Pivot Point ch 9 Sculpture
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| Sectioning | dividing the head into controllable areas for sculpting
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| apex | the top portion of the head
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| occipital | the bone in the back of the head
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| nape | the back of the neck
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| forward | head position most used when refining form lines
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| fringe | pivot point term for bangs
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| perimeter | outline of the sculpture
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| head position | the way the head is held while sculpting
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| partings | used for control of hair when sculpting
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| concave line | inside area of a curve
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| convex line | outside area of a curve
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| Basic | form or shape by observing the outer boundary or silhouette.
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| Detail | texture or surface appearance
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| abstract | viewed as if the hair stands straight out from the head at a 90* angle
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| Natural fall | the hair as it lays naturally from the head
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| normal projection | viewed abstractly as if hair were projected straight out from the head in a 90* angle.
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| weight | the concentration of lengths within a given area.
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| solid form | also known as 0* angle cut. all lengths fall to one level.
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| graduated form | shorter exterior lengths that progress toward longer interior lengths. also known as 45* or wedge cut
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| increased layer form | shorter interior lengths that progress toward longer exterior lengths. Also known as 180* cut.
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| uniform layer form | all lengths in the interior and exterior are the same. Also known as 90* cut.
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| shears | produce clean blunt edge
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| Taper shears | one straight blade and one serrated blade.
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| Razor | produces a tapering or angled effect on the end of each strand
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| Clippers | electric tool that can achieve a variety of effects. Generally sculpts hair fastest.
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| comb | used to distribute and control the hair before, during and after sculpting
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| palm down | palm of sculpting hand faced down as in solid form
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| palm up | palm of sculpting hand faces up as is sculpting diagonal lines
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| palm to palm | the palm of your sculpting hand faced the palm of your other hand as when sculpting graduated lengths
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| on top of the fingers | sculpting above the fingers when lifting lengths on top of the head
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| shampoo comb | comb used to detangle wet hair after shampooing
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| master sketcher | comb used for controlling large amounts of hair
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| sculpting comb | comb that has fine and wide teeth for distribution of medium sections of hair
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| Taper comb | a barber comb that allows sculpting close to the scalp
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| natural distribution | the direction the assumes as it falls naturally
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| perpendicular distribution | hair combed at a right angle from the parting. Not necessarily 90* from the scalp.
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| shifted distribution | hair combed out of natural fall and perpendicular distribution. used with exaggerated lengths.
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| direction distribution | used most often along a horizontal, vertical, or diagonal plane.
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| Planar sculpting | most often used along a horizontal or vertical plane. Square or rectilinear form
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| projection | the angle at which the hair is held. Elevation. high, medium, low
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| parallel finger position | fingers are positioned the same as the parting line. equal distance away
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| nonparallel finger position | fingers are positioned unequally from the parting line.
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| design line | length guide used when sculpting, can be stationary or mobile
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| stationary design line | all hair are directed to the same length guide.
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| mobile design line | using a small amount of previously sculpted hair as a length guide to sculpt the next parting.
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