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Oral Exam: Neuro
| Term | Definition |
|---|---|
| Perception (bottom-up) | Raw sensory intake of sound (pitch, timbre, loudness). No meaning attached yet. |
| Cognition (top-down) | Interpretation, meaning-making, labeling musical elements. Recognizing melody, style, or emotional significance. |
| Parallel Processing of Stimuli | Brain processes multiple musical elements simultaneously |
| Gestalt Principles in Music & Attention | “The whole is greater than the sum of its parts.” Brain automatically organizes musical elements into meaningful patterns. |
| Gestalt Principles helps create unified perception of | Melodies, Phrases, Chord progressions, Rhythmic groupings |
| Definition of Attention | The selection mechanism of the brain that determines what information is processed deeply and what is filtered out. |
| Sustained attention | maintaining focus over long periods. |
| Selective attention | focusing on one stream while filtering others (ex |
| Attentional control | shifting attention intentionally, redirecting focus. |
| Covert attention | internal shift (not visible). |
| Overt attention | visible shift (eye movement, head turn). |
| Capacity Model | limited cognitive resources; uses chunking and memory. |
| Spotlight Model | attention focuses like a spotlight; everything else fades. |
| Cocktail Party Phenomenon | focusing on one auditory stream; includes |
| Bottleneck Theory | only selected sensory info is processed due to limited capacity. |
| Filter Model | filtering occurs before pattern recognition. |
| Attenuation Theory | unattended information is “turned down” but still processed lightly. |
| Feature Integration Theory | basic features are processed first; attention binds them together. |
| Biased Competition Theory | stimuli compete for processing; influenced by goals and salience. |
| Amygdala | fear, anxiety, emotional learning; activated by unexpected/dissonant music. |
| Insula | interoception, disgust, anxiety, social emotions. |
| Orbitofrontal Cortex (OFC) | reward value; activated by preferred music. |
| Anterior Cingulate Cortex (ACC) | error detection, conflict monitoring, pitch correction. |
| Mesolimbic System | dopamine release, pleasure (musical chills). |
| Nucleus Accumbens | key dopamine reward center activated by pleasurable music. |
| Basal Ganglia | rhythm, movement, emotional action tendencies. |
| Cerebellum | timing, sequencing, entrainment with rhythm. |
| Feeling | brief, subjective label (“I feel sad”). |
| Mood | long-lasting, diffuse emotional state. |
| Emotion | specific, trigger-based reaction with physiological changes. |
| Cognitive appraisal | evaluating meaning. |
| Regulation | adjusting response. |
| Subjective feeling | internal experience. |
| Action tendency | urge to act. |
| Physiological arousal | bodily changes (HR, respiration). |
| Expression | outward display. |
| Aesthetic | Evoked by art/music. Not tied to survival or action. |
| Utilitarian | Goal-directed; survival-oriented. Fear → run, anger → fight, etc. |
| Physiological / Biological | Heart rate changes, respiration changes, Goosebumps, chills, Dopamine release (reward pathways), SNS activation, Rhythm processed by cerebellum & basal ganglia, Dissonance activates insula |
| Psychological / Cognitive | Schema-based expectations, Interpretation based on memory & culture, Emotional meaning-making, Catharsis (sad music can feel good), Safe emotional expression through music |
| Emotional factors influencing response | Personal history, Cultural background, Preference/familiarity, Musical structure (dissonance, tempo, dynamics) |
| Discrete Model | basic universal emotions (fear, anger, happiness). |
| Dimensional Model | valence (pleasant/unpleasant) + arousal (high/low). |
| Miscellaneous / Music-specific | emotion depends on genre, familiarity, personal meaning. |
| Emotion regulation | adjusting emotional arousal to return to balance. |
| Music can increase or decrease arousal it involves | Lateral PFC (executive regulation), ACC (monitoring), OFC (value assignment), Amygdala (emotional learning) |
| Sensory Memory | Very brief (<2 seconds).Includes auditory, visual, kinesthetic, and movement memory. Basis for audiation. |
| Immediate memory | easily lost. |
| Working memory | holds chunks; actively manipulates information. |
| Hippocampus | chooses what to encode. |
| Long-Term Memory | Permanent storage. Formed through repetition, meaning, emotional salience. |
| Semantic priming | meaning-related. |
| Associative priming | connected experiences. |
| Repetition priming | repeated exposure improves recall. |
| Perceptual priming | similar forms (rhyming). |
| Conceptual priming | conceptual similarity (ascending pitch = going up). |
| Masked priming | partial stimulus still influences recognition. |
| Attention determines | what enters working memory. |
| Emotion strengthens | memory consolidation (amygdala + hippocampus). |
| Music engages both | increased encoding + retention. |
| Repetition enhances | long-term memory. |
| Novel musical events | increase arousal → stronger encoding. |
| Audiation supports | memory rehearsal. |
| Music helps | retrieval and consolidation. |
| Music is tied to emotional memories and | stronger connections. |
| Cerebral Cortex | long-term storage for explicit memories. |
| Neocortex | distributed memory networks; organized retrieval. |
| Cerebellum | procedural memory, rhythm, sequencing. |
| Basal Ganglia | habit formation, motor sequences, procedural memory. |
| Allocortex | includes hippocampus. |
| Hippocampus | new memory formation, consolidation, episodic memory; links memory + emotion. |
| Aesthetic | Evoked by art/music. Not tied to survival or action. |
| Utilitarian | Goal-directed; survival-oriented. Fear → run, anger → fight, etc. |
| Physiological / Biological | Heart rate changes, respiration changes, Goosebumps, chills, Dopamine release (reward pathways), SNS activation, Rhythm processed by cerebellum & basal ganglia, Dissonance activates insula |
| Psychological / Cognitive | Schema-based expectations, Interpretation based on memory & culture, Emotional meaning-making, Catharsis (sad music can feel good), Safe emotional expression through music |
| Emotional factors influencing response | Personal history, Cultural background, Preference/familiarity, Musical structure (dissonance, tempo, dynamics) |
| Discrete Model | basic universal emotions (fear, anger, happiness). |
| Dimensional Model | valence (pleasant/unpleasant) + arousal (high/low). |
| Miscellaneous / Music-specific | emotion depends on genre, familiarity, personal meaning. |
| Emotion regulation | adjusting emotional arousal to return to balance. |
| Music can increase or decrease arousal it involves | Lateral PFC (executive regulation), ACC (monitoring), OFC (value assignment), Amygdala (emotional learning) |
| Sensory Memory | Very brief (<2 seconds).Includes auditory, visual, kinesthetic, and movement memory. Basis for audiation. |
| Short-Term Memory | |
| Immediate memory | easily lost. |
| Working memory | holds chunks; actively manipulates information. |
| Hippocampus | chooses what to encode. |
| Long-Term Memory | Permanent storage. Formed through repetition, meaning, emotional salience. |
| Semantic priming | meaning-related. |
| Associative priming | connected experiences. |
| Repetition priming | repeated exposure improves recall. |
| Perceptual priming | similar forms (rhyming). |
| Conceptual priming | conceptual similarity (ascending pitch = going up). |
| Masked priming | partial stimulus still influences recognition. |
| Attention determines | what enters working memory. |
| Emotion strengthens | memory consolidation (amygdala + hippocampus). |
| Music engages both | increased encoding + retention. |
| Repetition enhances | long-term memory. |
| Novel musical events | increase arousal → stronger encoding. |
| Audiation supports | memory rehearsal. |
| Music helps | retrieval and consolidation. |
| Music is tied to emotional memories and | stronger connections. |
| Cerebral Cortex | long-term storage for explicit memories. |
| Neocortex | distributed memory networks; organized retrieval. |
| Cerebellum | procedural memory, rhythm, sequencing. |
| Basal Ganglia | habit formation, motor sequences, procedural memory. |
| Allocortex | includes hippocampus. |
| Hippocampus | new memory formation, consolidation, episodic memory; links memory + emotion. |