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| Term | Definition |
|---|---|
| Scale | A set of notes in order (up or down) that fit a pattern and start/end on a home note. Example: C–D–E–F–G–A–B–C. |
| Major Scale | A bright-sounding scale that follows the pattern W–W–H–W–W–W–H (W = whole step, H = half step). Example: C major: C–D–E–F–G–A–B–C. |
| Whole Step / Tone | The distance of two half steps; you skip one piano key in between. Example: C → D (there’s a black key between them). |
| Half Step / Semitone | The smallest distance between two notes—one piano key to the very next key. Example: E → F (no key in between), or C → C♯. |
| Tonic | The “home” note of a key or scale; the note everything wants to resolve to. The starting and ending notes of a major scale. Example: In C major, the tonic is C. |
| Key | The musical “home base” built on a tonic and its matching set of notes. It tells which notes sound normal/expected. Example: In the key of G major, G feels like home and F♯ is used. |
| Key Signature | The group of sharps or flats at the start of the staff that shows the key. Example: One sharp (F♯) = key of G major (or E minor). |
| Accidental | A symbol (♯, ♭, ♮) written before a note that changes its pitch for that measure. Example: A ♯ raises A to A♯ until the bar line. |
| Enharmonic | Two different names for the same pitch. Example: F♯ and G♭ sound the same but are spelled differently. |
| Diatonic | Notes that belong to the current key/scale (no outside/extra sharps or flats). Example: In C major, the diatonic notes are C D E F G A B (no sharps/flats). |