theatre vocab
Quiz yourself by thinking what should be in
each of the black spaces below before clicking
on it to display the answer.
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| break a leg | an expression used instead of ‘good luck’ when one wishes an actor success before opening night
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| break-up | When an actor’s dialogue is interrupted by laughter
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| bring up | 1. Increase brightness of lights; 2. Raise the curtain
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| build | to increase the loudness, rate, and energy of a line, speech, scene or song in order to reach a climax
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| business | activity performed by an actor during or in place of a speech
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| by-play | secondary stage business upstage while main action of the scene is being played out downstage
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| call | 1) announcement to performers or crews that they are needed for a rehearsal or performance; 2) warning to performers to get ready for an entrance
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| callboard | place backstage in a theatre where company rules, announcements, notes, and messages are posted
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| cameo | unimportant, small role by a famous actor
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| casting | difficult task of matching the actors who auditioned for the production with the roles in the play or musical
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| catwalk | narrow platform suspended above the stage to permit ready access to the ropes, the lights, and the scenery hung from the grid
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| centre line | an imaginary line down the centre of the stage, from upstage to downstage
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| changing booth | a small temporary place in the wings where an actor can make a costume change without going to the dressing room
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| characterization | representation of a character’s qualities or peculiarities through dialogue, gesture, movement, costume and makeup
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| cheat | move that does not attract attention to itself while managing to keep the actor in view of the audience.
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| Chorus | a narrator who introduces or comments on the play.
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| claque | people who are hired by performers (or their representatives) for the express purpose of starting and sustaining applause for them.
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| climax | highest point of dramatic tension in a script.
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| clipping | when an actor begins to speak his lines before another actor finishes his cue phrase
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| closed turn | turn made away and with the actor’s back to the audience, usually considered a poor movement. The opposite, an open turn, is most often preferred.
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