| Question | Answer |
| What two perspectives did Leonardo use to create "The Last Supper? | Linear and Intuitive Perspective |
| What household item did Julian Schnabel use as a medium | plates |
| space enclosed by mass | Volume |
| Figure-ground relationship | where the subject refers to the all the space around it |
| thick paint so it extends off the surface or panel layering or properties of paint | impasto |
| Principles of Design | Unity Emphasis and Subordination
Variety Balance
Scale and Proportion
Pattern and Rhythm |
| Chiaroscuro | light and shade create a sense of shadow
3D effect |
| suggestion of 3D through line, color and/or light | Modeling |
| Beauty | ideal quality of natural world, that artist has attempted to recreate through his/ her imagination |
| Value | degree of light/ darkness of given color |
| What represented in background
(less defined than foreground) | Atmospheric perspective |
| Intuitive Perspective | background looks right but isn't mathematically correct |
| Harmony between parts and the whole | Unity |
| Creates tension and unity | Variety |
| dark and very visible | real lines |
| outlines the figure | contour lines |
| Orthogonal | imaginary lines that recede to imaginary vanishing point |
| Linear perspective | Math perspective |
| Intrinsic Value
Beauty
Cultural Value | Properties in determining
What is art? |
| everything is defined by sharp lines
(technique) | Linear, Gestural |
| Edward Hopper, Nighthawks, 1942
painting | unity through line
green restaurant
people= vertical line |
| approach to the depiction of objects as they appear in nature | Naturalism |
| Stylization | manner of representing something form the natural world but with simplification and distortion |
| line light shape time
color texture space | Visual/ Formal Elements of Design |
| In situ | Built into the site
(original/ not moved) |
| artistic period in which a piece was made | Period |
| Tromp l'oeil | to fool the eye |
| size in relation to the real size of some object or some object standard | Scale and Proportion |
| Rhythm and Pattern | relationship, either of time or space, between reoccurring elements of a composition |
| represents natural objects in recognizable form | Representational Art |
| Conforms to an idea of something that might be derived from reality but does not represent that reality accurately | Idealized Art |
