Theatre Test
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| Aesthetic distance | Enter into an imaginative world; separate from everyday reality
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| Auteur Director | Attempts to present his/her own version of dramatic work; not necessarily of the playwright
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| Critics | Observe theatre and then analyzes and comments on it
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| Reviewers | Same as critics
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| Diegesis | Conveying the action of a story through narrative voice
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| Mimesis | Imiation of action
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| Methexis | Group sharing; including audience; improvisation
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| Action | Second essential of a dramatic structure; cause and effect; beginning, middle, and end
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| Conflict | Third essential of a dramatic structure; collision of people in a drama that gives rise to dramatic action
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| Obstacle | Hurdles blocking a character's path; outside force that introduces at an inopportune moment
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| Complication | Same as obstacle
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| Crisis | Results from obstacles and complications involving dramatic characters
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| Climax | Final and most significant crisis. Issues of the play are resolved/ended
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| Exposition | Details about the past to be introduced so the audience can understand the character or plot
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| Deus ex machine | To save the action from its logical conclusion; untangles the knots
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| Subplot | Parallel plot; technique of episodic drama
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| Ritual | Reenactment of some transition that has special meaning; formal events; weddings
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| Dialogue | Conversation between characters in a novel/short story
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| Stock character | Character who has one outstanding trait of human behavior to the exclusion of all other attributes; seem like sterotypes
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| Commedia dell'arte | A form of comic improvisational theatre that flourished in Italy from the late 1600 to the 1800
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| Chorus | Sing and dance in a main plot
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| Protagonist | Leading character
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| Antagonist | Character opposing the protagonist
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| Tragedy | Dramatic form involving serious actions of universal significance; unhappy ending
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| Comedy | Concerned with issues that are not serious; amusing; happy ending
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| Slapstick | Type of comedy that relies on ridiculous physical activity; violence
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| Farce | Dramatic genre usually regarded as a subclass of comedy, with emphasis on plot complications and with few pretensions
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| Satire | Dramatic techniques of comedy; use of irony, and wit; to attack and expose vice
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| Theatre of the absurd | Plays expressing absurdity of existence
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| Realism | Presenting everyday life events and issues onstage
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| Konstantin Stanislavsi | Russian actor and director; Cofounder of the Moscow Art Theater in Russia
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| "Magic If" | Stanislavski acting exercise; How would I react if I were in this character's position
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| Ensemble Recall | Stanislavski exercise in helping performers present realistic emotions
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| Voice Projection | Voice is used loudly and clearly in singing or speaking
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| Ensemble playing | Acting that stresses the total artistic unity of a group performance rather than individual performances
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| General Audition | 1st phase of the casting process
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| "Cattle call" | Mass audition; prepared monologue
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| Callback Audition | 2nd phase of casting process
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| "Sides" | Small scenes that are being produced
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| Headshot | A actor's face as a visual refernce
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| Actors' Equity Association | Professional union of theatre actors and stage managers
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| Screen Actors Guild | Professional unions for actors in films
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| Talent Agency/Agency | Will arrange for audition and negotiate contracts
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| Spine/Throughline | A character's dominant desire; usually thought of as an action and expressed as a verb
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| Casting | Assigning roles to performers in a production
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| Audition | Tryouts held for performers to be in a production
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| Blocking | Pattern and arrangement of performers' movements onstage with respect to each other and to the stage space
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| Technical rehearsel | All design and technical elements brought together
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| Run-through | Rehearsal in which the cast goes through the whole text of the play in order that will be performed
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| Dress rehearsel | Rehearsal which a play will be performed as it will be for the public
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| Stage Manager | Person coordinates the rehearsal and performance
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| Dramaturg | Literacy advisor or dramatic adviser of a theatre company
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| Artistic Director | Person responsible for all creative and artistic activities
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| Proscenium | Arch or frame surrounding the stage opening in a box or picture stage
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| "Fourth Wall" | Audience looking into a room through an invisible fourth wall
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| Rake | Upward slope of the stage floor away from the audience; position scenery on a slant
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| Fly loft | Space where scenery may be lifted out of sight by pulleys
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| Thrust stage | Theatre space where the audience sits on three sides of the stage
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| Traverse/ Tennis court stage | Two sides of the stage filled with people
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| Arena stage/ Theatre-in-the-round | Stage entirely surrounded by an audience
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| Black box | Theatre space that is open and flexible without fix seating or stage arena
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| Environmental/ Site-specific staging | Interaction with the audience at a restaurant
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| Ground plan | Layout of stage design to indicate placements
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| Stage Areas | ---
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| Wagon | Low platform mounted on wheels to move items on and off stage
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| Flat | Single piece of flat scenery to create a set
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| Scrim | Thin, open wave fabric which is lit from behind (transparent) and opaque when lit from the front
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| Computer-aided design | Use of computers to create design components such as ground plans
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| Scenic charge artist | Person responsible in seeing that the sets are built and painted according to designer
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| Paint charge artist | Person responsible in seeing that the hole scenery is painted
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| Dimmer | Device in changing lightning intensity soomthly
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| Downlighting | Lighting that comes directly overhead
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| Backlighting | Lighting that comes from behind
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| Gobo | Template determining the shape and arrangement of the beam
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| Follow spot | Large, powerful spotlight with a sharp focus used to follow characters
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| Blackout | Total darkening of the stage
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| Fade | Slow dimming of lights
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| Motivated sounds | Sounds called for in the script to recognize sources
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| Environmental sounds | Noises from everyday life providing background
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| Peter Brock | Creater of Empty space
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| Right stage | Right side is the performer's view facing the audience
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| Left side | Left side is the performer's view facing the audience
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| Director | Person who coordinates and rehearses performers to ensure that interpret the text correctly
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| Script | Blueprint
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| Theatre space | Where the performers and audiences come together
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Created by:
animalsavior
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