Vocabulary and Concepts
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| 16 MIDI Channels | The number of channels available to you in a MIDI connection. Provides the use of multiple MIDI controllers
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| Active Speaker | Loudspeaker with an internal amplifier
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| Amplifier | An electric device that boots sound to a level strong enough to move a speaker at the desires sound level
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| Analog | A continuous signal, could be a wave form or steady electronic voltage variation
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| Audio File Editor | Where you trim and edit audio wave information
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| Audio Interface | Generally, a device which converts analog electrical signals to digital data that a computer can understand, and vice versa; often connected via USB cable
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| Automation | A technique that is used to make a process such as volume, pan, echo, reverb, or tempo change automatically over a set period of time
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| Bouncing Tracks | The process of turning the product created in a DAW to a mixed down mp3 or WAV file
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| BPM | Beats per minute, how a metronome measures steady beat
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| Cardioid Pattern | Heart shaped microphone pick-up pattern that rejects sound from behind
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| Condenser Microphone | A high-quality, more expensive, sensitive microphone for critical sound pickup of the entire frequency spectrum. Microphone which uses either a battery or phantom power to supply electricity to a capacitor with a metal diaphragm
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| CPU | Central processing unit of a computer. The brain where most calculations take place
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| DAW | Digital audio workstation, a computer software program used for recording, editing, and producing audio files, GarageBand, Logic
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| Digital | Discrete steps, the measurement of a parameter in equal steps to be stored in computer language
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| Dynamic Microphone | Microphone which uses a coil of wire wrapped around a magnet. Known for being cheap, rugged, and affordable. It does not cover the complete frequency spectrum
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| Equalizer | The tool used in order to boost or attenuate (cut) specific frequencies within a sound
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| Equalizer | A device for adjusting the relative strengths of different audio frequencies. Used to boost or cut specific frequencies within a sound
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| Form | Organization of large musical ideas
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| General MIDI Standard | A subset of the MIDI spec that standardizes instrument names, patch locations, MIDI channel assignments, and drum kit note assignments between various synthesizer manufacturers
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| Hammond B3 Organ | Electric organ first manufactured in 1935. It utilized organ keyboards and a Leslie Rotating Speaker to produce sounds. Sound is manipulated by sliding draw bars. Famous in churches and baseball fields.
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| Harmony | The combination of multiple notes used to support the melodic line. Creates fullness, texture, color, or emotion
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| Layered Music | The process of starting with a single musical idea or loop and gradually adding additional sounds or tracks one at a time
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| Les Paul | Popular guitarist/songwriter who created the solid body electric guitar and pioneered the multitrack recording process
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| Loop Library | Where loops are installed and indexed for use in composition
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| Marquee Tool | A plus symbol shaped tool used for highlighting audio wave file information
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| Melody | The main idea of a song, created using one note at a time
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| Metronome | A tool used in music to mark time as a consistent steady click
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| MIDI | Musical Instrument Digital Interface
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| MIDI | Musical Instrument Digital Interface, the language computers and hardware use to transfer musical information
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| MIDI Clock | A timing code that is used to synchronize sequencers and drum machines
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| MIDI Controller Messages | The use of tools and such as MIDI volume, modulation wheel, and sustain pedal
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| MIDI Instrument Controller | The MIDI woodwind, percussion, and violin controller.
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| MIDI Interface | A device that adds a MIDI in, out, and sometimes thru port to a desktop computer. Commonly used between the MIDI instrument and the computer to translate the MIDI signal for the computer
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| MIDI Port | A MIDI software connection representing a MIDI in, out, or thru
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| MIDI Thru Box | Device which splits the MIDI out signal of a master instrument or sequencer to avoid lengthy daisy chaining
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| Mixing Board | An electronic board that can connect 4 to 72 different signals. It is used for combining and changing levels of various instruments and voices to create a desired sound
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| Monophonic | An instrument that can produce only one sound at a time. Used to create a melodic line
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| Moog Synthesizer | It was the first synthesizer to use a piano-style keyboard
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| Musique Concrete | French classical music in which the composer works directly with sounds recorded on magnetic tape, not with musical notation and performers
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| Mute Button | Disables the audio output of the track
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| Pan | The separation of an audio signal between left or right audio channels
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| Passive Speaker | A loud speaker that requires an external amplifier to work
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| Patch | A specific sound on a synthesizer. The collection of processes required to generate a single sound from a synthesizer
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| Pencil Tool | Allows for the entry of MIDI data using the computer mouse
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| Phantom Power | Often seen on audio equipment as +48V. Provides the fixed charge for a condenser microphone
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| Piano Roll | The screen which allows you to edit the time, location, length, and velocity of an entered MIDI note
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| Playhead | Marks your project's current position in the timeline or the browser. It appears as a gray vertical line with a triangle at the top that is fixed in place unless you move it or the song is playing
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| Polyphonic | An instrument that can produce many sounds at the same time. Used to create a harmonic line
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| Pre-amp | A device used to provide amplification to the microphone so that the mixing board or audio interface can manipulate/sample the signal efficiently
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| RCA Mark I Synthesizer | The first attempt by Columbia-Princeton Studios to create a synthesizer in 1959. It employed paper tape with specific holes punched in it in order to trigger sounds.
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| Rhythm | How music moves in relation to time. Beat, pulse, or groove
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| Robert Moog | Developed the keyboard based analog synthesizer in the early 1960's
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| Sampling | Creating a MIDI controlled instrument from live recorded sounds
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| Sequencer | A device that enables a person to assemble a sound file track by track. Allows for the recording and arranging of MIDI data
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| Sequencer Arrange Window | The piano roll. This allows for the arrangement of individual MIDI notes within the timing grid
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| Solo Button | Click to play only that track. Mutes all of the other tracks
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| Sound Library | Where you select individual patches or instruments
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| Standard MIDI File (SMF) | The standardized file format that allows different sequencers or computer programs to share MIDI data with each other
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| Teleharmonium | Invented by Thaddeus Cahill. It weighed 200 tons and cost $200,000 to make in 1987. It was the first use of the term "synthesizing" to create musical sound
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| Theremin | An early electronic instrument named after its inventor that creates sound from the motion (in the air) of the players hands
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| Track | Separate layers of audio used to record sources individually
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| Transport Panel | Contains the buttons for navigating through the song (rewind, play, fast forward)
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| TR Cable | Two pin cable that is used for guitars and other instruments. Good for 20'
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| TRS Cable | Three pin cable commonly used to connect balanced equipment, speakers, and headphones. Good for 100'
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| Wendy Carlos | Late 20th and 21st century American composer, technician, and arranger using Moog synthesizers for film soundtracks and the albums The Well-Tempered Synthesizer and Switched-On Bach
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| XLR Cable | The cable used for microphones or high quality balanced equipment such as audio mixers. Good for 200'
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| Yamaha DX7 Synthesizer | The first affordable and portable synthesizer which used modern circuitry
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