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CAPITOLO 2 LEZIONE 28

QuestionAnswer
1. La componente saggistica di Uno, nessuno e centomila: rischia di soffocare la vicenda
2. Per Moscarda, l'atto: non racchiude l'identità di un individuo
3. Nella concezione del tempo e dello spazio, Moscarda: si dimostra uno scrittore tradizionale
4. Rispetto all'ordine narrativo tradizionale, Moscarda: esprime un'ironica nostalgia
5. Nell'epilogo di Uno, nessuno e centomila, Moscarda richiama alla mente il personaggio di Pau dei Quaderni: perché trova rifugio in un ospizio di mendicità
6. L'esito della disgregazione di Moscarda consiste: nell'anonimato
7. La dissoluzione di Moscarda nella natura: costituisce un'immagine della figura dello scrittore
8. L'aspetto modernista di Uno, nessuno e centomila riguarda la vicenda e il protagonista
9. Riguardo al Romance, la riscrittura modernista di Uno, nessuno e centomila: si misura in negativo
10. I temi principali del romanzo risultano modernisti: per come vengono vissuti dal personaggio
Created by: user-1767373
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