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MUS 165 - Part II
Part II - Chapters 7-9
| Question | Answer |
|---|---|
| The traditional Gregorian chant sung at funerals? | Dies Irae |
| The monophonic chant originally sung unaccompanied in Latin by monks and priests in the Roman Catholic Church? | Gregorian Chant |
| A ritual for public worship? | Liturgy |
| The parts of the Mass that are ordinarily included, regardless of the church season: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei. | Ordinary |
| The portion of the Mass that is "proper" for a designated day in the church year? | Proper |
| The funeral Mass of the Roman Catholic Church? | Requim |
| Two composers at the Nortre Dame Cathederal in Paris who experimented in polyphonic music and were among the first to write in rhythmic modes? | Leonin and Perotin |
| French composer who also wrote poetry and is generally considered to be the first to write a complete polyphonic setting of the Mass Ordinary? | Guilllame de Machaut (1300-1377) |
| A preexisting melody that is used as the basis for a polyphonic vocal work? | Cantus Firmus |
| A low, continuous sound that lasts throughout a piece of music? | Drone |
| An instrumental dance during the Middle Ages? | Estampie |
| A sacred composition for voices? | Motet |
| The constant repetition of certain rhythm patterns, much like poetic meters? | Rhythmic modes |
| Flemish composer who was the highest paid composer of his time, he also perfected the point of imitation compositional technique? | Josquin Des Prez (1440-1521) |
| German woman who believed she received visions from God and wrote music, including Ordo Virtutum, an early morality play? | Hildegard of Bingen (1098-1179) |
| An Italian composer who was the perfection of the Renaissance A Capella style? | Palestrina (1526-1594) |
| An English composer known mainly for his church music and madrigals? | Thomas Weelkes (1576-1623) |
| Unaccompanied choral music is? | A capella |
| A French polyphonic song of the seventeenth century? | Chanson |
| A free, secular, imitative work for voices? | Madrigal |
| A sacred vowel composition developed during the Renaissance? | Renaissance Motet |
| The compositional technique of having the musical sounds reinforce the words being sung? | Text (Word) Painting |
| The music of the early Greeks sounded like? | No one knows what it really sounded like |
| A Greek chorus accompanied dramas with melodic songs. | False (The chorus did not sing, however; instead, it chanted in a singsong style.) |
| A mass for the dead includes all but which one of the following | Gloria |
| Gregorian chant has no? | All of these choices (Metrical rhythm, Harmony, Dramatic qualities, Major/Minor scales) |
| Many of the practices of the Christian church were adapted from? | Judaism |
| The original notation of the Gregorian chant consisted of square notes and no indication of meter. | True |
| Gregorian chants were basically hymns sung by the congregation at worship services. | False |
| The early Greek who discovered the basic acoustical quality of musical sounds was? | Pythagoras |
| An important Greek philosopher who strongly advocated music as essential for an educated person was? | Plato |
| Does not have a metrical rhythm? | Gregorian chant |
| The Kyrie, Gloria, Credo, Sanctus, and Agnus Dei constitute what part of the Mass? | The Ordinary |
| Hildegard's Ordo Virtutum is? | A morality Play |
| All parts of Ordo Virtutum were sung except? | The devil's |
| The approximate years of the medieval period are? | 1100-1450 |
| Chivalry was an outlook or attitude that? | Glorified women |
| Polyphony began? | When Monks and Priests tired of Gregorian Chant |
| Polyphony in music is? | Two or more different melodies being performed at the same time |
| Leonin and Perotin had all but which of the following in common? | They sought recognition for their music throughout France |
| This is true of medieval motets. | They were based on a phrase of Gregorian Chant. |
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