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Opera Ballet Musical
| Term | Definition |
|---|---|
| Opera | A dramatic art form combining libretto and musical score |
| Ballet | A dance form characterized by its highly stylized movement and technique; often accompanied with classical music |
| Musical | A theatrical performance incorporating dialogue, music, and dance; characterized by storytelling and entertainment |
| Recitative | Sung dialogue |
| Aria | Solo songs for a voice |
| Origins of Opera | Began as an experimental art form to revive ancient Greek drama; late 16th century; based on emotional depth and story |
| Baroque Opera | marked the development of opera’s formal structure; uses recitative and aria to advance the plot and express emotions; private settings |
| Classical Opera | Integrated humor, drama, and music in a balanced way |
| Romantic Opera | Brought more emotional depth and dramatic intensity to opera. |
| Modern Opera | Continued to evolve, incorporating contemporary themes and experimental styles; dodecaphonic and serial |
| 15th-17th Century Ballet | The first significant developments occurred in France; performances included vibrant costumes and themes; Form of control in French Courts |
| Dramatic Narrative | Shift from courtly entertainment to storytelling |
| Ballet d'Action | Focused on the narrative through dance rather than dialogue, paving the way for modern ballet |
| Romantic Ballet | Idealization of the female dancer; innovations in costumes and technique allowed for more movements |
| Classical Ballet | This era emphasized technical precision and theatrical storytelling |
| Modern Ballet | Broke from tradition to a more abstract form , emphasizing movement over narrative; began to blend with other dance forms |
| Libretto | The text or script |
| Ballare | To dance |
| Labanotation | A system for analyzing and recording human movement |
| Prima Ballarina | Art form across the world |
| Kinds of Ballet | Myths |
| George Balanchine | Known for creating narrative ballets with elaborate ideas |
| Catherine de' Medici | Introduced ballet to the French court in the 16th century |
| Origin of Ballet | Started in Italy as a form of entertainment and control of nobles |
| American Ballet Theatre | Company that revolutionized ballet by blending modern art, music, and design |
| Sergei Diaghilev | Developed the classical Russian style of ballet |
| King Louis XIV | Founded the first royal dance academy |
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