click below
click below
Normal Size Small Size show me how
Jazz Appreciation 1
Study notes for the first exam of Dr. Scott's class
| Question | Answer |
|---|---|
| combo | 3-5 people |
| big band | 17-20 people |
| African Influence | emphasis on rhythm |
| European Influence | emphasis on melody, harmony, and form |
| What two influences blended together to create New Orleans jazz? | European and African Influences |
| congo square | A large field in New Orleans where slaves were allowed to gather on Sundays to sing, dance, and play their drums in their traditional native manner |
| creoles | people with Negro and French or Spanish ancestry |
| Types of music that contributed to jazz | field hollers, work songs, minstrels, religion services |
| first instrumental group | marching band |
| father of blues | W.C. Handy |
| rural jazz | Robert Johnson, Bessie Smith, Ma Rainy |
| urban jazz | Bessie Smith, Billie Holiday, Ethal Waters |
| Ragtime | 2-beat (left handed), technical, composed(written), ragged/syncopated melodies, Scott Joplin (Maple Leaf Rag), Jelly Roll Morton |
| Stride | 2 beat, faster => pop melodies, pure improv, Blues Tunes, James P. Johnson, Fats Walter |
| Boogie Woogie | 8 beat ostinato, blues form, improv(right hand), Meade Lux Lewis, Pete Johnson, Jimmy Yancy |
| syncopation | play against the beat; when up beat is accented; accent on the & |
| Who organized the first jazz band? | Buddy Bolden |
| King Oliver | Louis Armstrong mentor |
| What are trumpet players called? | kings |
| Storyville(1896-1917) | district where most entertainment happened |
| New Orleans Dixieland Jazz Band Instruments | cornet, clarinet, trombone, tuba, drums, banjo |
| Chicago Dixieland Jazz Band Instruments | cornet, clarinet, saxophone*, trombone, piano*, guitar*, String rags*, drum set* |
| Chicago Dixieland | 2 beat, faster tempo, intros & exits, pure emphasis on improv solos, louis armstrong |
| work songs | Sung without instrumental accompaniment and were associated with a monotonous regularly recurring physical task (i.e. Juliana Johnson by Ledbelly) |
| minstrels | were performed in blackface and created cartoonish Negro caricatures; would become the most popular form of American stage music |
| field hollers | established communication between american slaves; the bending of a tone comes from field hollers |
| Buddy Bolden | credited with establishing the set instrumentation for marching bands |
| Chicago Dixieland players | Bix Biederbecke, Frankie Trambauer |
| New Orleans Dixieland players | Louis Armstrong, Buddy Bolden, King Oliver, Jelly Roll Morton |
| 2 band styles | marching band, big band |
| Who was TinPan Alley? | A music publisher |