Baroque Period
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| show | Time period- 1600-1750
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| show | Noble people, paying money for music
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| show | The chuch, paying money for music
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| show | Middle class, paying money for music
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| Theory of Affects | show 🗑
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| Prima Practica | show 🗑
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| Seconda Practice | show 🗑
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| show | Figured Bass. Symbols used to indicate the chords used, and changes to intervals ie slashes through numbers
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| Figured Bass Realization | show 🗑
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| show | Combination of multiple instruments playing different parts ie.
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| Chromaticism | show 🗑
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| Tonality | show 🗑
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| show | Developed by Florenine Camerata; believed Greek Tragedies were set to music. First opera house opened in Venice in 1637. Became sensation; diva/divo culture. Staged theatrical production consisting of arias, recitatives and instrumental pieces.
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| show | "little book" The actual text of the opera
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| Florentine Camerata | show 🗑
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| Giovanni Bardi | show 🗑
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| show | Read Ancient Greek in the Florentine Camerata
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| show | Musician; interested in tuning system. Father of Galileo. Member of Florentine Camerata
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| show | Musical interlude of a pastoral, allegorical or mythological subject. Performed before, between or after a spoken comedy or tragedy.
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| show | The first opera. Enchanted with his music. 1602. Written by Monteverdi.
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| Recitative | show 🗑
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| Aria | show 🗑
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| Castrato | show 🗑
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| Farinelli | show 🗑
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| Ritornello | show 🗑
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| show | A form of music written for a small group; originally performed in royal chamber
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| Basso Ostinato | show 🗑
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| show | Short musical number; 10-30 minutes long. Lyrical or quasi-dramatic text.
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| show | Prima Practica. 1600s. Many rules. Church music
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| show | Seconda Practica. Counterpoint more free. 1700's.
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| Sacred concerto | show 🗑
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| Polychordal motet | show 🗑
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| show | Occurred during lent. Similar to opera, except sacred subject. Held in an oratory. Not staged; a choir and instruments telling a story instead of showing it. Narrative dialogue.
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| show | German composer. Combined German text with Italian style.
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| show | Leading composer of oratorios
-9 & 9
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| show | Variations over a basso continuo (figured bass)
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| show | Lively dance song; derived from chaconne. Variations over a figured bass.
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| show | Collection of dance songs; contrasting pieces linked together in a single work.
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| Toccata | show 🗑
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| Girolami Frescobaldi | show 🗑
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| Fantasia | show 🗑
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| Prelude | show 🗑
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| Fugue | show 🗑
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| Canzona | show 🗑
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| Sonata | show 🗑
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| show | Piece played by one or more instruments. Baroque instrumental piece with contrasting sections "movements".
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| show | Piece played by treble instruments (usually violin) over a basso continuo (usually keyboard)
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| show | Violinist; composer of solo and trio sonatas
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| show | Stringed instrument, most popular "virtuoso" instrument in baroque period.
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| Organ | show 🗑
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| show | French name for harpsichord
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| Style brise | show 🗑
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| show | Small plucked instrument, keyboard. Soft, expressive sound.
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| Opera Seria | show 🗑
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| Da capo aria | show 🗑
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| show | Composer of operas and cantatas
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| show | Italian composer who moved to France to compose for King Louis the 14th. Had sole writing rights to writing operas in France until his death.
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| King Louis the 14th. | show 🗑
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| show | 17-18th century form of opera by Lully; combines French classic drama with ballet and music
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| French overture | show 🗑
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| Ornamentation | show 🗑
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| show | "Unequal notes"; used by French, alternating longer on-beat, shorter off-beat
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| Overdotting | show 🗑
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| Henry Purcell | show 🗑
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| Antonio Vivaldi | show 🗑
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| Ospedali | show 🗑
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| Solo concerto | show 🗑
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| show | Small ensemble of solo instruments and a large ensemble
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| Ritornello form | show 🗑
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| Francois Couperin | show 🗑
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| show | Unknown before age 40. Leading composer after Lully's death.
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| Traite de l'Harmonie | show 🗑
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| show | German composer; never left Germany. Had 3 stages of his life; a) organist, b) court, c) director. a) organist at Arnstadt, Muhlhausen and Weimar. b)Cothen c) Leipzig
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| show | Set of organ works by J.S. Bach
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| George Fredric Handel | show 🗑
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