise Now" MARIJUANA  
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Judson Dance Theater   Progressive politics form 1930s to 60s Visual art and dance art Postmodern Dance 200 dances from 1962 to -64  
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Postmodern Dance METHODS   Formalist Disruption of formalist power No choreography Move away from personal style and imitation of masters Other media / found material Whatever aleatory methods of indeterminacy  
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Yvonne Rainer   NOT MARTHA GRAHAM No anything, ever....except for formalism. ......Trio A......  
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Nigeria   Independence in 1960 from Britain. 250 ethnic groups Glee group singing and play  
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South Africa   Protest plays - Athel Thugard Independent 1910 and Apartheid ends in 1990.  
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Egungun Festival   (Nigeria) Planting season (spring) Means "bone" of "skeleton" Refers to the collective spirits of ancestors. Priests invoke ancestors with costumes, drumming and improvisation and drugs. Informal setting - circle of people outside...in the dirt...  
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Alarinjo Theater   17th C. Court of Oyo Yoruba kingdom. Secret guild system for training. Dance spectacle to show off money.  
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Yoruba Opera   Alarinjo and music hall from England Glee-Group signing, play (satire or topical story with dialogue, ends with glee singing). Known story based off of conventions. Contemporary: 1980s 120 companies Mix of traditional and modern and Yoruba and englis  
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Hubert Ogunde   Founder of Yoruba. Wrote plays and professional company Plays: "The Garden of Eden and the Throne of God" and "Strike and Hunger" Form (refernce Yoruba Opera card)  
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John Osborne   1929 - 1994 "Look Back in Anger" - 1956 known as angry monologue Angry Young Men - school writing Questioned the class system.  
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Joan Littlewood   1914 - 2002 (Theater Workshop) -> Founded in 1945 to offset commercial theater in London. Ex: "Oh What A Lovely War" - Questioned WW1 and WW2  
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Devised Theater   Political Objectives: For locals Theater isn't text-based Collaborative Artist-centered  
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Harold Pinter   1930 - 2009 "The Dumb Waiter" "The Homecoming" "Old Times" Characterized by "Pinteresque pause, silence, subtext, undefined danger and realistic setting" Temporal echoes "Battle rapping"  
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